Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

ice cream colours for Spring…

First day of Spring © Mari French 2018

First day of Spring © Mari French 2018

Since that sunny first day of Spring sketching in the reed beds at Burnham Overy Staithe, which I wrote about in my last post, I’ve had a wonderful time with a new palette of luscious colours, all inspired by that light-filled day at the coast.

Some of my social media followers have described these as ‘ice cream colours’, which I rather like. There’s a lot of happiness and pleasure in the works too. Sometimes we artists can struggle and fight with a painting to bring it to fruition, but the works here seemed to emerge while I was enjoying playing with the paint. And isn’t it great when that happens!

Burnished light © Mari French 2018

Burnished light © Mari French 2018

Some of these paintings are in my current solo exhibition ‘Fragile coast’ at Grapevine Gallery, Burnham Market, North Norfolk until June. You can read a bit more about the exhibition and my recent work here.

New spaces © Mari French 2018

New spaces © Mari French 2018

 

 

ochre clay, pale stones, rusting metal…

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

Almost chickened out of going to the studio today seeing 2 inches of snow outside and plummeting temperatures. But I’d been looking forward to painting having been busy doing other stuff for much of the past week.

So, quilted overalls on (of which my hubby is very jealous) and calor gas heater going full blast I actually had an enjoyable few hours working on 3 small pieces on paper I’d started last week. When fingers got a bit frosty I blasted them with the hairdryer I use for drying off acrylics.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

These three works continue the series I’m currently developing in response to coastal erosion on the North Norfolk coast (mainly around Happisburgh), which I wrote about in my previous post. I’m attracted to the colours of the crumbling cliffs and broken structures littering the shore – ochre clay, pale stones, rusting metal, concrete etc, set against the shadowy land slips below the fields above. For these small paintings I used acrylics, gouache and inktense pencil on watercolour paper – I sometimes use a smoother paper or board support, but here I like the grain exposed by the dryish edge of the dragged paint.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

My solo exhibition, from 24th March for one month at the Grapevine Gallery, Burnham Market, North Norfolk, will feature these three works alongside other larger pieces in the series and several new reedbeds paintings. Below are a few of the earlier stages of these small paintings.

Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018