rust & stone…

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

I recently hit one of those annoying self-doubting phases all artists seem to experience occasionally, just wondering where I was going with my art, and what if anything is inspiring me now. I kept nagging myself that, since I returned from my two week art residency at Brisons Veor, Cape Cornwall in the spring, I hadn’t really explored all the rich inspiration I’d found, apart from the four canvases inspired by the rocky coastal coves that I’d produced for the mixed exhibition at Artichoke Gallery, East Sussex (till 23 September 2017.

To be fair on myself, part of the reason is that I was busy finishing/framing existing work and getting it out there to galleries – existing and new, and fulfilling various art commitments such as the Norfolk Open Studios. It’s been a pretty busy year for me so far for exhibiting. Something I really can’t complain about as it’s a big and exciting part of the job, or it should be!

But, of course, like most artists I’m happiest when I’m creating. So I decided to just play for a few days – experiment with different media, collage, etc. – and try to take the pressure off myself. And, as often happens (thankfully!), something started to click (and yes, you’ll have noticed I’ve been in this situation before!)…

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Lo and behold, after messing about for a few days, I became strangely drawn to a lovely gold ochre gouache colour coupled with dark blue ink and collage. The limited palette and strong shapes reminded me of something.

 

I realised that the work I was creating was not only influenced after all, by the Cornish sea coves around Penwith, but more specifically was subconsciously referencing the old rusting fishing industry artefacts I kept coming across scattered around and embedded in rocks and boulders – winches, chains, mooring rings etc. Objects that are in the process of decaying back into the elements they were formed from. Of course the large circle might also be seen as referencing (albeit subconsciously) the Men an Tol, the Bronze Age hole stone near Morven, to the north west of Penwith. Circles figure a lot in my recent work!

So this is the latest theme I’m exploring. The works shown here are medium-sized (approx 40x30cm) on paper. If you’ve enjoyed this post and you’re interested in reading more of my art progress, thoughts and adventures, why not sign up for an email notification when I post to my blog.

Rocks, stones & coves: Cape Cornwall residency 2017

Towards the Brisons, evening. © Mari French 2017.

Towards the Brisons, evening. Mixed-media on canvas. © Mari French 2017.

A few weeks ago I was fortunate to spend two weeks on my own, on my second art residency at Brisons Veor, Cape Cornwall. Some of you may remember my staying here in 2014, but whereas previously I’d produced work inspired by the ruined tin and copper mines and the raging stormy sea, this time the weather was more spring-like and I wanted to concentrate on the energy of the sea filling and emptying, not only Priest Cove, but also the many small coves along the wild Penwith coastline.

My attention was also captured by the semi-natural bathing pool nestling in the rocks below the house in Priest Cove. There was much more sunshine and light this time and the pool was like a mirror reflecting the sky; often its stillness was in sharp contrast to the crashing waves just beyond. The pool was the still point in the moving scene of the cove; reflective in both senses of the word, filled by the sea, controlled by the moon, partially man-made, part bounded by rocks. In my subsequent work the pool has become a calm space, contrasting with the energy of the mark-making around it. The effect sets up a tension which I like.

Bathing pool, Priest Cove. © Mari French 2017.

Bathing pool, Priest Cove. © Mari French 2017.

Experimental ink studies, Priest Cove. © Mari French 2017.

Experimental ink studies, Priest Cove. © Mari French 2017.

I also produced a series of rapid, small experimented ink studies (above) as I sat next to the pool in the sun, using the pool water to give a marbling and granulated effect. I’m hoping to develop these further at some point.

Mirroring the sky © Mari French 2017.

Mirroring the sky, Mixed-media on paper © Mari French 2017.

The geology of this area is so striking, from white egg-like boulders and the twisted striations of minerals threaded through massive jagged black rocks in the sea coves, to the tumbled stone scattered across the moors. I can see it featuring in much of my future work.

Rocks near Boat Cove © Mari French 2017

Rocks near Boat Cove © Mari French 2017

Boat Cove stones © Mari French 2017

Boat Cove stones © Mari French 2017

Over the course of the residency, I became aware of lines, suggested and real, threading a dimensional net around this coastal place: on and below the sea’s surface – the regularity of shipping lanes, the varying routes of small fishing boats, the patterned pulses of light from the lighthouses at Wolf Rock and Long Ships, the movement of wildlife; in the air – the soaring flight of sea birds and regular small passenger planes lifting off from Lands End airport. Lines began to appear in my sketchbook and swirling over the paintings I was working on.

Studio work, Brisons Veor © Mari French 2017

Studio work, Brisons Veor © Mari French 2017

Plein air painting, Brisons Veor © Mari French 2017.

Plein air painting, Brisons Veor © Mari French 2017.

I’ve been trying to loosen up my sketching for some time, which in the past tended towards more figurative renderings of landscape. It was rewarding to be able to spend more time working on abstract ways of sketching for future reference. See my last post for more sketchbook spreads from this residency.

Sketchbook, Priest Cove. © Mari French 2017.

Sketchbook, Priest Cove. © Mari French 2017.

Unlike my first residency, where I was free to paint what I wanted, this time I knew I needed to supplying work for a mixed exhibition at Artichoke Gallery near Tunbridge Wells, when I returned and I wanted to use the residency to produce a few canvases to fit their exhibition theme ‘Across the water’. (The first and last images on this post are two of the canvases to be exhibited.)

Working in the studio, Brisons Veor. © Mari French 2017

Working in the studio, Brisons Veor. © Mari French 2017

Along with wealth of material from Priest Cove, the discovery of exquisite little Boat Cove tucked into the coast near Pendeen Light, with its mass of tumbled rocks and stone and remnants from the fishing industry (still carried out there on a small scale), provided the stimulus I needed. The resulting canvases (see Artichoke Gallery link above for all four works) were painted to the pulse and crunch of waves on the rocks beneath the studio.

Bathing pool, Priest Cove © Mari French 2017.

Bathing pool, Priest Cove. Mixed-media on canvas. © Mari French 2017.

 

 

 

Cornish sketchbook at Open Studio

Gosh its been quite a while since I last posted on here. It’s been such a busy couple of months. I’ve been away on a 2 week art residency at Brisons Veor, Cape Cornwall, which I’m planning on writing about soon. But in the meantime here’s a quick look at the sketchbook I worked in whilst there, which will be on show at my Open Studios May 27, 28, 29 and June 9, 10, 11 as part of Norwich & Norfolk Open Studios 2017. My studio is in Harpley, Norfolk and you can get more details and a map here. Hope to see you!