Balancing the negative …

person walking on road between trees

Photo by Rene Asmussen on Pexels.com

I hope it’s not too late to wish you all a peaceful and healthy 2020. It’s a heartfelt wish, even though I realise that parts of our world (and often people we uknow) are experiencing such difficult times to say the least. In such times it’s easy to fall victim to despair, feel helpless … or we can do what we can and try to carry on.

I like to believe that exposure to art and nature can help bolster us against the many crises that can bombard us. I’m not saying they ‘cure’ us, I wish it was so easy, but I do think they can help strengthen our ‘mental immune system’, as it were, to help balance the negative aspects of life.

Atmospheric abstract landscape

Stubble fields, Winter. Mixed media on Duralar © Mari French 2019.

This thought came to me on a walk around the local fields and lanes the other day, when I was feeling low, worrying about the fires in Australia, conflict around the world and so on. I suffer from S.A.D. (Seasonal Affective Disorder), so my mood can plummet in the winter months anyway, particularly in the overcast, gloomy, damp days after Christmas. Bright and cold are easier to deal with.

I suddenly made myself stop and take a good look round at the stubble fields, the inky brushes of trees against the horizon, the glimmer of light pushing through the banks of clouds, a cascade of small yellow apples scattered around a wild apple tree. I realise it’s easier to find beauty in the countryside, but if we were able to make it a goal to notice at least one thing of glory, however small or unlikely, each day, who knows, perhaps it could have a positive effect on our mental wellbeing, on our inner strength to cope.

man and woman looking at wall decor inside building

Photo by Matheus Viana on Pexels.com

How can art help though? It can be accused of being frivolous or unnecessary. However, like music, it can be a reprieve, a space in which to allow our fraught minds to explore or relax, to be stimulated or calmed. Whether on the walls of our home, or in a gallery, or online; take time to seek out those images that ‘speak’ to you personally.

I like to think it’s worth a try.

Meanwhile, I finally got back into the studio after several weeks away from art-making in the run-up to Christmas and New Year. After a frenzied bout of sweeping and tidying (procrastinating!) I sat down with my workbook, some homemade markmaking tools, inks and my ‘dip-in collage bag’, with the aim of just loosening up, getting something started but without the pressure to produce a finished piece.

Collage and markmaking example, in a Seawhite Sketchbook.

Workbook practice. Mixed media on paper. © Mari French 2020

I’m itching to start on some bigger canvases, now that I have my ‘painting wall’, but I know I need to stretch my dormant creative muscles first. So messing about is what I’ll be doing for a few days yet!

Thank you for all your support, likes and comments in the past year, I hope you continue to enjoy my blog and my art.

Art at the edge: developments

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

At last! Having had an enforced break from painting for a few weeks since before Christmas (hope you all had a good one!), my thoughts are turning once again to my most recent source of inspiration – Dungeness. Read my previous post ‘Art at the edge: Dungeness’ for more on how a recent holiday led to my fascination with this unique and strange place.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In this post I’m sharing a few recent pages from my current workbook, which I’ve produced since the small paintings in the last post, and I’m working through ideas for a series of mixed media pieces, inspired by my experience of Dungeness, hopefully eventually leading to large canvases. I’m hoping to get back in my studio soon to carry on developing these.

Dungeness workbook page © Mari French 2018Dungeness workbook page © Mari French 2018.
Dungeness workbook page © Mari French 2018

You can perhaps see from these experimental pieces that, as with my other work series, I’m exploring the shapes, linear motifs and colours that the place suggests to me, rather than trying to achieve anything recognisable, so I’m using a lime green for instance, to evoke the weird evening light (not grass!) and to suggest the latent power of the nuclear power station squatting on the edge of the area. I’ve previously used very little green in my artwork, but it feels right here somehow. Linear marks recall power lines, pylons, remains of tracks in the shingle, fences, telegraph poles etc.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In building up the workbook pages shown here, I used torn up pieces of scrap monoprints I’d produced with a gelli plate, while loosening up and playing with colours, textures and ideas. Then layered over with gouache, acrylic, homemade stencils and collage elements till I got the effect I wanted. I keep a box of scrap prints, textured card and assorted materials close to hand for when I’m messing about in the workbook, either incorporating them or using them for impressing or printing shapes. Sometimes it pays to be a hoarder!

areas of light …

Progressing the experimental studies on the Norfolk salt marsh areas I’ve been concentrating on recently.  The intention is to create a body of work on this theme eventually. I feel I’m getting somewhere … I’m excited anyway, which is usually a good sign!

Areas of light. © Mari a French 2015

Areas of light. © Mari French 2015

Am still starting with the orange gold colour I’m so obsessed with at the moment, but now adding a few more subtle tones to that limited palette. The one above, Areas of light, is in acrylic, Inktense stick, gouache and newsprint on watercolour board. One for framing eventually I think. The abstract below has a different feel, more of a summer atmosphere perhaps.

Saltmarsh abstract © Mari French 2015

Saltmarsh abstract © Mari French 2015


Workbook spread © Mari French 2015

Workbook spread © Mari French 2015

 And above, another workbook spread on the same theme. I love the golden hues and contrasting dark ink in this.

One thing that bothers me is that each time I write a blog the images look squashed up and I cant figure out why. If they look odd to you, please do me a favour and leave a comment letting me know, thanks.