revisiting reed beds …

Video

Coastal reed beds, sunlight. © Mari French 2019

I need some new inspiration. I’ve loved exploring my impressions of Dungeness (see my last three posts), but in all fairness I probably need more than that one day of exploring and sketching back in October. I’m not abandoning the subject, but I do feel I’m retreading old ground now. I need to go back to visit and sketch, but for various reasons I can’t for a while. Three largish canvases stalled, so time for a change of direction. I believe artists need to be able to study a subject in some depth before creating meaningful expressive abstract interpretations.

In the meantime, I’m continuing to practice markmaking in my studio with acrylics, ink and other mixed media and enjoying messing about in my workbook. I can feel coastal reedbeds and sunlight coming through again and the urge to go walking and sketching in my usual stomping ground on the North Norfolk coast between Thornham and Burnham Overy Staithe.

Experimental painting with ink and acrylics © Mari French 2019
Workbook markmaking practice.

Reed beds, early Spring. © Mari French 2019

Another effective way of moving through a stalled phase for some artists can be to change techniques/medium for a while. So I’ve purchased some sheets of Mylar (as used for stencils) to try out. Obviously I need to play around with them for a while to discover their potential. So far I think oil paints with oil bars/pastels might give the most satisfying results, but oh the drying time! More about this in another post.

Art at the edge: developments

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

At last! Having had an enforced break from painting for a few weeks since before Christmas (hope you all had a good one!), my thoughts are turning once again to my most recent source of inspiration – Dungeness. Read my previous post ‘Art at the edge: Dungeness’ for more on how a recent holiday led to my fascination with this unique and strange place.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In this post I’m sharing a few recent pages from my current workbook, which I’ve produced since the small paintings in the last post, and I’m working through ideas for a series of mixed media pieces, inspired by my experience of Dungeness, hopefully eventually leading to large canvases. I’m hoping to get back in my studio soon to carry on developing these.

Dungeness workbook page © Mari French 2018Dungeness workbook page © Mari French 2018.
Dungeness workbook page © Mari French 2018

You can perhaps see from these experimental pieces that, as with my other work series, I’m exploring the shapes, linear motifs and colours that the place suggests to me, rather than trying to achieve anything recognisable, so I’m using a lime green for instance, to evoke the weird evening light (not grass!) and to suggest the latent power of the nuclear power station squatting on the edge of the area. I’ve previously used very little green in my artwork, but it feels right here somehow. Linear marks recall power lines, pylons, remains of tracks in the shingle, fences, telegraph poles etc.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In building up the workbook pages shown here, I used torn up pieces of scrap monoprints I’d produced with a gelli plate, while loosening up and playing with colours, textures and ideas. Then layered over with gouache, acrylic, homemade stencils and collage elements till I got the effect I wanted. I keep a box of scrap prints, textured card and assorted materials close to hand for when I’m messing about in the workbook, either incorporating them or using them for impressing or printing shapes. Sometimes it pays to be a hoarder!

sunshine and storm…

North Norfolk salt marsh with sea lavender. Abstract landscape in mixed media painting on canvas © Mari French 2018

Saltmarsh with sea lavender. Mixed media on canvas © Mari French 2018

Despite the continuing high temperatures I’ve managed to get some painting done lately in my studio (not as much as I would like!), by getting up earlier and using the few morning hours before the heat cranks up.

Inspired by my recent visits to Thornham salt marsh on the north Norfolk coast (see previous post here) and also the ripening harvest in the local fields, I’ve produced the few mixed media pieces shown here.

Ragged Marsh at Thornham, Norfolk, with wildflowers. Abstract landscape in mixed media painting on canvas © Mari French 2018

Ragged Marsh, late summer, Thornham. Mixed media on canvas. © Mari French 2018

The work at the top of this post was painted soon after a hot sunny day at the coast with swathes of purple sea lavender carpeting the marshes. The second canvas (above) was produced shortly after a spell of cloudy, humid, then spectacularly stormy weather (many hours worth of lightning, thunder and heavy rain in one evening). Interesting how the weather change seems to have affected the colours and light in the two works.

Like most of my artworks the pieces in this post are painted mainly in acrylics with the addition of a variety of other media such as inktense pencil, watercolour pencil (fixed with a little acrylic medium), and a little Posca paint pen. One of the reasons I use acrylics rather than oils is that it lends itself successfully to combination with a wide variety of other media, which is especially good for mark-making.

Ripening barley fields. Mixed media on canvas by contemporary Norfolk artist Mari French.

Harvest. Mixed media on watercolour board. © Mari French 2018

‘Harvest’ (above) and ‘Hot summer sun’ (below) are completely intuitive works. I was playing around with paint, layering it on and wiping it off, spraying it etc. just to see what happened and obviously the late summer heat and the golden fields of barley have subconsciously influenced the results.

‘Hot summer sun’ below is a bit different to the others, almost like a linocut or screenprint. Yet, recognisable imagery from my recent experience seems to be there – hot sun, black fields or cliffs depending on how you perceive it, hints of golden reeds or ripening barley. It’s this ambiguous nature of abstracted landscape that appeals to me, leaving some leeway to interpret the imagery according to our own experience.

Hot summer sun. Abstract landscape in mixed media on watercolour board by contemporary artist Mari French.

Hot summer sun. Mixed media on watercolour board. © Mari French 2018