on the high moors 2: emerging images…

White Cross (mixed media on board) © Mari French 2018White Cross (mixed media on board) © Mari French 2018

White Cross (mixed media on board) © Mari French 2018

Well, the recent trip to the high moors above Rosedale in the North York Moors I wrote about in my last post paid off inspiration-wise I’m pleased to report. If you haven’t seen that post you can read it here.

I’ve been on a bit of a roll since getting back in the studio – a new palette reflecting the stone, iron ore, soft purples and ochres of the late summer/early autumn moorland landscape of North Yorkshire. First came these small studies on paper, after checking through my photos and sketches:

Moors above Rosedale, North York Moors. (study) © Mari French 2018

Moors above Rosedale (study) © Mari French 2018

 

Then a few explorations in a more abstract graphic style of the distinctive medieval ‘wheelhead’ White Cross or ‘Fat Betty’ that sits up on the moorland at the crossroads of 3 parishes:

 

Eventually I allowed my subconscious to take over and without referring to any of these resources trusted to memory and instinct (the way I love to work!). I wanted a soft palette of green-greys, bruise-greys, and blue-greys with also a soft brick tone to reflect the outcrops of iron ore in the area. I often mixed these directly on the support itself. I tried 40x40cm canvas but found in this instance I was more happy working on watercolour board at a similar size.

Anyway, these works below (and top of this post) are what emerged. I’m very excited by them and enjoyed creating them so much. They’ve already aroused interest in two galleries. I’m pleased to report I’m taking these first three of this new series to a gallery in Sevenoaks, Kent at the end of September. Now looking forward to what else emerges in this series!

High moorland (mixed media on board) © Mari French 2018

High moorland (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018

 

sunshine and storm…

North Norfolk salt marsh with sea lavender. Abstract landscape in mixed media painting on canvas © Mari French 2018

Saltmarsh with sea lavender. Mixed media on canvas © Mari French 2018

Despite the continuing high temperatures I’ve managed to get some painting done lately in my studio (not as much as I would like!), by getting up earlier and using the few morning hours before the heat cranks up.

Inspired by my recent visits to Thornham salt marsh on the north Norfolk coast (see previous post here) and also the ripening harvest in the local fields, I’ve produced the few mixed media pieces shown here.

Ragged Marsh at Thornham, Norfolk, with wildflowers. Abstract landscape in mixed media painting on canvas © Mari French 2018

Ragged Marsh, late summer, Thornham. Mixed media on canvas. © Mari French 2018

The work at the top of this post was painted soon after a hot sunny day at the coast with swathes of purple sea lavender carpeting the marshes. The second canvas (above) was produced shortly after a spell of cloudy, humid, then spectacularly stormy weather (many hours worth of lightning, thunder and heavy rain in one evening). Interesting how the weather change seems to have affected the colours and light in the two works.

Like most of my artworks the pieces in this post are painted mainly in acrylics with the addition of a variety of other media such as inktense pencil, watercolour pencil (fixed with a little acrylic medium), and a little Posca paint pen. One of the reasons I use acrylics rather than oils is that it lends itself successfully to combination with a wide variety of other media, which is especially good for mark-making.

Ripening barley fields. Mixed media on canvas by contemporary Norfolk artist Mari French.

Harvest. Mixed media on watercolour board. © Mari French 2018

‘Harvest’ (above) and ‘Hot summer sun’ (below) are completely intuitive works. I was playing around with paint, layering it on and wiping it off, spraying it etc. just to see what happened and obviously the late summer heat and the golden fields of barley have subconsciously influenced the results.

‘Hot summer sun’ below is a bit different to the others, almost like a linocut or screenprint. Yet, recognisable imagery from my recent experience seems to be there – hot sun, black fields or cliffs depending on how you perceive it, hints of golden reeds or ripening barley. It’s this ambiguous nature of abstracted landscape that appeals to me, leaving some leeway to interpret the imagery according to our own experience.

Hot summer sun. Abstract landscape in mixed media on watercolour board by contemporary artist Mari French.

Hot summer sun. Mixed media on watercolour board. © Mari French 2018

 

Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018