Almost chickened out of going to the studio today seeing 2 inches of snow outside and plummeting temperatures. But I’d been looking forward to painting having been busy doing other stuff for much of the past week.
So, quilted overalls on (of which my hubby is very jealous) and calor gas heater going full blast I actually had an enjoyable few hours working on 3 small pieces on paper I’d started last week. When fingers got a bit frosty I blasted them with the hairdryer I use for drying off acrylics.
These three works continue the series I’m currently developing in response to coastal erosion on the North Norfolk coast (mainly around Happisburgh), which I wrote about in my previous post. I’m attracted to the colours of the crumbling cliffs and broken structures littering the shore – ochre clay, pale stones, rusting metal, concrete etc, set against the shadowy land slips below the fields above. For these small paintings I used acrylics, gouache and inktense pencil on watercolour paper – I sometimes use a smoother paper or board support, but here I like the grain exposed by the dryish edge of the dragged paint.
My solo exhibition, from 24th March for one month at the Grapevine Gallery, Burnham Market, North Norfolk, will feature these three works alongside other larger pieces in the series and several new reedbeds paintings. Below are a few of the earlier stages of these small paintings.
I’m so pleased to announce that four of my artworks have been selected for exhibition at the Royal Institute of Water Colour Painters (RI) at the Mall Galleries, London, 6 to 21 April 2018. This is always an impressive and varied show of contemporary work in water media and well worth visiting if you are able to.
The selected paintings: ‘Equinox’, ‘Emerging forms’, ‘Byzantine waters’ and ‘Cryptic shore’ (all shown above) are part of an ongoing series created in response to coastal erosion, which I have been working on over the winter. It’s a subject that has been in my mind since visiting Happisburgh, North Norfolk.
Although I’m well aware of and sympathise with the devastation such destructive erosion causes to the inhabitants of affected villages, my interest here was in capturing the energy and dynamism of the forces involved; of crumbling cliffs and bent and broken structures; the sheer power of the waves and the resulting twisted rusting metal, wooden and concrete forms.
I’ll be exhibiting more paintings from this series at my solo show from 24 March at the Grapevine Gallery, Burnham Market, North Norfolk, which will also feature artworks from my reedbeds series. This exhibition will run for one month, more details to follow.
It’s been a while since I posted, that time of year I suppose when we’re all hunkered down waiting for spring! However, I was recently taken on by an online gallery Singulart – who are based in France and whose remit is to promote contemporary artists from Europe (France, Germany and UK in particular) to new markets. They have just posted an online interview with me about my life in art, to their blog, which I thought you might find interesting to read.
The link to the full interview is here. Below is a snippet from it…
How did you find your voice as an artist?My earliest memory of art is of my first day at school, I would have been 5 years old, intently drawing marigold flowers in a work book. I can still see myself pressing the vivid green and orange crayons onto the page, forming the petals and stems…The Singulart blog also has interviews with other artists, giving glimpses into their lives and working processes, which you might also find interesting, so after you’ve read mine, why not explore!