getting messy with monoprinting…

Pulling the monoprint © Mari French 2017

Pulling the monoprint © Mari French 2017

I’ve wanted to try monoprinting for some time. The one time I had a go (years back) I was not impressed (excuse the pun) but I think I’d used the wrong type of paper, plate and temperament! A monoprint (or monotype) is a unique print taken from a plate on which ink or (in my case) acrylic paint has been spread with rollers. Marks, textures impressed into the ink/paint and shaped masks (eg. paper) can all be used to create and enhance the final image.

Recently inspired by the beautiful and original monoprints of artist Tonie Rigby I decided to try using a gelli plate. These are very popular at the moment but I’ve not been taken by the proliferation of bright colours and patterns often produced. Gel plates can be a bit tricky to get used to and some artists dislike the texture, but apart from the shape (A4, I prefer square sizes, so may have to cut mine down) I quite liked the slight give of the gel.

Having been stunned by Tonie Rigby’s ‘Urban boxes’ work (see her blog link above), I wondered if I too could achieve something different, a progression of my current painting series maybe. If nothing else it would be interesting and hopefully, fun to try.

 

 

Well, today in the studio it was definitely interesting AND fun. I produced over a dozen bits of rubbish before I started loosening up and getting messy, employing more painterly techniques, which is when I work best. I used various acrylic paints and watercolour paper. As with my paintings I wanted to experiment – what would happen if I used this or tried that? …

I must admit I actually liked the look of inked up gel plate itself, perhaps because the transparent surface added another dimension. Today’s work was just the beginning, I’ve just started and have a way to go yet, but I’ll keep at it. Will post more of my monoprinting attempts at a later date.

 

breathing space …

 

Breathing space, Mixed-media on paper. © Mari French 2016

Breathing space, Mixed-media on paper. © Mari French 2016

 
This past few months I’ve been painting madly away in my studio in preparation for two solo shows coming up soon. 

The first, entitled ‘Breathing Space’, will be at Anteros Arts Foundation in Norwich, in the main gallery, from 3rd to 14th May, and is a varied show including some of my new works, a few of which are shown here, alongside several existing favourites.

My second show, entitled ‘Salt & Sand’, will be at The Grapevine Gallery in Burnham Market, north Norfolk, and will solely consist of work inspired by the creeks, reedbeds and marshes of the wild expanse of the Norfolk Saltmarsh coast, where, as you may know from many posts on this blog, I spend a lot of time walking and sketching.

I think it’s clear that I’ve been putting into practice some of the mark-making techniques I learnt at the Emily Ball workshop back in January!

 

Pools of light, mixed-media on paper, © Mari French 2016

Pools of light, mixed-media on paper. Mari French 2016

 
  

abstracts for the open

 

Acrylic/ink on canvas board, Mari French 2015.

 

I’ve enjoyed painting a few more of these small abstracts this past week, just in time for Norfolk Open Studios this coming weekend. I’m opening 23, 24, 25 and 30, 31 May up in my eyrie – my hayloft studio in Harpley, West Norfolk.

If you’re able to visit you can see them in the flesh! This link will give details and map.

Acrylic/ink on canvas board, Mari French 2015.

 

Acrylic/ink on canvas board, Mari French 2015.