too hot, but painting anyway…

Sea lavender and marsh pools

Sea lavender and marsh pools © Mari French 2016

It didn’t take long for last week’s sketching inspiration at Thornham Saltmarsh (see my previous post Seeing purple) to find its way to my easel.

I really didn’t feel like going into the studio today, it was so hot (around 28 to 30c). I’m no good with heat (before those who live in really hot countries object!). The studio is in a hayloft, basically the roof space above an old stables, rustic, interesting, but baking today. Anyway, bearing in mind one famous artist’s wise advice (possibly Louise Bourgeois) to make yourself go into the studio even when you really don’t want to, in I went.

Glad I did now. Just painted for a couple of hours before lunch, but once I’d decided on this palette of sludgy purple and bronze, the rest followed. It may need a bit more work yet, but I’m feeling positive about it and enjoying this slightly different colour combination. The piece is painted in acrylics, with oil pastel and Inktense pencil scribbled into it.

 

Sea lavender and coal barn, Thornham Saltmarsh. © Mari French 2016

Sea lavender and coal barn, Thornham Saltmarsh. © Mari French 2016

 

 

 

seed heads and mussel shells …

Beach at Holme Dunes, November. Mari French 2015

Beach at Holme Dunes, November.

After days of wet, miserable weather, one morning this week was unexpectedly bright and sunny, so shelving my plans for a day in the studio, I threw my sketching bag and warm coat etc in the car and once again drove up to my favourite escape place, to Thornham saltmarshes on the North Norfolk coast, 12 miles from my home.

It was windy and cold, but wrapped up warm I relished the brilliant blue sky and the tobacco and purple colours of the salt marsh. Apart from gathering inspiration I wanted a good walk, so decided I’d follow the sea defences a bit further previously, around Holme Dunes Nature Reserve to the west, through the pinewoods and out onto the beach.

Saltmarsh, Thornham, November. Mari French 2015

Saltmarsh, Thornham, November. Mari French 2015


Thornham creek and marsh, sketchbook. Mari French 2015

Thornham creek and marsh, sketchbook. Mari French 2015

 

Reedbeds, Holme Dunes. Mari French 2015

Reedbeds, Holme Dunes. Mari French 2015

The path along the top of the sea defences is great for walkers and bird watchers, offering a panoramic view of the marshes and creeks with their birdlife, out to the sea beyond. It passes large swathes of reedbeds on the way, which this time of year are silvery and blurred with seedheads catching the sunlight and the wind. The only sounds were of the wind in the reeds, curlews on the marsh and Brent geese with their guttural barking, grazing out on the fields.

Reedbeds, Thornham, November. Mari French 2015

Reedbeds, Thornham, November. Mari French 2015


Reedbeds at Thornham, sketchbook. Mari French 2015

Reedbeds at Thornham, sketchbook. Mari French 2015

 

Boardwalk, Holme Dunes. Mari French 2015

Boardwalk, Holme Dunes. Mari French 2015

The latter part of the walk is on boardwalks looping over the sand dunes and towards the pinewoods around the reserve (these boards sometimes appear as scraps of corrugated card embedded in my mixed-media landscapes). It was mid-afternoon by now and I followed the sandy path through the firs and out onto the vast stretch of beach.

Holme Beach, footprints. Mari French 2015

Holme Beach, footprints. Mari French 2015

 

Holme Beach, groynes.

Holme Beach, groynes. Mari French 2015

The sun was bright but low giving long shadows and the wet strand reflecting the sky with the colours of a mussel shell. Soon dark bruised clouds were piling up on the horizon and it wasn’t long before they began to cover the sun, bringing a sense of dusk early to the day. I walked out onto a sand bank (the tide was still retreating otherwise this would be a seriously stupid thing to do), to get a closer look at the remains of a line of groynes battered by the waves. I’m always attracted to any graphic elements that appear like this in an otherwise low flat landscape, they give many possibilities for mark-making in my abstracts. I grabbed a few shots, then as the sky darkened, headed smartish back across the sand bank and beach towards the woods and the path back to the car.

Near dusk, Holme Dunes, Norfolk. Mari French 2015

Near dusk, Holme Dunes, Norfolk. Mari French 2015

 

… and mud, stones and sand

More playing around in my workbook this week after an overcast, misty and very cold trip up to Burnham Overy Marsh on the north Norfolk coast earlier in the week.

 

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015

Workbook mixed media sketch © Mari French 2015