… and mud, stones and sand

More playing around in my workbook this week after an overcast, misty and very cold trip up to Burnham Overy Marsh on the north Norfolk coast earlier in the week.

 

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015

more experimenting …

Untitled. © Mari French 2015

Untitled. © Mari French 2015

 

… another couple of experimental paintings, again using acrylic, Inktense sticks and gesso, but this time on loose canvas. The canvas was picked for a song at a local auction; I haven’t painted on unstretched canvas before but I loved the feel of it.

Not sure what way to frame it though. It would be interesting to do something a bit different other than stretching it the usual way. Any alternative ideas out there?

Untitled. � Mari French 2015

Untitled. � Mari French 2015

 

a safer distance …

I’ve been developing my sketch ‘a safer distance’ further (see previous post ‘passing time’). This artwork is acrylic ink and tissue on watercolour paper, approx 40 x 45 cms. 

The original inspiration was the crumbling interior of a 19th century dynamite store at Cape Cornwall, a place I’ve visited a few times this year (see my post on the art residency I took at Brisons Veor). The small austere structure, perched on the rocks above Priests Cove, was originally part of Cape Cornwall Mine. The bolts and bars in the fabric of the interior walls were bleeding rust in a very interesting way. I seem to be very attracted to industrial archaeology lately.

I like that I can see other imagery in this. It feels there may be potential for a series here.

A safer distance. Acrylic ink/tissue on paper. Mari French 2014.

A safer distance. Acrylic ink/tissue on paper. Mari French 2014.

 

Old dynamite store, Cape Cornwall. Mari French 2014

Old dynamite store, Cape Cornwall. Mari French 2014