Playing catch up…

New Autumn sunflowers series. © Mari French 2021

I can’t quite believe it’s so long since I last posted in this blog; where has the time gone? The past few months have been a particularly busy time for me in the studio, not least creating three new series of work:

new Cornish paintings inspired by a sketching trip to St Ives, Cornwall in April (see previous post), some of which were exhibited at Gallery East, Woodbridge, Suffolk this summer;

a fresh take on my salt marsh obsession, in acrylic inks and soft pastel. This time I’ve been inspired by the mirror-like pools and creeks scattered over the salt marshes and grazings. I exhibited several at Norfolk Open Studios in September/October and four are currently on show at ’Littoral’, a group exhibition (until 21 November 2021) at Little Buckland Gallery, Broadway, Cotswolds, a new gallery (for me) and one I’m very excited to be showing with;

and last, but not least, my current series inspired by a local field of fading autumn sunflowers, one shown above, which I’ll tell you about in my next blog post soon!.

Below is ‘Cradled sky’ one of the new salt marsh works in acrylic ink and soft pastel, at Little Buckland Gallery, and below that ‘Unfolding coast’ which sold from my open studio. Check out more of this series on my website here.

‘Cradled sky’, ink/pastel on paper, 29x29cm. © Mari French 2021
‘Unfolding coast’, ink/pastel on paper, 21x29cm, SOLD. © Mari French 2021

Another event that took up lots of time was preparing for Norfolk Open Studios. I opened to the public for three long weekends in late September, early October. This was the first time I’ve opened my ‘new’ studio at West Raynham airbase to the public and I’m happy to say it was pretty successful, with the sale of several paintings, collagraph prints and lots of art cards.

I really enjoyed meeting art lovers, artists, friends and neighbours, plus new collectors of my paintings! So much so that I’ve now decided to offer to open by appointment – just email me at art@marifrench.com if you’d like to visit. The studio is at West Raynham Business Park, near Fakenham, North Norfolk, UK, NR21 7PL.

At my open studio in September/October, Norfolk Open Studios 2021.

Going back to the Cornwall work, I later produced a set of five collaged panels that also developed from my sketching break in and around St Ives, in April this year. I loved working on these cradled wood panels (25x25x3cm), they take multiple layers of media very well and don’t need framing. In these I’ve made extensive use of collage elements; cornish newspapers, tide tables and my own calligraphic notes to add texture.

The proximity of water © Mari French 2021

I love the contrast of the wild Penwith coast with its small rocky coves and energetic tides crashing in and out; a contrast to the usually calmer North Norfolk coast close to where I live. I haven’t exhibited them yet and all five are still available. You can see the full set on my website at www.marifrench.com

Sea language © Mari French 2021

Confinement & cul-de-sacs…

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”A time of gifts’ © Mari French 2020

I’ve never left my blog unwritten for such a long time before. It’s good to be back. In the past few months of the Covid crisis, I just haven’t been able to summon up the will or the words to write about my art. As for the art itself, like many artists in these strange times, I’ve been floundering around a little lost for a while. With 3 exhibitions cancelled/moved online, Open Studios also cancelled, galleries closed etc, it’s hardly surprising I suppose. It’s not that I haven’t been painting, and I’ve made myself go to the studio to do something a few times a week at least, it’s just that each spurt of creative activity – sketching, collage, painting – has seemed to fizzle out after a short time. Cul-de-sacs I’ve started to call them.

However, each little cul-de-sac has produced some interesting results, so perhaps they hold some promise for a future way forward; like one of those narrow hidden footpaths you can often use for access to the area beyond the cul-de-sac, the one cars can’t take.

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Ploughed fields & tree belt, near Anmer. Sketchbook. © Mari French 2020

With anything more than a long walk forbidden here in the UK, in the last few months, coastal visits weren’t an option (I live 20 minutes drive from the beautiful North Norfolk coastline, where the reedbeds and saltmarshes are a great source of inspiration), I’ve been out sketching the local fields and farmland – something I haven’t really done since moving to Norfolk 10 years ago.

I loved the way the early spring sunshine caught the ploughed fields, exaggerating the russet and ochres of the sand and chalk soil. And the hares were out in force chasing each other in large groups. I haven’t taken these any further though, hopefully at some future point…

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Ploughed field, Anmer Road, with flint. © Mari French 2020

Meanwhile, at the airbase, outside my studio, is a large cherry tree which was covered in deep pink blossom back in March. It was only when a glorious deep pink started to appear in a series of small experimental works on paper, that I realised how the blossom had entered my subconscious. These works look great on some lovely small white cradled wooden panels I’ve bought. I really enjoyed these but as I said, it wasn’t long before I started to flounder. I keep going back to them, so they’re going to get picked up again at some point.

Later in spring, mostly confined to my garden (I know, I’m lucky compared to many) and with almost a month of warm sunshine, my glorious tulips, ‘La belle époque’, just had to be sketched. Then in the studio, I set about abstracting them, in both mixed media and collage, which I enjoyed, before (yes you guessed it) I once again hit a cul-de-sac. Still, I’m excited by the potential of these small works so who knows.

Below is the mixed media collage I produced as part of this abstract tulip work  (all the papers using in it were created by myself, including the calligraphy). Which reminds me I haven’t posted the experimental collage I was developing back in February before the virus hit, so I’ll add them to the next post (it won’t take as long as this one post did I promise!).

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‘Palimpsest’, mixed media collage © Mari French 2020

revisiting reed beds …

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Coastal reed beds, sunlight. © Mari French 2019

I need some new inspiration. I’ve loved exploring my impressions of Dungeness (see my last three posts), but in all fairness I probably need more than that one day of exploring and sketching back in October. I’m not abandoning the subject, but I do feel I’m retreading old ground now. I need to go back to visit and sketch, but for various reasons I can’t for a while. Three largish canvases stalled, so time for a change of direction. I believe artists need to be able to study a subject in some depth before creating meaningful expressive abstract interpretations.

In the meantime, I’m continuing to practice markmaking in my studio with acrylics, ink and other mixed media and enjoying messing about in my workbook. I can feel coastal reedbeds and sunlight coming through again and the urge to go walking and sketching in my usual stomping ground on the North Norfolk coast between Thornham and Burnham Overy Staithe.

Experimental painting with ink and acrylics © Mari French 2019
Workbook markmaking practice.

Reed beds, early Spring. © Mari French 2019

Another effective way of moving through a stalled phase for some artists can be to change techniques/medium for a while. So I’ve purchased some sheets of Mylar (as used for stencils) to try out. Obviously I need to play around with them for a while to discover their potential. So far I think oil paints with oil bars/pastels might give the most satisfying results, but oh the drying time! More about this in another post.