insight… in sight…

Thinking more about the subconscious process behind my art lately …

Work emerging from the studio the past two weeks appear again to be channelling my time spent studying and sketching reedbeds and pools/channels on the north Norfolk saltmarsh coast.

Initially these were experimental pieces with mixed-media (inks and acrylics etc) on watercolour board and paper. But having left them alone for a few days, then coming back and working into them with that lovely rust colour for instance, they definitely evoke reedbeds and water to me. The first one below from a close viewpoint, the second from further away.

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Untitled. Mixed media on paper © Mari French 2017

But I’ve also been considering this: they’re not just about distilling what I see or feel, my work seems increasingly to recall my physical experience; the journeying and exploration of my chosen terrain. So some motifs may appear more than once and at different scales, because I see the same place/object or experience the same feeling or sensation several times as I go, turning and watching, stopping and walking back to study some more.

Having been working towards abstraction in my interpretation of the landscape over the past decade, it’s intriguing (and a bit thrilling) to get this insight into the way my own process works.

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Untitled. © Mari French 2017

emergence …

Ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Since my last post, I’ve been continuing my experimental studies with acrylic ink and developing some of the earlier ones. The addition of more mark making with Inktense pencil, Posca paint pens and white acrylic paint has resulted in landforms emerging – reedbeds, flooded marshes, saltings, banks – reminiscent of the Norfolk saltmarsh coast, which continues to inform my work.

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

winter marsh…

Creek, Thornham saltmarsh.

Creek, Thornham saltmarsh. © Mari French 2016

I read in an anthology this week, one author’s opinion that saltmarshes are one of the bleakest places in winter. Well, although they can be perceived like that in very poor weather, on a jewel of a day like the ones I experienced this week, they can be surprisingly beautiful.

This sketching trip was to one of my usual haunts, Thornham on the north Norfolk coast. It was too cold to sit about for long but I got a couple of rough watercolours done. Sat by the coal barn sketching the small boats on the creek against the sun, I was almost blinded.

Boats on the creek, Thornham. Sketchbook spread © Mari French 2016

Boats on the creek, Thornham. Sketchbook spread © Mari French 2016

Reedbeds are an important part of the ecology on this coast, as with many such places in Britain. Their soft pewter feathered seedheads ripple like an inland sea. The stems are pale burnished gold in the winter sun and I find them hypnotic. I keep coming back to them recently, both physically, mentally and in my work.

The other motif that keeps catching my eye, are the cradled pools and creeks of azure blue – reflecting the sky but much deeper in colour. They sit like brooches on the bronze brocade of the marsh. I feel the stirrings of an abstracted response to these with simple layered colour and texture.

Reedbeds, Thornham. Sketchbook spread © Mari French 2016

Reedbeds, Thornham. Sketchbook spread © Mari French 2016

 

Rope and seaweed, staithes, Thornham. © Mari French 2016

Rope and seaweed, staithes, Thornham. © Mari French 2016

 Reedbeds, looking towards Holme from Thornham. © Mari French 2016

Reedbeds, looking towards Holme from Thornham. © Mari French 2016