Following on from my earlier posts on Priest Cove at Cape Cornwall and the bathing pool cut into in the rocks, these are a few pieces of mixed media on paper I created recently, but this time thinking about the underwater space of the pool.
I’d spent several hours on my arts residency at Brisons Veor back in spring this year, perched on the manmade edge of this semi-natural pool peering into what was really a large rock pool. A beguiling sea garden of seaweeds, anemones, small fish and pebbles, under a calm rippled glinting surface (at least when the tide was out). The variety of life in this underwater landscape was captivating; the colours, shapes and textures so inspiring for an abstract artist!
This week I returned to the inspiration of the bathing pool at Priest Cove, Cape Cornwall (see the post on my Brison Veor residency from earlier this year).
To start with I’ve been working on small mixed-media pieces on paper including the two shown here, but this time with a wet-in-wet acrylic ink base. I wanted to evoke the feeling and sound of the tide approaching over the rocks and of the crashing waves inundating the pool, which is set into the rocks.
Today however, I decided to be braver and go bigger. I thought you might like to see a short video of me starting the first large piece.
Another recent walking and sketching day at Thornham on the Norfolk coast. This time I concentrated on the entrancing light, colour and movement in the reedbeds as they subtly change with the approaching autumn.
Looking over the reedbeds towards Holme church from the raised banks around Ragged Marsh is one of my favourite views. The wind rustling through the silvered stems and purple-grey feathery heads is very calming. I used mainly watercolours with just one abstract using the brush pens that I mentioned in the last post.
I also did a watercolour sketch of the otherworldly ‘stumps’ looking out over the creek and marsh.
I remembered my camera this time and even caught a starling murmuration as well as the odd rusted artefact!