luscious lines …

 

Collage/mixed-media on board. Mari French 2016

Collage/mixed-media on board. Mari French 2016

I’ve been diligently trying to practice the techniques I learnt at the recent Emily Ball workshop (see previous post), but keep succumbing to a flu bug I picked up on a trip to London. 

These are the result of experimentation in the studio this week, in between feeling rubbish, using some fabulous Markal Paintstiks I treated myself to after using Emily’s (they’re like big luscious oil pastels!). This is a collage/mixedmedia piece on board, which I’ve split into two as it seems to work better that way. 

By the way, I’ve tried laying out this post in a better way but have lost the will to live (it’s the ex-designer in me). 

 

Collage/mixed-media on board 2

Collage/mixed-media on board 2. Mari French 2016

a saltmarsh is born…

Subsequent tides. Mixed media on paper. © Mari French 2015

Subsequent tides. Mixed media on paper. © Mari French 2015

The following is an extract from an interesting post I recently came across, giving a useful insight into the saltmarsh coast of Norfolk, the subject of my current artworks :

November Saltmarsh

In Norfolk there are amazingly few habitats which are self-forming and self-maintaining – which therefore require no intervention from conservationists to keep them as they are – and almost all of them are associated with the sea, its winds, its waves and its tides.

… the tide … helps make two fascinating and oft-ignored Norfolk habitats. Two of the wildest, least human-led habitats in Norfolk at that: mudflat and saltmarsh. In areas sheltered from the intense energy of the waves, such as enclosed bays and the harbours behind spits, the finest sediments in the water – tiny particles of silt – are deposited at the top of the tide, where the water has least energy. These particles cling to one another and where they are not shifted by subsequent tides they form a tenuous, easily-moved mudflat. Where conditions allow, filamentous algae colonise the mudflat, followed by what botanists call glasswort and in Norfolk we call samphire. These plants stabilise the flat and encourage more silts and clays to settle.

A saltmarsh is born.

Nick Acheson, Norfolk Wildlife Trust

norfolkwildlifetrust.blogspot.co.uk

Overy Marsh. Workbook spread. © Mari French 2015

Overy Marsh. Workbook spread. © Mari French 2015

 

But here we are. Overy Marsh. Mixed media on paper. © Mari French 2015

But here we are. Overy Marsh. Mixed media on paper. © Mari French 2015

areas of light …

Progressing the experimental studies on the Norfolk salt marsh areas I’ve been concentrating on recently.  The intention is to create a body of work on this theme eventually. I feel I’m getting somewhere … I’m excited anyway, which is usually a good sign!

Areas of light. © Mari a French 2015

Areas of light. © Mari French 2015

Am still starting with the orange gold colour I’m so obsessed with at the moment, but now adding a few more subtle tones to that limited palette. The one above, Areas of light, is in acrylic, Inktense stick, gouache and newsprint on watercolour board. One for framing eventually I think. The abstract below has a different feel, more of a summer atmosphere perhaps.

Saltmarsh abstract © Mari French 2015

Saltmarsh abstract © Mari French 2015


Workbook spread © Mari French 2015

Workbook spread © Mari French 2015

 And above, another workbook spread on the same theme. I love the golden hues and contrasting dark ink in this.

One thing that bothers me is that each time I write a blog the images look squashed up and I cant figure out why. If they look odd to you, please do me a favour and leave a comment letting me know, thanks.