Playing catch up…

New Autumn sunflowers series. © Mari French 2021

I can’t quite believe it’s so long since I last posted in this blog; where has the time gone? The past few months have been a particularly busy time for me in the studio, not least creating three new series of work:

new Cornish paintings inspired by a sketching trip to St Ives, Cornwall in April (see previous post), some of which were exhibited at Gallery East, Woodbridge, Suffolk this summer;

a fresh take on my salt marsh obsession, in acrylic inks and soft pastel. This time I’ve been inspired by the mirror-like pools and creeks scattered over the salt marshes and grazings. I exhibited several at Norfolk Open Studios in September/October and four are currently on show at ’Littoral’, a group exhibition (until 21 November 2021) at Little Buckland Gallery, Broadway, Cotswolds, a new gallery (for me) and one I’m very excited to be showing with;

and last, but not least, my current series inspired by a local field of fading autumn sunflowers, one shown above, which I’ll tell you about in my next blog post soon!.

Below is ‘Cradled sky’ one of the new salt marsh works in acrylic ink and soft pastel, at Little Buckland Gallery, and below that ‘Unfolding coast’ which sold from my open studio. Check out more of this series on my website here.

‘Cradled sky’, ink/pastel on paper, 29x29cm. © Mari French 2021
‘Unfolding coast’, ink/pastel on paper, 21x29cm, SOLD. © Mari French 2021

Another event that took up lots of time was preparing for Norfolk Open Studios. I opened to the public for three long weekends in late September, early October. This was the first time I’ve opened my ‘new’ studio at West Raynham airbase to the public and I’m happy to say it was pretty successful, with the sale of several paintings, collagraph prints and lots of art cards.

I really enjoyed meeting art lovers, artists, friends and neighbours, plus new collectors of my paintings! So much so that I’ve now decided to offer to open by appointment – just email me at art@marifrench.com if you’d like to visit. The studio is at West Raynham Business Park, near Fakenham, North Norfolk, UK, NR21 7PL.

At my open studio in September/October, Norfolk Open Studios 2021.

Going back to the Cornwall work, I later produced a set of five collaged panels that also developed from my sketching break in and around St Ives, in April this year. I loved working on these cradled wood panels (25x25x3cm), they take multiple layers of media very well and don’t need framing. In these I’ve made extensive use of collage elements; cornish newspapers, tide tables and my own calligraphic notes to add texture.

The proximity of water © Mari French 2021

I love the contrast of the wild Penwith coast with its small rocky coves and energetic tides crashing in and out; a contrast to the usually calmer North Norfolk coast close to where I live. I haven’t exhibited them yet and all five are still available. You can see the full set on my website at www.marifrench.com

Sea language © Mari French 2021

Cold feet … midwinter motivation

I’ve occasionally been working from home recently as the studio is just too cold (even with a log fire, oil-filled radiator and padded overalls; there’s obviously a drawback to having a big concrete space with high ceilings!). At my kitchen table last week I produced these two workbook collages on the theme of winter; early explorations for a project I’m going to be working on through January and February, which I’ll reveal more of at a later date.

Workbook mixed media collage © Mari French 2021.

I like to keep a bag stuffed with collage materials, found and made, along with acrylic medium for pasting down, and favourite markmaking tools, markers, inks etc, at home so that I can always get some practice in between studio days.

Weather and light have always influenced my abstract landscapes and winter weather will be pretty much a dominant theme in my work for the next couple of months. Fortunately (for my work at least) we’ve had the whole gamut of winter variations here in the Norfolk countryside the past few weeks – fog, ice, frost, snow (not as much as some areas, yet), rain and bright sun but cold. It’s added interest to my walks round the local area, taking photos of details for inspiration, sometimes playing around with them in photo-editing apps to enhance and abstract them, which itself can suggest directions for work.

Photographic-collage-of-winter-weather-by-Mari-French-2021
Photographic collage of weather details © Mari French 2021.

