Art at the edge: developments

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

At last! Having had an enforced break from painting for a few weeks since before Christmas (hope you all had a good one!), my thoughts are turning once again to my most recent source of inspiration – Dungeness. Read my previous post ‘Art at the edge: Dungeness’ for more on how a recent holiday led to my fascination with this unique and strange place.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In this post I’m sharing a few recent pages from my current workbook, which I’ve produced since the small paintings in the last post, and I’m working through ideas for a series of mixed media pieces, inspired by my experience of Dungeness, hopefully eventually leading to large canvases. I’m hoping to get back in my studio soon to carry on developing these.

Dungeness workbook page © Mari French 2018Dungeness workbook page © Mari French 2018.
Dungeness workbook page © Mari French 2018

You can perhaps see from these experimental pieces that, as with my other work series, I’m exploring the shapes, linear motifs and colours that the place suggests to me, rather than trying to achieve anything recognisable, so I’m using a lime green for instance, to evoke the weird evening light (not grass!) and to suggest the latent power of the nuclear power station squatting on the edge of the area. I’ve previously used very little green in my artwork, but it feels right here somehow. Linear marks recall power lines, pylons, remains of tracks in the shingle, fences, telegraph poles etc.

Dungeness workbook page © Mari French 2018
Dungeness workbook page © Mari French 2018

In building up the workbook pages shown here, I used torn up pieces of scrap monoprints I’d produced with a gelli plate, while loosening up and playing with colours, textures and ideas. Then layered over with gouache, acrylic, homemade stencils and collage elements till I got the effect I wanted. I keep a box of scrap prints, textured card and assorted materials close to hand for when I’m messing about in the workbook, either incorporating them or using them for impressing or printing shapes. Sometimes it pays to be a hoarder!

rust & stone…

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

I recently hit one of those annoying self-doubting phases all artists seem to experience occasionally, just wondering where I was going with my art, and what if anything is inspiring me now. I kept nagging myself that, since I returned from my two week art residency at Brisons Veor, Cape Cornwall in the spring, I hadn’t really explored all the rich inspiration I’d found, apart from the four canvases inspired by the rocky coastal coves that I’d produced for the mixed exhibition at Artichoke Gallery, East Sussex (till 23 September 2017.

To be fair on myself, part of the reason is that I was busy finishing/framing existing work and getting it out there to galleries – existing and new, and fulfilling various art commitments such as the Norfolk Open Studios. It’s been a pretty busy year for me so far for exhibiting. Something I really can’t complain about as it’s a big and exciting part of the job, or it should be!

But, of course, like most artists I’m happiest when I’m creating. So I decided to just play for a few days – experiment with different media, collage, etc. – and try to take the pressure off myself. And, as often happens (thankfully!), something started to click (and yes, you’ll have noticed I’ve been in this situation before!)…

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Lo and behold, after messing about for a few days, I became strangely drawn to a lovely gold ochre gouache colour coupled with dark blue ink and collage. The limited palette and strong shapes reminded me of something.

 

I realised that the work I was creating was not only influenced after all, by the Cornish sea coves around Penwith, but more specifically was subconsciously referencing the old rusting fishing industry artefacts I kept coming across scattered around and embedded in rocks and boulders – winches, chains, mooring rings etc. Objects that are in the process of decaying back into the elements they were formed from. Of course the large circle might also be seen as referencing (albeit subconsciously) the Men an Tol, the Bronze Age hole stone near Morven, to the north west of Penwith. Circles figure a lot in my recent work!

So this is the latest theme I’m exploring. The works shown here are medium-sized (approx 40x30cm) on paper. If you’ve enjoyed this post and you’re interested in reading more of my art progress, thoughts and adventures, why not sign up for an email notification when I post to my blog.

luscious lines …

 

Collage/mixed-media on board. Mari French 2016

Collage/mixed-media on board. Mari French 2016

I’ve been diligently trying to practice the techniques I learnt at the recent Emily Ball workshop (see previous post), but keep succumbing to a flu bug I picked up on a trip to London. 

These are the result of experimentation in the studio this week, in between feeling rubbish, using some fabulous Markal Paintstiks I treated myself to after using Emily’s (they’re like big luscious oil pastels!). This is a collage/mixedmedia piece on board, which I’ve split into two as it seems to work better that way. 

By the way, I’ve tried laying out this post in a better way but have lost the will to live (it’s the ex-designer in me). 

 

Collage/mixed-media on board 2

Collage/mixed-media on board 2. Mari French 2016