Playing catch up…

New Autumn sunflowers series. © Mari French 2021

I can’t quite believe it’s so long since I last posted in this blog; where has the time gone? The past few months have been a particularly busy time for me in the studio, not least creating three new series of work:

new Cornish paintings inspired by a sketching trip to St Ives, Cornwall in April (see previous post), some of which were exhibited at Gallery East, Woodbridge, Suffolk this summer;

a fresh take on my salt marsh obsession, in acrylic inks and soft pastel. This time I’ve been inspired by the mirror-like pools and creeks scattered over the salt marshes and grazings. I exhibited several at Norfolk Open Studios in September/October and four are currently on show at ’Littoral’, a group exhibition (until 21 November 2021) at Little Buckland Gallery, Broadway, Cotswolds, a new gallery (for me) and one I’m very excited to be showing with;

and last, but not least, my current series inspired by a local field of fading autumn sunflowers, one shown above, which I’ll tell you about in my next blog post soon!.

Below is ‘Cradled sky’ one of the new salt marsh works in acrylic ink and soft pastel, at Little Buckland Gallery, and below that ‘Unfolding coast’ which sold from my open studio. Check out more of this series on my website here.

‘Cradled sky’, ink/pastel on paper, 29x29cm. © Mari French 2021
‘Unfolding coast’, ink/pastel on paper, 21x29cm, SOLD. © Mari French 2021

Another event that took up lots of time was preparing for Norfolk Open Studios. I opened to the public for three long weekends in late September, early October. This was the first time I’ve opened my ‘new’ studio at West Raynham airbase to the public and I’m happy to say it was pretty successful, with the sale of several paintings, collagraph prints and lots of art cards.

I really enjoyed meeting art lovers, artists, friends and neighbours, plus new collectors of my paintings! So much so that I’ve now decided to offer to open by appointment – just email me at art@marifrench.com if you’d like to visit. The studio is at West Raynham Business Park, near Fakenham, North Norfolk, UK, NR21 7PL.

At my open studio in September/October, Norfolk Open Studios 2021.

Going back to the Cornwall work, I later produced a set of five collaged panels that also developed from my sketching break in and around St Ives, in April this year. I loved working on these cradled wood panels (25x25x3cm), they take multiple layers of media very well and don’t need framing. In these I’ve made extensive use of collage elements; cornish newspapers, tide tables and my own calligraphic notes to add texture.

The proximity of water © Mari French 2021

I love the contrast of the wild Penwith coast with its small rocky coves and energetic tides crashing in and out; a contrast to the usually calmer North Norfolk coast close to where I live. I haven’t exhibited them yet and all five are still available. You can see the full set on my website at www.marifrench.com

Sea language © Mari French 2021

Last of the gold …

Inspired by glorious remnants of glowing colour in the woods on the way to my studio…

Bronze beeches, silver birch and sycamore. A carpet of copper leaves, drifts of small gold birch ‘coins’, blazing metals against charcoal branches.

Since early November I’ve been responding to the ever-dwindling autumn colour in the surrounding woods and hedgerows, by experimenting in my studio workbook; simplifying, abstracting, finding ways of suggesting what I’ve experienced. Then with ink, acrylic, collage, calligraphy etc on individual works on paper.

Mari-French-studio-workbook
Mari-French-abstract-collage
Mari-French-abstract-autumn-woodland

It’s been enjoyable using a variety of my own calligraphy, collage and various ways of mark making, plus limited metallic touches. I like the way the lettering is also reminiscent of the bare branches of the increasingly denuded trees. As the autumn has given way to winter, the sparks and flickers of gold, deeper in the woods where there’s more shelter from the wind, have become all the more precious.

While I’ve enjoyed creating these works and spreads, I’d like to take the ideas further into abstraction. The simple collage in the photo of my studio workbook above top, although somewhat subdued, is the one I actually find most satisfying in it’s minimalism and use of space. It would be interesting to work on similar versions on a large scale at some point.

Top: photo by Irina Iriser from Pexels Above: photo by Abraham Braun from Pexels

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ink and water…

This week I returned to the inspiration of the bathing pool at Priest Cove, Cape Cornwall (see the post on my Brison Veor residency from earlier this year).

To start with I’ve been working on small mixed-media pieces on paper including the two shown here, but this time with a wet-in-wet acrylic ink base. I wanted to evoke the feeling and sound of the tide approaching over the rocks and of the crashing waves inundating the pool, which is set into the rocks.

Today however, I decided to be braver and go bigger. I thought you might like to see a short video of me starting the first large piece.