Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

coves and harbours …

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Cove (i) © Mari French 2018

I’ve been falling behind a bit with my posts and this is the first one for May, so I better make up for it. It’s been very heartening to see so many people signing up to follow me lately and I’m very grateful. As is usual in Spring for me, May has been a pretty busy month, but one of the first things I want to tell you about is a new gallery that is now taking my work.

I’ve wanted to show in Cornwall for a while ever since doing art residencies in the area since 2014. So, when The Harbour Gallery Portscatho, asked me a few weeks back if I’d let them have a few pieces of my work, (having sold work for me through their online sister gallery BritishContemporary.Art ) I jumped at the chance. I was planning a week’s holiday (and sketching of course) in St Ives in May, so I was delighted to deliver the work myself.

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Cove (ii) © Mari French 2018

These two pieces (50x60cm mixed media on canvas, framed) are both inspired by my experience of the small rocky coves of the West Cornish coast. I’m so pleased to be showing with the award-winning Harbour Gallery as it’s not only a lovely busy artspace in the beautiful coastal village of Portscatho on the Rosedale peninsula near Truro, but the owner Mark David Hatwood is such a friendly and supportive person, a great salesman and also very effective with social media promotion for his artists.

Hopefully this will be a long and mutually successful collaboration.

For more on my recent sketching holiday in Cornwall, see my next post (coming very soon!).

Portscatho harbour, near Truro, Cornwall. © Mari French 2018

Portscatho harbour, near Truro, Cornwall. © Mari French 2018

ice cream colours for Spring…

First day of Spring © Mari French 2018

First day of Spring © Mari French 2018

Since that sunny first day of Spring sketching in the reed beds at Burnham Overy Staithe, which I wrote about in my last post, I’ve had a wonderful time with a new palette of luscious colours, all inspired by that light-filled day at the coast.

Some of my social media followers have described these as ‘ice cream colours’, which I rather like. There’s a lot of happiness and pleasure in the works too. Sometimes we artists can struggle and fight with a painting to bring it to fruition, but the works here seemed to emerge while I was enjoying playing with the paint. And isn’t it great when that happens!

Burnished light © Mari French 2018

Burnished light © Mari French 2018

Some of these paintings are in my current solo exhibition ‘Fragile coast’ at Grapevine Gallery, Burnham Market, North Norfolk until June. You can read a bit more about the exhibition and my recent work here.

New spaces © Mari French 2018

New spaces © Mari French 2018