Lost in space…and back to earth

Cropped detail of mixed media Dungeness artwork

I’m steadily getting used to the new studio. Since my previous post, back in early October, I’ve made myself spend a lot of time in my new big white space, even on the rainy depressing days when I didn’t want to. And I’m steadily developing a new series of mixed media works on paper, inspired by that Dungeness visit a few months ago. So the painting is going pretty well, considering, and that’s helped with my apprehension and sense of being ‘lost’ in the space.

Cropped detail of mixed media Dungeness painting

I also rediscovered a book full of images of artists’ studios and spaces which reminded me that, being a bit of a magpie at home (it’s full of vintage/collectibles), I could spill my collecting over into this place and I’d feel more comfortable and hopefully inspired by being surrounded by stuff I love, whilst at the same time reducing that expanse of white!

There’ve been teething problems naturally – the building, like a lot of the airbase, has been basically neglected since the 1980s when the MOD left. Fortunately I have a very practical, patient and helpful other half, so rainwater leaking in from the glass ‘lantern’ in the roof, draughts, problems with getting the log burner going, are sorted or in hand, thankfully. It’s not easy to heat either, so the padded overalls I bought several years ago are still an essential.

Cropped detail from mixed media Dungeness painting

Meanwhile, I’m loving working on the latest paintings – gouache, ink, acrylic etc on paper and newsprint. As with much of my work there’s an element of serendipity involved in the process, of seeing what happens to that ink when I wet it further, of obscuring and revealing, planned and accidental, layering, veiling with gesso, scribbling and scoring, and so on.

Cropped detail from Dungeness mixed media painting

Several works from this series need to be kept under wraps until early next year, but you can see a few cropped details in this post.

Cropped detail from mixed media Dungeness painting

Work space: new studio syndrome

IMG_0128

Dungeness series. Small mixed media on paper.

How perverse the creative mind can be. If we’re lucky, we may get to a stage we’ve worked for, strived and hoped for for some time (with me it’s my ‘new’ larger studio), but then frustratingly we can find it difficult to accept the new (improved) situation without a sometimes lengthy period of mixed emotions: imposter syndrome; guilt (‘I’m not making the most of the new whatever-it-is’); bewilderment (‘where do I go from here?’); ‘I’m supposed to produce great stuff now… what if I can’t?’. And did you notice that word ‘lucky‘ near the start of this paragraph? Of course, there’s an element of luck in everything, but still… giving ourselves some credit is never easy.

IMG_0132

Dungeness series. Small mixed media on paper.

I’ve been working in my large new 1930s airbase studio for a few days a week, for the past month and, when not actively engaged in painting (a few examples here in this post), I find myself floundering a bit – the space, the extra storage (where do I put stuff… and then find it again?), the light’s different (it’s often very good, great natural light, but it’s late in the year and I don’t have my daylight tubes in yet, so when daylight fades the lighting is a bit ‘yellow’). I feel like one of those rescue hens which, when first put out into lovely open space, huddle close to their hut for safety, as I seem to have gathered my easel and paints etc around me in the middle of the room, a bit like a wagon train under siege. I’m not looking for sympathy. I know many artists would give their right arm for a space like this. But it’s still disconcerting.

I’ve read that artists can often take quite some time to get used to a new space, and that it can inevitably affect their work. So I was anticipating this stage somewhat before I moved in. And I’m fairly sure a big part of it is my usual S.A.D. syndrome kicking in with the shorter days and the current murky wet and windy weather.

The answer, I know, is to go to the studio as often as possible and get working, and keep working until it becomes second nature – here, working, in this strange new studio, with its different light, different sounds, different surroundings.

IMG_0127

Dungeness series. Small mixed media on paper.

an abstract perspective…

 

Artist Ruth McCabe chats with Gallery owner Susie Turner in front of my wall of work.

Artist Ruth McCabe chats with Gallery owner Susie Turner in front of my work at Gallery East, Woodbridge. © Mari French 2019

Last Saturday, along with several fellow artists at the launch of ‘Surface: women abstract artists in East Anglia’, I gave a short talk on my working process at Gallery East, Woodbridge, Suffolk. I’m very pleased to have my work included in this exhibition, alongside artists I admire including Jane Lewis RWS.

The Private View was mobbed, with people spilling out of the door and, although nerve-wracking for a few of us(!), it was fascinating hearing other abstract artists speak about their own work and creative processes.

 

 

The video above (which looks the wrong way up but is fine when clicked on!) was taken at the launch and is of my own short chat explaining how I take my inspiration and turn it into a painting. (Looking at it now, I feel that if my arms were cut off I’d be dumbstruck!).

The exhibition continues till  mid-November. Gallery East is a beautiful new contemporary space in East Anglia, but is already gathering a large following. They can be found at 24 Church Street, Woodbridge, Suffolk IP12 1DH or online at
www.galleryeast.co.uk

IMG_0070

Talking with artist Michelle Cobbin in front of her work.

IMG_0071

Busy PV which got even busier!