an artist’s journey …

Creative online platform Fleur and Arbor regularly share their space with selected photographers and female artists. I was approached by them a month ago to see if I’d be interested in featuring on their website. I was and this week I am delighted to be their guest artist.

Completing their questionnaire about my work, influences and how I came to paint abstracts was interesting and useful. I’m convinced that it’s beneficial for artists to occasionally take stock and consider how and why they do what they do. You can read my own responses to these considerations at the Fleur and Arbor website on the link below:

Q&A with Mari French

Chelsea girl…

Time and place, mixed media on canvas, 70x70cm © Mari French 2017

Time and place, mixed-media on canvas. © Mari French 2017

I’m delighted to announce I have been recently taken on as a gallery artist by Cricket Fine Art, Chelsea, London. This beautiful gallery shows a range of contemporary artwork including some stunning abstract work which I love. Take a look at their website here.

Four of my recent paintings will be on show in their Summer Exhibition opening soon, including the two shown here. If you’re in the area I hope you will pop in.

'Charged with light', mixed-media on paper. © Mari French 2017.

‘Charged with light’, mixed-media on paper. © Mari French 2017

insight… in sight…

Thinking more about the subconscious process behind my art lately …

Work emerging from the studio the past two weeks appear again to be channelling my time spent studying and sketching reedbeds and pools/channels on the north Norfolk saltmarsh coast.

Initially these were experimental pieces with mixed-media (inks and acrylics etc) on watercolour board and paper. But having left them alone for a few days, then coming back and working into them with that lovely rust colour for instance, they definitely evoke reedbeds and water to me. The first one below from a close viewpoint, the second from further away.

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Untitled. Mixed media on paper © Mari French 2017

But I’ve also been considering this: they’re not just about distilling what I see or feel, my work seems increasingly to recall my physical experience; the journeying and exploration of my chosen terrain. So some motifs may appear more than once and at different scales, because I see the same place/object or experience the same feeling or sensation several times as I go, turning and watching, stopping and walking back to study some more.

Having been working towards abstraction in my interpretation of the landscape over the past decade, it’s intriguing (and a bit thrilling) to get this insight into the way my own process works.

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Untitled. © Mari French 2017