ochre clay, pale stones, rusting metal…

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

Almost chickened out of going to the studio today seeing 2 inches of snow outside and plummeting temperatures. But I’d been looking forward to painting having been busy doing other stuff for much of the past week.

So, quilted overalls on (of which my hubby is very jealous) and calor gas heater going full blast I actually had an enjoyable few hours working on 3 small pieces on paper I’d started last week. When fingers got a bit frosty I blasted them with the hairdryer I use for drying off acrylics.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

These three works continue the series I’m currently developing in response to coastal erosion on the North Norfolk coast (mainly around Happisburgh), which I wrote about in my previous post. I’m attracted to the colours of the crumbling cliffs and broken structures littering the shore – ochre clay, pale stones, rusting metal, concrete etc, set against the shadowy land slips below the fields above. For these small paintings I used acrylics, gouache and inktense pencil on watercolour paper – I sometimes use a smoother paper or board support, but here I like the grain exposed by the dryish edge of the dragged paint.

Coastal erosion abstract, acrylics on paper, 18x18cm. © Mari French 2018

My solo exhibition, from 24th March for one month at the Grapevine Gallery, Burnham Market, North Norfolk, will feature these three works alongside other larger pieces in the series and several new reedbeds paintings. Below are a few of the earlier stages of these small paintings.

Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018Early stages of painting, coastal erosion works. © Mari French 2018

Early autumn sketching at Thornham reedbeds…

Another recent walking and sketching day at Thornham on the Norfolk coast. This time I concentrated on the entrancing light, colour and movement in the reedbeds as they subtly change with the approaching autumn.

Looking over the reedbeds towards Holme church from the raised banks around Ragged Marsh is one of my favourite views. The wind rustling through the silvered stems and purple-grey feathery heads is very calming. I used mainly watercolours with just one abstract using the brush pens that I mentioned in the last post.

I also did a watercolour sketch of the otherworldly ‘stumps’ looking out over the creek and marsh.

I remembered my camera this time and even caught a starling murmuration as well as the odd rusted artefact!

rust & stone…

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

Rusted artefact 1, mixedmedia on paper. © Mari French 2017

I recently hit one of those annoying self-doubting phases all artists seem to experience occasionally, just wondering where I was going with my art, and what if anything is inspiring me now. I kept nagging myself that, since I returned from my two week art residency at Brisons Veor, Cape Cornwall in the spring, I hadn’t really explored all the rich inspiration I’d found, apart from the four canvases inspired by the rocky coastal coves that I’d produced for the mixed exhibition at Artichoke Gallery, East Sussex (till 23 September 2017.

To be fair on myself, part of the reason is that I was busy finishing/framing existing work and getting it out there to galleries – existing and new, and fulfilling various art commitments such as the Norfolk Open Studios. It’s been a pretty busy year for me so far for exhibiting. Something I really can’t complain about as it’s a big and exciting part of the job, or it should be!

But, of course, like most artists I’m happiest when I’m creating. So I decided to just play for a few days – experiment with different media, collage, etc. – and try to take the pressure off myself. And, as often happens (thankfully!), something started to click (and yes, you’ll have noticed I’ve been in this situation before!)…

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Rusted artefact 2, mixedmedia on paper. © Mari French 2017.

Lo and behold, after messing about for a few days, I became strangely drawn to a lovely gold ochre gouache colour coupled with dark blue ink and collage. The limited palette and strong shapes reminded me of something.

 

I realised that the work I was creating was not only influenced after all, by the Cornish sea coves around Penwith, but more specifically was subconsciously referencing the old rusting fishing industry artefacts I kept coming across scattered around and embedded in rocks and boulders – winches, chains, mooring rings etc. Objects that are in the process of decaying back into the elements they were formed from. Of course the large circle might also be seen as referencing (albeit subconsciously) the Men an Tol, the Bronze Age hole stone near Morven, to the north west of Penwith. Circles figure a lot in my recent work!

So this is the latest theme I’m exploring. The works shown here are medium-sized (approx 40x30cm) on paper. If you’ve enjoyed this post and you’re interested in reading more of my art progress, thoughts and adventures, why not sign up for an email notification when I post to my blog.