Coastlines exhibition launch …

Yesterday’s launch of my solo show ‘Coastlines’ at Greyfriars Art Space in King’s Lynn brought in over thirty visitors. Thanks to everyone who came and for all the enthusiasm and great feedback.

The exhibition runs till Saturday 11 October and also includes a small selection of distinctive ceramics, fired using an ancient Japanese method, by Dameon Lynne.

Coastlines exhibition, Kings Lynn. Mari French 2014

Coastlines exhibition, Kings Lynn. Mari French 2014


Coastlines exhibition. Mari French 2014.

Coastlines exhibition. Mari French 2014.

 

Ceramic by Dameon Lynne.

Ceramic by Dameon Lynne.


Coastlines exhibition. Mari French 2014.

Coastlines exhibition. Mari French 2014.

 

Coastlines exhibition. Mari French 2014.

Coastlines exhibition. Mari French 2014.


Coastlines exhibition. Mari French 2014.

Coastlines exhibition. Mari French 2014.

 

Coastlines exhibition. Mari French 2014.

Coastlines exhibition. Mari French 2014.

 

a bit of a do …

Incoming tide. Mari French 2014

Incoming tide. Mari French 2014

 

… it would be great to see you at my upcoming solo exhibition ‘Coastlines’, which will be showing at Greyfriars Art Space, King’s Lynn, Norfolk, from 27 September to 11 October 2014.

The theme is inspired by my residency at Brison’s Veor, Cape Cornwall earlier this year and contrasts that wild, rugged coast with the very different North Norfolk coastline close to where I live, and where, as regular followers of this blog will know, I often walk, sketch and paint along the saltmarshes and beaches.

On the opening Saturday (29thSeptember) I’ll be having a ‘bit of a do’ between 12 noon and 4pm to launch the exhibition, with wine and nibbles, you’d be very welcome!

painting with pixels …

I’ve rarely painted domestic interior subjects, but i enjoyed this… the warm glow of the lamp, the loose treatment of the jug and flowers. I may try it with actual paints sometime… 

I created these using the iPad app ArtRage. I find ArtRage a really good painting/sketching programme (cheap for iPads but costing more for the comprehensive desktop version). It’s the best painting app I’ve come across so far, with lots of control and choice over materials, tools, colours etc., even the size and type of grain for the work surface. I sometimes use the Sensu brush I recently treated myself to, which adds a new dimension to the experience, but is not necessary, a good stylus will do. 

It took me some time to get used to this painting app – my early efforts were more like schoolkid graffiti until I had chance for some intensive practice back in September while passing time invigilating at my own exhibition in King’s Lynn. (An earlier post shows results from that practice if you’re interested).

Reading_lamp_iPad_sketch_Mari_French_2014.JPG

Reading lamp. iPad sketch. Mari French 2014

To get the effects here I was using a largish flat brush with the with the autoclean option on and instadry option off. I like to play around with various combinations of options and when I get one I like I save it as a preset, so I can use it again. I’m just amazed how pixels can be made to react like wet paint, blending, smudging – love it!

A consideration occurs to me, however, as to how the digital painting will effect my usual ‘physical’ painting/sketching practice. It may (hopefully) free up my brush technique and use of colour for instance… 

or… 

will I find myself reaching for the ‘undo’ option which is so useful on the digital app (as is the layers facility, where various layers can be added to the work in progress and turned on and off at will to view the results). I remember with some amusement, when I worked quite intensively on an Apple Mac as a graphic designer some years ago; I would often find myself, when at home, rearranging furniture or perhaps pictures on a wall and then be mentally grasping for an ‘undo’ for the easy way to set it back as it was!  

hydrangeas. iPad sketch. Mari French 2014.
hydrangeas. iPad sketch. Mari French 2014.