emergence …

Ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Since my last post, I’ve been continuing my experimental studies with acrylic ink and developing some of the earlier ones. The addition of more mark making with Inktense pencil, Posca paint pens and white acrylic paint has resulted in landforms emerging – reedbeds, flooded marshes, saltings, banks – reminiscent of the Norfolk saltmarsh coast, which continues to inform my work.

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

winter marsh…

Creek, Thornham saltmarsh.

Creek, Thornham saltmarsh. © Mari French 2016

I read in an anthology this week, one author’s opinion that saltmarshes are one of the bleakest places in winter. Well, although they can be perceived like that in very poor weather, on a jewel of a day like the ones I experienced this week, they can be surprisingly beautiful.

This sketching trip was to one of my usual haunts, Thornham on the north Norfolk coast. It was too cold to sit about for long but I got a couple of rough watercolours done. Sat by the coal barn sketching the small boats on the creek against the sun, I was almost blinded.

Boats on the creek, Thornham. Sketchbook spread © Mari French 2016

Boats on the creek, Thornham. Sketchbook spread © Mari French 2016

Reedbeds are an important part of the ecology on this coast, as with many such places in Britain. Their soft pewter feathered seedheads ripple like an inland sea. The stems are pale burnished gold in the winter sun and I find them hypnotic. I keep coming back to them recently, both physically, mentally and in my work.

The other motif that keeps catching my eye, are the cradled pools and creeks of azure blue – reflecting the sky but much deeper in colour. They sit like brooches on the bronze brocade of the marsh. I feel the stirrings of an abstracted response to these with simple layered colour and texture.

Reedbeds, Thornham. Sketchbook spread © Mari French 2016

Reedbeds, Thornham. Sketchbook spread © Mari French 2016

 

Rope and seaweed, staithes, Thornham. © Mari French 2016

Rope and seaweed, staithes, Thornham. © Mari French 2016

 Reedbeds, looking towards Holme from Thornham. © Mari French 2016

Reedbeds, looking towards Holme from Thornham. © Mari French 2016

thinking ink…

Having fallen behind with posts last couple of months, I’ve a fair bit of catching up to do. These are my latest playing around pieces, with inks, carried out in a rather cold studio this month.

The first two below also use paint pens, ink pencil and acrylic paint.

Untitled. © Mari French 2016

Untitled. © Mari French 2016

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Untitled. © Mari French 2016

I already use acrylic ink in liquid, pencil and block form in my mixed-media pieces, but I bought a few of the new Muted range of Liquitex acrylic inks recently and enjoyed experimenting with them. I did find that, for me, the muted ‘grey’ (purple really) and the muted violet (purple) need to be combined with other colours to bring out their beauty, but they’ve increased my arsenal so I’m happy. I also got the muted turquoise, which isn’t that muted and a bit garish for me, but never mind.

Winter, saltmarsh. © Mari French 2016

Winter, saltmarsh. © Mari French 2016

Oh, and they also mix successfully with acrylic paint too.