insight… in sight…

Thinking more about the subconscious process behind my art lately …

Work emerging from the studio the past two weeks appear again to be channelling my time spent studying and sketching reedbeds and pools/channels on the north Norfolk saltmarsh coast.

Initially these were experimental pieces with mixed-media (inks and acrylics etc) on watercolour board and paper. But having left them alone for a few days, then coming back and working into them with that lovely rust colour for instance, they definitely evoke reedbeds and water to me. The first one below from a close viewpoint, the second from further away.

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Untitled. Mixed media on paper © Mari French 2017

But I’ve also been considering this: they’re not just about distilling what I see or feel, my work seems increasingly to recall my physical experience; the journeying and exploration of my chosen terrain. So some motifs may appear more than once and at different scales, because I see the same place/object or experience the same feeling or sensation several times as I go, turning and watching, stopping and walking back to study some more.

Having been working towards abstraction in my interpretation of the landscape over the past decade, it’s intriguing (and a bit thrilling) to get this insight into the way my own process works.

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Untitled. © Mari French 2017

gallery revamp…

Just a quick post to say I’ve overhauled my gallery on this blog (see menu above), with a selection of artworks (some of which you’ll have seen in recent posts). Hope you enjoy browsing! Feedback welcome.

Experimental ink study © Mari French 2017

Experimental ink study © Mari French 2017

splashes and scribbles …

Experimental studies © Mari French 2017Recent markmaking and loosening up exercises helped me get back into painting after limited studio time over the new year, and overcome the dreaded artist’s block. The result was these little studies in acrylic and ink on paper. I used just 3 colours (plus white), watching the interesting colour mixes emerge. 

By working on a group of smallish papers fixed close together I could use big gestures to make the marks, skipping from one to the other with my implements or media as instinct took over. The trick with this method of loosening up is not to think too much about what you’re doing.

It’s great playing around like this and it does seem to feed into later work in certain ways. Above I’ve used everything from eyedroppers, ink pencils and several types of brush to fingers and the side of my hand to push and pull the paint around, scribing into it with the end of a small paintbrush.

Tonal values experimental study © Mari French 2017

Tonal values experimental study © Mari French 2017

I then did something similar but on a larger sheet and just using monochrome acrylic paint/ink to practice tonal values. (Above). These are great warm up exercises to get you going and deal with artists block. 

Experimental study (detail) © Mari French 2017

Experimental study (detail) © Mari French 2017

Experimental study (detail) © Mari French 2017