on the high moors 2: emerging images…

White Cross (mixed media on board) © Mari French 2018White Cross (mixed media on board) © Mari French 2018

White Cross (mixed media on board) © Mari French 2018

Well, the recent trip to the high moors above Rosedale in the North York Moors I wrote about in my last post paid off inspiration-wise I’m pleased to report. If you haven’t seen that post you can read it here.

I’ve been on a bit of a roll since getting back in the studio – a new palette reflecting the stone, iron ore, soft purples and ochres of the late summer/early autumn moorland landscape of North Yorkshire. First came these small studies on paper, after checking through my photos and sketches:

Moors above Rosedale, North York Moors. (study) © Mari French 2018

Moors above Rosedale (study) © Mari French 2018

 

Then a few explorations in a more abstract graphic style of the distinctive medieval ‘wheelhead’ White Cross or ‘Fat Betty’ that sits up on the moorland at the crossroads of 3 parishes:

 

Eventually I allowed my subconscious to take over and without referring to any of these resources trusted to memory and instinct (the way I love to work!). I wanted a soft palette of green-greys, bruise-greys, and blue-greys with also a soft brick tone to reflect the outcrops of iron ore in the area. I often mixed these directly on the support itself. I tried 40x40cm canvas but found in this instance I was more happy working on watercolour board at a similar size.

Anyway, these works below (and top of this post) are what emerged. I’m very excited by them and enjoyed creating them so much. They’ve already aroused interest in two galleries. I’m pleased to report I’m taking these first three of this new series to a gallery in Sevenoaks, Kent at the end of September. Now looking forward to what else emerges in this series!

High moorland (mixed media on board) © Mari French 2018

High moorland (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018

 

on the high moors …

White Cross, NYM

White Cross (or ‘Fat Betty’) near Rosedale, North York Moors. © Mari French 2018

What do artists do when they hit a creative block? How do you refresh your inspiration? There are probably as many answers to these questions as there are artists. I have different methods but sometimes all that works is a complete change of scene…

A few weeks ago I was going through a frustrating period of needing a serious injection of new inspiration (and cooler temperatures!), along with quite a few other artists I know, apparently. I love Norfolk especially the saltmarshes, but felt the need for hills, drama and a different landscape history.

So I booked myself into a cottage high on a hill, above the beautiful village of Rosedale Abbey in the North York Moors. The green fertile farmland and historic villages of NYM are widely known, but I was interested in the bleaker but no less beautiful high plateau of heather moorland soaring above them.

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Rain approaching, North York Moors. Sketchbook. © Mari French 2018

Although only there for 3 full days I made the most of my time by getting up early and going out sketching and exploring the area until dusk. The weather was bright and warm at first but soon became more changeable with long fronts of dark rainclouds looming overhead, giving me the light and contrast I prefer for sketching.

One of the distinctive features of these moors are the numerous ancient standing stones, medieval crosses and waymarkers dotting the area. The latter two types were placed as guides to travelling pilgrims, church-goers, funerals etc traversing the extensive moorland plateau, particularly in bad weather.

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Standing stone, Dog Howe, North York Moors. Sketchbook. © Mari French 2018

High moorland near Rosedale

High moorland near Rosedale, North York Moors. © Mari French 2018

It might not be immediately obvious from these photos but this area is high up. Tucked in between these heathery stretches are deep long valleys of farms, rivers and villages.

No wifi or mobile signal for most of the time was bliss. Sometimes sat amongst the heather and scattered rocks, all I could hear was the buzzing of thousands of bees.

Sketching kit, NYM

Sketching among the heather. © Mari French 2018

Spaunton Moor, NYM

Spaunton Moor, above Chimney Bank, North York Moors. Sketchbook. © Mari French 2018

After the long heatwave early signs of autumn approaching were noticeable in the odd splash of gold in dying bracken, russet in some of the heather that was starting to go over and in the lichen on the rocks.

Also, this is ironstone country, the ore was mined extensively in 19thC Rosedale and the industrial ruins still punctuate the skyline above the valley. The iron ore shows through in the stone scattered about and in patches of dark red where the soil is exposed.

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Iron ore in sandstone rocks, Rosedale, North York Moors. © Mari French 2018

Rainclouds over Dale Head, North York Moors. Sketchbook. © Mari French 2018

All this richness of sensation, of light, colour and texture, began to give me the palette I wanted: muted purple greys, bruise tints, ochres and burnt siennas, warm stone greys. The layers of the undulating landscape, stone walls, crosses, standing stones and tracks offered lines and marks, enclosures and shapes.

Burnt heather and dry grass, NYM

Burnt heather and dry grass, North York Moors. Sketchbook. © Mari French 2018

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Cloud shadows, North York Moors. Sketchbook. © Mari French 2018

Since returning I’ve felt energised by the experience and excited by some of the resulting experimental studies that have been emerging in my studio. I’ll be showing some of these in part two of this post.

coves and harbours …

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Cove (i) © Mari French 2018

I’ve been falling behind a bit with my posts and this is the first one for May, so I better make up for it. It’s been very heartening to see so many people signing up to follow me lately and I’m very grateful. As is usual in Spring for me, May has been a pretty busy month, but one of the first things I want to tell you about is a new gallery that is now taking my work.

I’ve wanted to show in Cornwall for a while ever since doing art residencies in the area since 2014. So, when The Harbour Gallery Portscatho, asked me a few weeks back if I’d let them have a few pieces of my work, (having sold work for me through their online sister gallery BritishContemporary.Art ) I jumped at the chance. I was planning a week’s holiday (and sketching of course) in St Ives in May, so I was delighted to deliver the work myself.

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Cove (ii) © Mari French 2018

These two pieces (50x60cm mixed media on canvas, framed) are both inspired by my experience of the small rocky coves of the West Cornish coast. I’m so pleased to be showing with the award-winning Harbour Gallery as it’s not only a lovely busy artspace in the beautiful coastal village of Portscatho on the Rosedale peninsula near Truro, but the owner Mark David Hatwood is such a friendly and supportive person, a great salesman and also very effective with social media promotion for his artists.

Hopefully this will be a long and mutually successful collaboration.

For more on my recent sketching holiday in Cornwall, see my next post (coming very soon!).

Portscatho harbour, near Truro, Cornwall. © Mari French 2018

Portscatho harbour, near Truro, Cornwall. © Mari French 2018