balancing act …

'Zawn' finished painting. © Mari French 2018.

‘Zawn’ finished painting. © Mari French 2018.

I’ve just sent off three new canvases in my Cornish Coves theme to The Harbour Gallery Portscatho in Cornwall as mentioned in a previous post. The one above is titled ‘Zawn’, which was the name given to deep and narrow sea-inlets in cliffs, often  exploited by tin and copper miners of the past. I thought you might be interested in seeing how the work developed.

The photo below shows the early stages of ‘Zawn’. I had no definite image in my mind at the start of this painting, other than the Cornish coastline theme. However, I think, having painted light and sea into the other canvases, I wanted to do something a little different here, to capture the power and looming presence of the rocks and cliffs of the wild Penwith coast.

'Zawn', 1st stage. 50x60cm, acrylic on canvas. © Mari French © 2018

‘Zawn’, 1st stage. © Mari French © 2018

At the beginning, I gave free rein to my paintstrokes, scumbling and scratching into the paint. I used a dryish brush in places to give the sparkle of light on rock and sand. The resulting image suggested to me a cave in a dark cliff and having come across several of these around Penwith, I decided to develop the work in that direction.

Inevitably some of the luscious marks and gestural passages at the start of a work eventually get painted over, often a hard decision to take; but without the confidence to do this editing, I find a finished artwork will have a static, tentative feel to it. (Of course another tricky, but important part of the process is leaving areas alone!). It’s a question of balance of freedom and control.

Below shows ‘Zawn’ almost finished. I decided I wasn’t happy with the pointy shapes in the background behind the large boulder on the right, so did some further work on them and tied the image together by suggesting a large rock instead, plus some line work (see top photo of this post).

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‘Zawn’ almost finished. © Mari French 2018

Hope you’ve enjoyed this insight into the creation of one of my semi-abstract landscapes. I find photographing some of the stages as I paint an invaluable record and self-teaching aid.

 

Art in another barn!

Last Friday’s private view of ARTWORKS annual exhibition at Blackthorpe Barn near Bury St Edmunds was mobbed! The general consensus from visitors on the night (and in the visitor book since), was that this is the strongest ARTWORKS show yet.
ARTWORKS are a group of 30 East Anglian artists who exhibit here each year. I’m one of the new ‘guest’ artists and have eleven pieces of work on display and several unframed browser works, plus cards. The barn is a huge impressive space and there is a wealth of contemporary art and stunning sculpture on display. There’s also a great little cafe selling tea/coffee/cakes and a shop with art cards and small items of artworks, jewellery etc. for sale by the artists.
The exhibition is on every day (10am to 5pm) till 1 October, with demonstrations by artists most days and is well worth a visit. Blackthorpe Barn, Rougham, nr Bury St Edmonds (just off Jct 45 of the A14).

Chelsea girl…

Time and place, mixed media on canvas, 70x70cm © Mari French 2017

Time and place, mixed-media on canvas. © Mari French 2017

I’m delighted to announce I have been recently taken on as a gallery artist by Cricket Fine Art, Chelsea, London. This beautiful gallery shows a range of contemporary artwork including some stunning abstract work which I love. Take a look at their website here.

Four of my recent paintings will be on show in their Summer Exhibition opening soon, including the two shown here. If you’re in the area I hope you will pop in.

'Charged with light', mixed-media on paper. © Mari French 2017.

‘Charged with light’, mixed-media on paper. © Mari French 2017