ochre clay, pale stones, rusting metal…

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

Almost chickened out of going to the studio today seeing 2 inches of snow outside and plummeting temperatures. But I’d been looking forward to painting having been busy doing other stuff for much of the past week.

So, quilted overalls on (of which my hubby is very jealous) and calor gas heater going full blast I actually had an enjoyable few hours working on 3 small pieces on paper I’d started last week. When fingers got a bit frosty I blasted them with the hairdryer I use for drying off acrylics.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

These three works continue the series I’m currently developing in response to coastal erosion on the North Norfolk coast (mainly around Happisburgh), which I wrote about in my previous post. I’m attracted to the colours of the crumbling cliffs and broken structures littering the shore – ochre clay, pale stones, rusting metal, concrete etc, set against the shadowy land slips below the fields above. For these small paintings I used acrylics, gouache and inktense pencil on watercolour paper – I sometimes use a smoother paper or board support, but here I like the grain exposed by the dryish edge of the dragged paint.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

My solo exhibition, from 24th March for one month at the Grapevine Gallery, Burnham Market, North Norfolk, will feature these three works alongside other larger pieces in the series and several new reedbeds paintings. Below are a few of the earlier stages of these small paintings.

Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018

Coastal erosion at the Mall Galleries!…

I’m so pleased to announce that four of my artworks have been selected for exhibition at the Royal Institute of Water Colour Painters (RI) at the Mall Galleries, London, 6 to 21 April 2018. This is always an impressive and varied show of contemporary work in water media and well worth visiting if you are able to.

'Equinox', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.'Emerging forms', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

'Byzantine waters', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

'Cryptic shore', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

The selected paintings: ‘Equinox’, ‘Emerging forms’, ‘Byzantine waters’ and ‘Cryptic shore’ (all shown above) are part of an ongoing series created in response to coastal erosion, which I have been working on over the winter. It’s a subject that has been in my mind since visiting Happisburgh, North Norfolk.

Although I’m well aware of and sympathise with the devastation such destructive erosion causes to the inhabitants of affected villages, my interest here was in capturing the energy and dynamism of the forces involved; of crumbling cliffs and bent and broken structures; the sheer power of the waves and the resulting twisted rusting metal, wooden and concrete forms.

I’ll be exhibiting more paintings from this series at my solo show from 24 March at the Grapevine Gallery, Burnham Market, North Norfolk, which will also feature artworks from my reedbeds series. This exhibition will run for one month, more details to follow.

four seasons in one day…

Thornham saltmarsh, Norfolk. © Mari French 2018

Thornham saltmarsh, Norfolk. © Mari French 2018

Rain, sun, stormy, bright… apart from snow, I experienced the full gamut of weather conditions yesterday at Thornham on the North Norfolk coast. It makes for interesting photography but renders sketching out in the open a bit tricky. Plus, it was really cold and windy.

Holme bird reserve, Norfolk. © Mari French 2018

Rain over Holme bird reserve, Norfolk. © Mari French 2018

As I arrived at Thornham bonfire smoke was drifting in over the marsh with the sun illuminating marsh pools and reedbeds. I started walking along the sea defences from Thornham towards the dunes at Holme, having been stuck at a desk with various urgent tasks all week I was desparate to get out.

At one point I was sat on a bench in beautiful warm sunshine with a great elevated view overlooking the bird reserve lake and reedbeds. Then the rainclouds came over and drops started falling on my sketchbook. It looked fantastically dramatic though!

Viewpoint with handy bench! Holme bird reserve, Norfolk. © Mari French 2018Viewpoint with handy bench! Holme bird reserve, Norfolk. © Mari French 2018

Viewpoint with handy bench! Holme bird reserve, Norfolk. © Mari French 2018

Holme bird reserve, Norfolk. © Mari French 2018

Holme bird reserve, Norfolk. © Mari French 2018

Skeins of geese were noisily flying over as the weather front was quickly blown eastwards and the sun came out again. I took the opportunity to walk over the dunes to the shore for a quick glimpse of the sea (always a tonic in the winter), then headed back the way I came, anticipating the next squadron of rainclouds that I could see on the horizon.

Holme dunes , Norfolk. © Mari French 2018

Holme dunes , Norfolk. © Mari French 2018

Thornham creek, North Norfolk. © Mari French 2018

Thornham creek, North Norfolk. © Mari French 2018

The old coal barn at Thornham was lit up in the sun against the brooding sky, with boats and wooden staithes poking up along the creek next to it. It’s a captivating subject although my sketch of it was pretty rushed and a bit blobby!

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Old coal barn, Thornham, North Norfolk. © Mari French 2018

Old coal barn, Thornham, North Norfolk. © Mari French 2018

Old coal barn, Thornham, North Norfolk. © Mari French 2018