Early autumn sketching at Thornham reedbeds…

Another recent walking and sketching day at Thornham on the Norfolk coast. This time I concentrated on the entrancing light, colour and movement in the reedbeds as they subtly change with the approaching autumn.

Looking over the reedbeds towards Holme church from the raised banks around Ragged Marsh is one of my favourite views. The wind rustling through the silvered stems and purple-grey feathery heads is very calming. I used mainly watercolours with just one abstract using the brush pens that I mentioned in the last post.

I also did a watercolour sketch of the otherworldly ‘stumps’ looking out over the creek and marsh.

I remembered my camera this time and even caught a starling murmuration as well as the odd rusted artefact!

Creative colour… sketching with brush pens


On Monday I enjoyed a few hours sketching and walking at Thornham, north Norfolk. It had been a few months since I'd last sketched here and this time I'd decided to try out a batch of newly acquired Pentel brush pens, which are convenient to pack and use. With a small clip on metal dipper filled with water, I was able to achieve some of the wet-in-wet effects I like to play with. I love their versatility so I'll definitely be packing the brush pens on my next sketching holiday.

Because the colours I'd bought were limited (vibrant pink, bright yellow!) it forced imaginative use of what I had with me, but the resulting quick brightly coloured sketches of the beach, for me, more effectively captures the heat, the warm wind and the liveliness of the waves.

No photos this time, I took my camera but halfway along the walk discovered I'd forgotten the batteries!

Below are studies I made of light-filled creeks in the marsh from the sea defences, before the tide went out, with water soluble graphite pencil and with the brush pens again. Some sea lavender still bloomed.

rust & stone…

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

I recently hit one of those annoying self-doubting phases all artists seem to experience occasionally, just wondering where I was going with my art, and what if anything is inspiring me now. I kept nagging myself that, since I returned from my two week art residency at Brisons Veor, Cape Cornwall in the spring, I hadn’t really explored all the rich inspiration I’d found, apart from the four canvases inspired by the rocky coastal coves that I’d produced for the mixed exhibition at Artichoke Gallery, East Sussex (till 23 September 2017.

To be fair on myself, part of the reason is that I was busy finishing/framing existing work and getting it out there to galleries – existing and new, and fulfilling various art commitments such as the Norfolk Open Studios. It’s been a pretty busy year for me so far for exhibiting. Something I really can’t complain about as it’s a big and exciting part of the job, or it should be!

But, of course, like most artists I’m happiest when I’m creating. So I decided to just play for a few days – experiment with different media, collage, etc. – and try to take the pressure off myself. And, as often happens (thankfully!), something started to click (and yes, you’ll have noticed I’ve been in this situation before!)…

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Lo and behold, after messing about for a few days, I became strangely drawn to a lovely gold ochre gouache colour coupled with dark blue ink and collage. The limited palette and strong shapes reminded me of something.

 

I realised that the work I was creating was not only influenced after all, by the Cornish sea coves around Penwith, but more specifically was subconsciously referencing the old rusting fishing industry artefacts I kept coming across scattered around and embedded in rocks and boulders – winches, chains, mooring rings etc. Objects that are in the process of decaying back into the elements they were formed from. Of course the large circle might also be seen as referencing (albeit subconsciously) the Men an Tol, the Bronze Age hole stone near Morven, to the north west of Penwith. Circles figure a lot in my recent work!

So this is the latest theme I’m exploring. The works shown here are medium-sized (approx 40x30cm) on paper. If you’ve enjoyed this post and you’re interested in reading more of my art progress, thoughts and adventures, why not sign up for an email notification when I post to my blog.