I don’t believe I’ve posted this video of me working in my studio on this blog before. In it I’m working on one of the recent reedbeds paintings in the scrumptious new palette I mentioned in a recent post. Apologies for the less than ideal angle of the camera, I seem to be blocking a fair bit of the process, but hopefully you’ll see enough to get the idea.
I’m in the zone here, happily blending acrylic paint directly onto the support (in this case Daler Rowney line board). The sunshine in my mind from the first day of Spring seems to be emerging in the process!
Since that sunny first day of Spring sketching in the reed beds at Burnham Overy Staithe, which I wrote about in my last post, I’ve had a wonderful time with a new palette of luscious colours, all inspired by that light-filled day at the coast.
Some of my social media followers have described these as ‘ice cream colours’, which I rather like. There’s a lot of happiness and pleasure in the works too. Sometimes we artists can struggle and fight with a painting to bring it to fruition, but the works here seemed to emerge while I was enjoying playing with the paint. And isn’t it great when that happens!
Some of these paintings are in my current solo exhibition ‘Fragile coast’ at Grapevine Gallery, Burnham Market, North Norfolk until June. You can read a bit more about the exhibition and my recent work here.
Almost chickened out of going to the studio today seeing 2 inches of snow outside and plummeting temperatures. But I’d been looking forward to painting having been busy doing other stuff for much of the past week.
So, quilted overalls on (of which my hubby is very jealous) and calor gas heater going full blast I actually had an enjoyable few hours working on 3 small pieces on paper I’d started last week. When fingers got a bit frosty I blasted them with the hairdryer I use for drying off acrylics.
These three works continue the series I’m currently developing in response to coastal erosion on the North Norfolk coast (mainly around Happisburgh), which I wrote about in my previous post. I’m attracted to the colours of the crumbling cliffs and broken structures littering the shore – ochre clay, pale stones, rusting metal, concrete etc, set against the shadowy land slips below the fields above. For these small paintings I used acrylics, gouache and inktense pencil on watercolour paper – I sometimes use a smoother paper or board support, but here I like the grain exposed by the dryish edge of the dragged paint.
My solo exhibition, from 24th March for one month at the Grapevine Gallery, Burnham Market, North Norfolk, will feature these three works alongside other larger pieces in the series and several new reedbeds paintings. Below are a few of the earlier stages of these small paintings.