revisiting reed beds …

Video

Coastal reed beds, sunlight. © Mari French 2019

I need some new inspiration. I’ve loved exploring my impressions of Dungeness (see my last three posts), but in all fairness I probably need more than that one day of exploring and sketching back in October. I’m not abandoning the subject, but I do feel I’m retreading old ground now. I need to go back to visit and sketch, but for various reasons I can’t for a while. Three largish canvases stalled, so time for a change of direction. I believe artists need to be able to study a subject in some depth before creating meaningful expressive abstract interpretations.

In the meantime, I’m continuing to practice markmaking in my studio with acrylics, ink and other mixed media and enjoying messing about in my workbook. I can feel coastal reedbeds and sunlight coming through again and the urge to go walking and sketching in my usual stomping ground on the North Norfolk coast between Thornham and Burnham Overy Staithe.

Experimental painting with ink and acrylics © Mari French 2019
Workbook markmaking practice.

Reed beds, early Spring. © Mari French 2019

Another effective way of moving through a stalled phase for some artists can be to change techniques/medium for a while. So I’ve purchased some sheets of Mylar (as used for stencils) to try out. Obviously I need to play around with them for a while to discover their potential. So far I think oil paints with oil bars/pastels might give the most satisfying results, but oh the drying time! More about this in another post.

reed-fringed pools… spangled light…

Recent walk and sketching in early spring sunshine (and Baltic easterly!) at Burnham Overy Staithe, on the north Norfolk coast.

Reed-fringed pool, sketchbook spread. © Mari French 2017

Reed-fringed pool, sketchbook spread. © Mari French 2017


It was spring half-term so there were quite a few groups of people about and the usual dog walkers. Always happy when a dog bounces up to inspect what I’m doing 🙂 The sunlight through the reeds and spangled reflections in the pools was a joy to observe. Handily placed benches help too!

Reedbeds, Burnham Overy Staithe. © Mari French 2017

Reedbeds, Burnham Overy Staithe. © Mari French 2017

 

Burnham Overy Creek & breakwaters © Mari French 2017

Burnham Overy Creek & breakwaters © Mari French 2017

Abstracting the creek © Mari French 2017

Abstracting the creek © Mari French 2017

 
Tide retreating, Burnham Overy Staithe © Mari French 2017

Tide retreating, Burnham Overy Staithe © Mari French 2017

Returning to the car my attention was caught by large flocks of smaller birds lifting up into the air en-masse from the grazings, although the larger geese didn’t seem bothered. I stopped to use my monocular and spotted a Marsh Harrier swooping along the edge of the field and hedgerow, flushing the birds out. It swept swiftly up and along a few times then landed out of sight, possibly with a catch. I was hoping I might have caught it on my photos but it was too fast.

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017

a quiet place …

 

A quiet place. Acrylic/ink on canvas board. Mari French 2015

A quiet place. Acrylic/ink on canvas board. Mari French 2015


I painted these two new Saltmarsh works just recently and they’re now at the framers in preparation for my small solo show at Fineline Frames Gallery, Creake Abbey, North Norfolk, this September.

I admit I’m quietly pleased with them. I’m so enjoying working on this series and excited by the way my interpretation of the Saltmarsh is developing. I can’t wait to see them framed.

For those of you not familiar with my obsession with this subject, this is what I’ve written as an intro to the blurb for the exhibition:

Mari French’s current work is inspired by the ever changing beauty of the saltmarsh coast of North Norfolk. Since moving to Norfolk six years ago, she has spent many hours walking and sketching around Thornham, Brancaster and Burnham Overy Staithe, in particular. This has culminated in an ongoing series of mixed-media abstracted landscapes, which will eventually form a larger body of work on the theme of saltmarsh. Her aim is to suggest the shapes, colours and textures of the saltmarsh that capture her interest – old staithes, channel markers, creeks, grazings, breakwaters, tidal marks, reedbeds – and place them in the wider coastal environment.

My exhibition starts on Saturday 5th September and runs for the whole month. Tues – Sun 10am – 4pm.

Fineline Frames Gallery, Creake Abbey, North Creake, Fakenham, Norfolk NR21 9LF.

 
Liminal space. Acrylic/ink on canvas board. Mari French 2015

Liminal space. Acrylic/ink on canvas board. Mari French 2015