painting with pixels …

I’ve rarely painted domestic interior subjects, but i enjoyed this… the warm glow of the lamp, the loose treatment of the jug and flowers. I may try it with actual paints sometime… 

I created these using the iPad app ArtRage. I find ArtRage a really good painting/sketching programme (cheap for iPads but costing more for the comprehensive desktop version). It’s the best painting app I’ve come across so far, with lots of control and choice over materials, tools, colours etc., even the size and type of grain for the work surface. I sometimes use the Sensu brush I recently treated myself to, which adds a new dimension to the experience, but is not necessary, a good stylus will do. 

It took me some time to get used to this painting app – my early efforts were more like schoolkid graffiti until I had chance for some intensive practice back in September while passing time invigilating at my own exhibition in King’s Lynn. (An earlier post shows results from that practice if you’re interested).

Reading_lamp_iPad_sketch_Mari_French_2014.JPG

Reading lamp. iPad sketch. Mari French 2014

To get the effects here I was using a largish flat brush with the with the autoclean option on and instadry option off. I like to play around with various combinations of options and when I get one I like I save it as a preset, so I can use it again. I’m just amazed how pixels can be made to react like wet paint, blending, smudging – love it!

A consideration occurs to me, however, as to how the digital painting will effect my usual ‘physical’ painting/sketching practice. It may (hopefully) free up my brush technique and use of colour for instance… 

or… 

will I find myself reaching for the ‘undo’ option which is so useful on the digital app (as is the layers facility, where various layers can be added to the work in progress and turned on and off at will to view the results). I remember with some amusement, when I worked quite intensively on an Apple Mac as a graphic designer some years ago; I would often find myself, when at home, rearranging furniture or perhaps pictures on a wall and then be mentally grasping for an ‘undo’ for the easy way to set it back as it was!  

hydrangeas. iPad sketch. Mari French 2014.
hydrangeas. iPad sketch. Mari French 2014.

passing time on iPad …

Rosewall Hill, looming. Digital painting.

Rosewall Hill, looming. Digital painting.

Between visitors to my recent exhibition, Beneath the Surface, in King’s Lynn, I thought I’d make good use of any ‘downtime’ and try out the digital painting app ArtRage on my iPad. It took a few attempts to get the hang of, but it’s becoming compulsive and I like to think it may have a positive effect on my use of colour and mark-making.

'What remains'. Digital painting.

‘What remains’. Digital painting.

Anyway, these are some of the results, inspired by a day spent exploring the surrounding moorlands and remains of the Levant and Geevor tin and copper mines in Cornwall on a recent St Ives holiday. The two digital paintings above are the latest ones and I think I’ve learnt to exploit more of the subtleties of the tool/colour/effect options of the ArtRage app since I produced the first examples below.

I’ll probably always prefer to use physical paint on paper or canvas, but in situations like this in places where I don’t want to make a mess or leave work drying while I talk to someone, the iPad might make a useful sketchbook alternative.

Geevor Mine, Pendeen. Digital painting.

Geevor Mine, Pendeen. Digital painting.

Levant: verdigris leach. Digital painting.

Levant: verdigris leach. Digital painting.