Workbook warmups …

Featured

abstract collage in mixed media by Mari French contemporary artist
Winter weather, studio workbook collage © Mari French 2021

Since the New Year, as mentioned in my previous post Cold feet… midwinter motivation I’ve been working on a series of small artworks on the theme of winter weather for an exhibition at Babylon Arts in Ely, Cambridgeshire. There was a call for artists and I was delighted to have my proposal selected for this commission. I can’t say (or show) too much of my artwork until the gallery themselves announce and promote the show later this month.

However, I’ll carry on posting the workbook warmups from the studio that I create in between the artworks and occasionally a few small details from the works themselves to whet your appetites. I’ve been having a great time playing with acrylic inks, staining and scribbling on tissue papers and other materials and media, and in the process have discovered new effects and techniques – one of the bonuses of being out of your comfort zone (my first public commission) and using new surfaces and media.

Group of details from collage artworks by Mari French contemporary artist.
Small details from new artwork series © Mari French 2021

The above are small details from some of the works in progress. So far I have more works underway than I need for the commission, which I’m pleased about as it gives me room to select the ones that work best. The work has been going very well over the past few weeks, considering the battle to warm up the studio. This has given me room to breathe, step back, and live with them for a while before I decide that’s it and I get down to the finishing touches, varnishing etc.

I’ve noticed the importance of warming up in the workbook in the stalled pauses between work on the actual artworks. The temptation has been to keep working on them, but making myself stop and play (with similar materials) where it ‘doesn’t matter’, often results in a discovery of useful techniques and effects, and a loosening up of my creative muscles!

Winter walk, studio workbook collage © Mari French 2021

I’m really excited about how it’s going and can’t wait to see them displayed together (and to show you the results!).

Processing…
Success! You're on the list.

Last of the gold …

Inspired by glorious remnants of glowing colour in the woods on the way to my studio…

Bronze beeches, silver birch and sycamore. A carpet of copper leaves, drifts of small gold birch ‘coins’, blazing metals against charcoal branches.

Since early November I’ve been responding to the ever-dwindling autumn colour in the surrounding woods and hedgerows, by experimenting in my studio workbook; simplifying, abstracting, finding ways of suggesting what I’ve experienced. Then with ink, acrylic, collage, calligraphy etc on individual works on paper.

Mari-French-studio-workbook
Mari-French-abstract-collage
Mari-French-abstract-autumn-woodland

It’s been enjoyable using a variety of my own calligraphy, collage and various ways of mark making, plus limited metallic touches. I like the way the lettering is also reminiscent of the bare branches of the increasingly denuded trees. As the autumn has given way to winter, the sparks and flickers of gold, deeper in the woods where there’s more shelter from the wind, have become all the more precious.

While I’ve enjoyed creating these works and spreads, I’d like to take the ideas further into abstraction. The simple collage in the photo of my studio workbook above top, although somewhat subdued, is the one I actually find most satisfying in it’s minimalism and use of space. It would be interesting to work on similar versions on a large scale at some point.

Top: photo by Irina Iriser from Pexels Above: photo by Abraham Braun from Pexels

Processing…
Success! You're on the list.

Fragments and reflections…

Featured

Struggling to put thoughts into words over the past few months… fortunately not struggling quite as much to put brush to paper (or canvas) though. It’s been too long (again) since my last post so I’m going to give you a quick recap on what I’ve been up to, just to get myself started writing posts again.

After the tulips artworks I created back in May (here) I went on to develop a very satisfying small series of garden abstracts which proved very popular. One featured in Artists & Illustrators Magazine (October 2020), others were snapped up by galleries. All my love and appreciation of the sanctuary of my garden is embedded in these works. I relished this luscious limited palette; note that green! I rarely used green much before in my paintings, but this series just called out for it’s freshness.

‘Abundance’, mixed media abstract painting on paper. © Mari French 2020.

’Abundance’ (above), acrylic/ink/gouache on paper.

When I was eventually able to get back to the North Norfolk coast my love of the salt marsh and reed beds emerged again. I was back in my element and the lush berry colours of the abstract garden series developed into a more subdued bruised version, influenced by the turning colours of the Autumn – all green-greys, grey-purples and bronze.

Earlier in the year, feeling unable to paint, I’d spent time creating calligraphic papers for collages,with roughly written words relating to bird flight, reed beds, reflections, light etc in inks on tissue. Some of these were perfect for adding to these mixed media abstracts, adding a kind of fragment of message to the image.

‘Equivocal’, mixed media abstract painting on paper. © Mari French 2020.

And below are a few of the on-the-spot sketches at Thornham, Brancaster Staithe and Burnham Overy Staithe, that inspired the above…

“The early stages of a painting are not the time to engage your critical thinking. Let the work show itself”

and finally, I can’t remember where I read the above quote, or who wrote it (sorry), but it has been invaluable to me lately in allowing myself to rely on my intuition when starting a painting (although I sometimes forget!). It’s now stuck to my easel as a reminder. I ignore it at my peril, the painting never works when I try too hard.