In the winter months it can be difficult for me, like many artists, to work up the motivation to get into the studio, especially in cold weather, now that I live 4 miles away and can’t just pop in and out. This last year has been difficult enough, but add into the mix the fact that I live with anxiety and depression (managed well mostly, with medication) and the SAD (Seasonal Affective Disorder) I also suffer from during the darker months, and motivation can be quite a struggle. So how do I personally cope with it?

When I have to coax myself into the studio I try to pre-plan practical tasks to get started, such as prepping canvases and boards, creating colour mixes and swatches from new paint/ink colours (relaxing and satisfying!), or creating papers for collages. Telling myself that I’ll just do a couple of hours and head home can do the trick and I very often find myself forgetting about this once I get into the work and spend longer anyway, (I always make sure I’ve got milk for a brew and ingredients for a simple lunch in my bag, so I can stay on if I want to). Ironically, it’s often on these reluctant attendances at the studio that I produce my most satisfying work.

Workbook mixed media collage © Mari French 2021.

Keeping warm: even with a log fire and an oil-filled radiator it’s difficult keeping my workspace warm (it was built as part of a 1930s RAF airbase and was semi-derelict when I first came across it; even now after we’ve renovated most of it, there are many drafts from the windows and leaks from the roof during heavy rain). One of the best things I ever bought were my padded overalls (from Dickies I think, but there are other makes) – cosy and warm. I feel very workmanlike in them! I’ve also covered a large area of the concrete floor with that jigsaw-type rubber matting you can buy online. It’s used for all sorts of work places, inc gyms, play spaces, garages etc. Mine is in dark grey and not only helps keep my feet from freezing but reduces foot and leg strain when working at the easel.

Another thing I find helps me greatly, once in the studi, is to have a few good podcasts downloaded onto my ipad (which I always take with me, usually for photographing work). It can be a solitary business this artist life and it’s good to have some virtual company. I can really recommend the ones listed below:

Art Juice, with Alice Sheridan and Louise Fletcher
Waldy and Bendy Adventures in Art
Art Stuff

Workbook mixed media collage © Mari French 2021.

However you’re coping just now, I hope you’re managing to get some art done for yourself, and that some of my tips may have helped you with using your own workspace.

Happy art-making!
Mari

Lost in space…and back to earth

Cropped detail of mixed media Dungeness artwork

I’m steadily getting used to the new studio. Since my previous post, back in early October, I’ve made myself spend a lot of time in my new big white space, even on the rainy depressing days when I didn’t want to. And I’m steadily developing a new series of mixed media works on paper, inspired by that Dungeness visit a few months ago. So the painting is going pretty well, considering, and that’s helped with my apprehension and sense of being ‘lost’ in the space.

Cropped detail of mixed media Dungeness painting

I also rediscovered a book full of images of artists’ studios and spaces which reminded me that, being a bit of a magpie at home (it’s full of vintage/collectibles), I could spill my collecting over into this place and I’d feel more comfortable and hopefully inspired by being surrounded by stuff I love, whilst at the same time reducing that expanse of white!

There’ve been teething problems naturally – the building, like a lot of the airbase, has been basically neglected since the 1980s when the MOD left. Fortunately I have a very practical, patient and helpful other half, so rainwater leaking in from the glass ‘lantern’ in the roof, draughts, problems with getting the log burner going, are sorted or in hand, thankfully. It’s not easy to heat either, so the padded overalls I bought several years ago are still an essential.

Cropped detail from mixed media Dungeness painting

Meanwhile, I’m loving working on the latest paintings – gouache, ink, acrylic etc on paper and newsprint. As with much of my work there’s an element of serendipity involved in the process, of seeing what happens to that ink when I wet it further, of obscuring and revealing, planned and accidental, layering, veiling with gesso, scribbling and scoring, and so on.

Cropped detail from Dungeness mixed media painting

Several works from this series need to be kept under wraps until early next year, but you can see a few cropped details in this post.

Cropped detail from mixed media Dungeness painting