sea garden…

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Following on from my earlier posts on Priest Cove at Cape Cornwall and the bathing pool cut into in the rocks, these are a few pieces of mixed media on paper I created recently, but this time thinking about the underwater space of the pool.

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KODAK Digital Still Camera

I’d spent several hours on my arts residency at Brisons Veor back in spring this year, perched on the manmade edge of this semi-natural pool peering into what was really a large rock pool. A beguiling sea garden of seaweeds, anemones, small fish and pebbles, under a calm rippled glinting surface (at least when the tide was out). The variety of life in this underwater landscape was captivating; the colours, shapes and textures so inspiring for an abstract artist!

ink and water…

This week I returned to the inspiration of the bathing pool at Priest Cove, Cape Cornwall (see the post on my Brison Veor residency from earlier this year).

To start with I’ve been working on small mixed-media pieces on paper including the two shown here, but this time with a wet-in-wet acrylic ink base. I wanted to evoke the feeling and sound of the tide approaching over the rocks and of the crashing waves inundating the pool, which is set into the rocks.

Today however, I decided to be braver and go bigger. I thought you might like to see a short video of me starting the first large piece.

Reedbeds and reflections…

River Wensum at Sculthorpe Nature Reserve © Mari French 2017

River Wensum at Sculthorpe Moor Nature Reserve © Mari French 2017


Delighted to discover a new reedbeds landscape this week, this time at Sculthorpe Moor Nature Reserve, just outside Fakenham. It’s only 8 miles from my home but although I was aware of it, I haven’t visited before (a mistake), as I normally head for the north Norfolk coast and the saltmarshes and reedbeds there. 

Sunday was a blustery and changeable early spring day, with scudding clouds and more bright sunshine as the day unfolded. The reserve is larger than I thought with extensive winding boardwalks providing comfortable and easy exploration. Lots of benches too. I had my camera with me but no sketchbook, which I’m going to put right on my next visit (soon). 

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017

Birches embracing, Sculthorpe Moor © Mari French 2017

Birches embracing © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017


I loved the variety of habitat – white birch trunks standing out against the furze of woodland, the meandering river Wensum, its banks lined with pollarded willow, catkins already out, reedbeds and open meres (with great views from several hides). Lots of birdsong, which you’d expect in spring in a place popular with birdwatchers. Speaking of which, the peace and quiet was more noticeable and welcome given that any visitors encountered were talking fairly quietly being there mainly for the birds and wildlife.

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017


Movement of wind in the reeds and bulrushes, sparkling sun on the water, movement of branches, reflections, fenceposts punctuating the reedbeds … these obviously all fed into my subconscious because a few days later in the studio, after some experimental markmaking, I produced these mixed media on paper pieces, which I’m rather excited by! (And yes, I did see some interesting birds).