rust & stone…

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

I recently hit one of those annoying self-doubting phases all artists seem to experience occasionally, just wondering where I was going with my art, and what if anything is inspiring me now. I kept nagging myself that, since I returned from my two week art residency at Brisons Veor, Cape Cornwall in the spring, I hadn’t really explored all the rich inspiration I’d found, apart from the four canvases inspired by the rocky coastal coves that I’d produced for the mixed exhibition at Artichoke Gallery, East Sussex (till 23 September 2017.

To be fair on myself, part of the reason is that I was busy finishing/framing existing work and getting it out there to galleries – existing and new, and fulfilling various art commitments such as the Norfolk Open Studios. It’s been a pretty busy year for me so far for exhibiting. Something I really can’t complain about as it’s a big and exciting part of the job, or it should be!

But, of course, like most artists I’m happiest when I’m creating. So I decided to just play for a few days – experiment with different media, collage, etc. – and try to take the pressure off myself. And, as often happens (thankfully!), something started to click (and yes, you’ll have noticed I’ve been in this situation before!)…

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Lo and behold, after messing about for a few days, I became strangely drawn to a lovely gold ochre gouache colour coupled with dark blue ink and collage. The limited palette and strong shapes reminded me of something.

 

I realised that the work I was creating was not only influenced after all, by the Cornish sea coves around Penwith, but more specifically was subconsciously referencing the old rusting fishing industry artefacts I kept coming across scattered around and embedded in rocks and boulders – winches, chains, mooring rings etc. Objects that are in the process of decaying back into the elements they were formed from. Of course the large circle might also be seen as referencing (albeit subconsciously) the Men an Tol, the Bronze Age hole stone near Morven, to the north west of Penwith. Circles figure a lot in my recent work!

So this is the latest theme I’m exploring. The works shown here are medium-sized (approx 40x30cm) on paper. If you’ve enjoyed this post and you’re interested in reading more of my art progress, thoughts and adventures, why not sign up for an email notification when I post to my blog.

insight… in sight…

Thinking more about the subconscious process behind my art lately …

Work emerging from the studio the past two weeks appear again to be channelling my time spent studying and sketching reedbeds and pools/channels on the north Norfolk saltmarsh coast.

Initially these were experimental pieces with mixed-media (inks and acrylics etc) on watercolour board and paper. But having left them alone for a few days, then coming back and working into them with that lovely rust colour for instance, they definitely evoke reedbeds and water to me. The first one below from a close viewpoint, the second from further away.

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Untitled. Mixed media on paper © Mari French 2017

But I’ve also been considering this: they’re not just about distilling what I see or feel, my work seems increasingly to recall my physical experience; the journeying and exploration of my chosen terrain. So some motifs may appear more than once and at different scales, because I see the same place/object or experience the same feeling or sensation several times as I go, turning and watching, stopping and walking back to study some more.

Having been working towards abstraction in my interpretation of the landscape over the past decade, it’s intriguing (and a bit thrilling) to get this insight into the way my own process works.

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Untitled. © Mari French 2017

reed-fringed pools… spangled light…

Recent walk and sketching in early spring sunshine (and Baltic easterly!) at Burnham Overy Staithe, on the north Norfolk coast.

Reed-fringed pool, sketchbook spread. © Mari French 2017

Reed-fringed pool, sketchbook spread. © Mari French 2017


It was spring half-term so there were quite a few groups of people about and the usual dog walkers. Always happy when a dog bounces up to inspect what I’m doing 🙂 The sunlight through the reeds and spangled reflections in the pools was a joy to observe. Handily placed benches help too!

Reedbeds, Burnham Overy Staithe. © Mari French 2017

Reedbeds, Burnham Overy Staithe. © Mari French 2017

Burnham Overy Creek & breakwaters © Mari French 2017

Burnham Overy Creek & breakwaters © Mari French 2017

Abstracting the creek © Mari French 2017

Abstracting the creek © Mari French 2017

 
Tide retreating, Burnham Overy Staithe © Mari French 2017

Tide retreating, Burnham Overy Staithe © Mari French 2017

Returning to the car my attention was caught by large flocks of smaller birds lifting up into the air en-masse from the grazings, although the larger geese didn’t seem bothered. I stopped to use my monocular and spotted a Marsh Harrier swooping along the edge of the field and hedgerow, flushing the birds out. It swept swiftly up and along a few times then landed out of sight, possibly with a catch. I was hoping I might have caught it on my photos but it was too fast.

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017