on the high moors …

White Cross, NYM

White Cross (or ‘Fat Betty’) near Rosedale, North York Moors. © Mari French 2018

What do artists do when they hit a creative block? How do you refresh your inspiration? There are probably as many answers to these questions as there are artists. I have different methods but sometimes all that works is a complete change of scene…

A few weeks ago I was going through a frustrating period of needing a serious injection of new inspiration (and cooler temperatures!), along with quite a few other artists I know, apparently. I love Norfolk especially the saltmarshes, but felt the need for hills, drama and a different landscape history.

So I booked myself into a cottage high on a hill, above the beautiful village of Rosedale Abbey in the North York Moors. The green fertile farmland and historic villages of NYM are widely known, but I was interested in the bleaker but no less beautiful high plateau of heather moorland soaring above them.

img_6104.jpg

Rain approaching, North York Moors. Sketchbook. © Mari French 2018

Although only there for 3 full days I made the most of my time by getting up early and going out sketching and exploring the area until dusk. The weather was bright and warm at first but soon became more changeable with long fronts of dark rainclouds looming overhead, giving me the light and contrast I prefer for sketching.

One of the distinctive features of these moors are the numerous ancient standing stones, medieval crosses and waymarkers dotting the area. The latter two types were placed as guides to travelling pilgrims, church-goers, funerals etc traversing the extensive moorland plateau, particularly in bad weather.

img_6106.jpg

Standing stone, Dog Howe, North York Moors. Sketchbook. © Mari French 2018

High moorland near Rosedale

High moorland near Rosedale, North York Moors. © Mari French 2018

It might not be immediately obvious from these photos but this area is high up. Tucked in between these heathery stretches are deep long valleys of farms, rivers and villages.

No wifi or mobile signal for most of the time was bliss. Sometimes sat amongst the heather and scattered rocks, all I could hear was the buzzing of thousands of bees.

Sketching kit, NYM

Sketching among the heather. © Mari French 2018

Spaunton Moor, NYM

Spaunton Moor, above Chimney Bank, North York Moors. Sketchbook. © Mari French 2018

After the long heatwave early signs of autumn approaching were noticeable in the odd splash of gold in dying bracken, russet in some of the heather that was starting to go over and in the lichen on the rocks.

Also, this is ironstone country, the ore was mined extensively in 19thC Rosedale and the industrial ruins still punctuate the skyline above the valley. The iron ore shows through in the stone scattered about and in patches of dark red where the soil is exposed.

cb7c5132-9aa3-4fe0-b7cc-3d1211a0346b.jpg

Iron ore in sandstone rocks, Rosedale, North York Moors. © Mari French 2018

Rainclouds over Dale Head, North York Moors. Sketchbook. © Mari French 2018

All this richness of sensation, of light, colour and texture, began to give me the palette I wanted: muted purple greys, bruise tints, ochres and burnt siennas, warm stone greys. The layers of the undulating landscape, stone walls, crosses, standing stones and tracks offered lines and marks, enclosures and shapes.

Burnt heather and dry grass, NYM

Burnt heather and dry grass, North York Moors. Sketchbook. © Mari French 2018

img_6086.jpg

Cloud shadows, North York Moors. Sketchbook. © Mari French 2018

Since returning I’ve felt energised by the experience and excited by some of the resulting experimental studies that have been emerging in my studio. I’ll be showing some of these in part two of this post.

Sea lavender & dark skies…

Sea lavender sketch, Thornham saltmarsh

Sea lavender sketch, Thornham saltmarsh. © Mari French 2018

Due to flagging and wilting in the extended heatwave of the past 7 weeks, I’m playing catch up with painting and social media etc. I’m really not good in the temperatures of 34C plus which we’ve had lately.

Anyway, enough grumbling! We had a fantastic lightning storm last night and torrential rain, so I’m feeling a bit more refreshed and don’t need to water the garden for a few days. This post is really to tell you about a sketching trip I had to Thornham salt marsh on the North Norfolk coast a week ago, when it was a bit overcast and threatening rain (though it didnt) and so much more comfortable for walking and sketching. (I did post some of these images on Facebook etc, so they may look a bit familiar to some of you).

Sea lavender and dark skies, Thornham, North Norfolk. © Mari French 2018

Sea lavender and dark skies, Thornham, North Norfolk. © Mari French 2018

I’d driven up to Thornham to catch the swathes of sea lavender that carpet much of the Norfolk marshes this time of year. But I was also astonished by the profusion of wildflowers (despite the drought, or maybe because of it) and butterflies along the paths on top of the sea defences – mallow, wild fennel, corn cockle, wild carrot and something with exquisite clover-like white and blue flowers which I haven’t yet identified (see lower left image). Feel free to enlighten me!

 

I started off with gouache, which I’m enjoying using more frequently recently, combined with other media like pencil and Posca paint pens. But I soon decided to switch to wet-in-wet watercolour as the gouache was drying too fast and causing the brush to drag. I thought wet-in-wet might allow me to evoke the looming skies and shadows on the marsh more effectively. I love the way the creeks reflect the light, especially as the skies darken.

 

Sea lavender, Ragged Marsh.

Sea lavender, Ragged Marsh. © Mari French 2018

I’ve since been getting back into the swing of painting in my studio (only in the mornings for now, too hot after lunch), and I’m having fun putting some of these influences to use on canvas, which I’ll show you in my next post.

 

Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018