Last of the gold …

Inspired by glorious remnants of glowing colour in the woods on the way to my studio…

Bronze beeches, silver birch and sycamore. A carpet of copper leaves, drifts of small gold birch ‘coins’, blazing metals against charcoal branches.

Since early November I’ve been responding to the ever-dwindling autumn colour in the surrounding woods and hedgerows, by experimenting in my studio workbook; simplifying, abstracting, finding ways of suggesting what I’ve experienced. Then with ink, acrylic, collage, calligraphy etc on individual works on paper.


It’s been enjoyable using a variety of my own calligraphy, collage and various ways of mark making, plus limited metallic touches. I like the way the lettering is also reminiscent of the bare branches of the increasingly denuded trees. As the autumn has given way to winter, the sparks and flickers of gold, deeper in the woods where there’s more shelter from the wind, have become all the more precious.

While I’ve enjoyed creating these works and spreads, I’d like to take the ideas further into abstraction. The simple collage in the photo of my studio workbook above top, although somewhat subdued, is the one I actually find most satisfying in it’s minimalism and use of space. It would be interesting to work on similar versions on a large scale at some point.

Top: photo by Irina Iriser from Pexels Above: photo by Abraham Braun from Pexels

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ink and water…

This week I returned to the inspiration of the bathing pool at Priest Cove, Cape Cornwall (see the post on my Brison Veor residency from earlier this year).

To start with I’ve been working on small mixed-media pieces on paper including the two shown here, but this time with a wet-in-wet acrylic ink base. I wanted to evoke the feeling and sound of the tide approaching over the rocks and of the crashing waves inundating the pool, which is set into the rocks.

Today however, I decided to be braver and go bigger. I thought you might like to see a short video of me starting the first large piece.

thinking ink…

Having fallen behind with posts last couple of months, I’ve a fair bit of catching up to do. These are my latest playing around pieces, with inks, carried out in a rather cold studio this month.

The first two below also use paint pens, ink pencil and acrylic paint.

Untitled. © Mari French 2016

Untitled. © Mari French 2016


Untitled. © Mari French 2016

I already use acrylic ink in liquid, pencil and block form in my mixed-media pieces, but I bought a few of the new Muted range of Liquitex acrylic inks recently and enjoyed experimenting with them. I did find that, for me, the muted ‘grey’ (purple really) and the muted violet (purple) need to be combined with other colours to bring out their beauty, but they’ve increased my arsenal so I’m happy. I also got the muted turquoise, which isn’t that muted and a bit garish for me, but never mind.

Winter, saltmarsh. © Mari French 2016

Winter, saltmarsh. © Mari French 2016

Oh, and they also mix successfully with acrylic paint too.