About mari french

I am a full time artist, living and working in a small village in Norfolk, UK. I enjoy experimenting with mixed-media - an unpredictable and exciting process, resulting in a distillation of my experience and a loose, atmospheric evocation of place. In 2016 I was a selected artist for the Royal Institute of Artists in Watercolours (RI). I was a finalist in Artist & Illustrator Magazine 'Artist of the Year 2016'; and was featured in The Artist magazine in June 2016. In 2014 I was a finalist in the Sunday Times Watercolour Competition. I am an elected IEA Member (Provisional).

balancing act …

'Zawn' finished painting. © Mari French 2018.

‘Zawn’ finished painting. © Mari French 2018.

I’ve just sent off three new canvases in my Cornish Coves theme to The Harbour Gallery Portscatho in Cornwall as mentioned in a previous post. The one above is titled ‘Zawn’, which was the name given to deep and narrow sea-inlets in cliffs, often  exploited by tin and copper miners of the past. I thought you might be interested in seeing how the work developed.

The photo below shows the early stages of ‘Zawn’. I had no definite image in my mind at the start of this painting, other than the Cornish coastline theme. However, I think, having painted light and sea into the other canvases, I wanted to do something a little different here, to capture the power and looming presence of the rocks and cliffs of the wild Penwith coast.

'Zawn', 1st stage. 50x60cm, acrylic on canvas. © Mari French © 2018

‘Zawn’, 1st stage. © Mari French © 2018

At the beginning, I gave free rein to my paintstrokes, scumbling and scratching into the paint. I used a dryish brush in places to give the sparkle of light on rock and sand. The resulting image suggested to me a cave in a dark cliff and having come across several of these around Penwith, I decided to develop the work in that direction.

Inevitably some of the luscious marks and gestural passages at the start of a work eventually get painted over, often a hard decision to take; but without the confidence to do this editing, I find a finished artwork will have a static, tentative feel to it. (Of course another tricky, but important part of the process is leaving areas alone!). It’s a question of balance of freedom and control.

Below shows ‘Zawn’ almost finished. I decided I wasn’t happy with the pointy shapes in the background behind the large boulder on the right, so did some further work on them and tied the image together by suggesting a large rock instead, plus some line work (see top photo of this post).

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‘Zawn’ almost finished. © Mari French 2018

Hope you’ve enjoyed this insight into the creation of one of my semi-abstract landscapes. I find photographing some of the stages as I paint an invaluable record and self-teaching aid.

 

Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

coves and harbours …

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Cove (i) © Mari French 2018

I’ve been falling behind a bit with my posts and this is the first one for May, so I better make up for it. It’s been very heartening to see so many people signing up to follow me lately and I’m very grateful. As is usual in Spring for me, May has been a pretty busy month, but one of the first things I want to tell you about is a new gallery that is now taking my work.

I’ve wanted to show in Cornwall for a while ever since doing art residencies in the area since 2014. So, when The Harbour Gallery Portscatho, asked me a few weeks back if I’d let them have a few pieces of my work, (having sold work for me through their online sister gallery BritishContemporary.Art ) I jumped at the chance. I was planning a week’s holiday (and sketching of course) in St Ives in May, so I was delighted to deliver the work myself.

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Cove (ii) © Mari French 2018

These two pieces (50x60cm mixed media on canvas, framed) are both inspired by my experience of the small rocky coves of the West Cornish coast. I’m so pleased to be showing with the award-winning Harbour Gallery as it’s not only a lovely busy artspace in the beautiful coastal village of Portscatho on the Rosedale peninsula near Truro, but the owner Mark David Hatwood is such a friendly and supportive person, a great salesman and also very effective with social media promotion for his artists.

Hopefully this will be a long and mutually successful collaboration.

For more on my recent sketching holiday in Cornwall, see my next post (coming very soon!).

Portscatho harbour, near Truro, Cornwall. © Mari French 2018

Portscatho harbour, near Truro, Cornwall. © Mari French 2018