Cornish sketchbook…

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

A few sketches and photographs from a week in St Ives, Cornwall, back in early May. Although a holiday, I also wanted to get some sketching done of the distinctive rugged coast around Penwith and St Ives. Living in Norfolk we are some 7 hours drive (at least) away, so I don’t get down there as often as I’d like.

I started a series of Cornish cove paintings last year on a residency at Brisons Veor, Cape Cornwall, and delivered two subsequent works from the series to the Harbour Gallery Portscatho (see previous post), during my week at St Ives (I found out today that I sold one of them, nice surprise!).

Boat Cove, Pendeen, Cornwall. © Mari French 2018

So, to continue working on the series, I needed to remind myself of that light, those colours and the sheer exhilaration of feeling the waves boom against the rocks below me in the small rocky coves that punctuate this coast.

When the tide is out there is an astonishing variety of geology: rocks, stones, boulders, pebbles, and contortions, layers and strata as well, of course, the pale pale sand reflecting the light. With the tide returning there’s the blinding white foam surging around the rocks at the head of the muscular turquoise waves, filling the coves.

Spring sea, below The Island, St Ives. Mixed media sketch. © Mari French 2018

I usually sketch in watercolours combined with other media, but here I found the rich colours of the wet watercolour paint soon dried to a much duller finish than I wanted. I tried using gouache instead. I’d only brought a limited range with me, so it was a bit of a challenge mixing the colours I wanted, but I liked the creamy blendable nature of the paint and the richness of the results. They team very well with paint pens and other media. I needed a larger palette and a Tupperware box lid fit the bill nicely.

Cornwall sketchbook. © Mari French 2018

This is all a fantastic contrast for an artist who spends much of her other time exploring and painting the salt marsh and reed beds of North Norfolk’s coastline. A contrast which I hope will result in many paintings in the new series.

Boat Cove, Pendeen. Mixed media sketch. © Mari French 2018

passing time on iPad …

Rosewall Hill, looming. Digital painting.

Rosewall Hill, looming. Digital painting.

Between visitors to my recent exhibition, Beneath the Surface, in King’s Lynn, I thought I’d make good use of any ‘downtime’ and try out the digital painting app ArtRage on my iPad. It took a few attempts to get the hang of, but it’s becoming compulsive and I like to think it may have a positive effect on my use of colour and mark-making.

'What remains'. Digital painting.

‘What remains’. Digital painting.

Anyway, these are some of the results, inspired by a day spent exploring the surrounding moorlands and remains of the Levant and Geevor tin and copper mines in Cornwall on a recent St Ives holiday. The two digital paintings above are the latest ones and I think I’ve learnt to exploit more of the subtleties of the tool/colour/effect options of the ArtRage app since I produced the first examples below.

I’ll probably always prefer to use physical paint on paper or canvas, but in situations like this in places where I don’t want to make a mess or leave work drying while I talk to someone, the iPad might make a useful sketchbook alternative.

Geevor Mine, Pendeen. Digital painting.

Geevor Mine, Pendeen. Digital painting.

Levant: verdigris leach. Digital painting.

Levant: verdigris leach. Digital painting.

glorious colours…lethal earth…

In early September I spent a week on the Penwith peninsula of Cornwall. This area is well-known for its stunning coastline, artists and the many standing stones and stone circles.

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Cape Cornwall from Pendeen Lighthouse © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

Sketch of Cape Cornwall, from Pendeen Watch © Mari French 2011

At St Ives I visited the 150 year old art studios at Porthmeor, with their large boarded sail-loft type spaces and huge seaward windows overlooking the Atlantic rollers on Porthmeor beach. Really difficult not to be envious of such light and space for painting. One of the artists, John Emanuel, originally from Cumbria, has been resident at the studios for 30 years. He had a fascinating book of photos of the studio interior recently published so I bought a copy.

Sketching at Mousehole, Cornwall © Mari French 2011

Sketching at Mousehole, Cornwall © Mari French 2011

I also spent a glorious couple of days tracking down some of the industrial archaeology of the area’s past – tin mines, near Land’s End, which I wanted to sketch. Levant mine, on the coast between St Just and Pendeen is now a National Trust site but this didn’t intrude on the potent atmosphere of the ruined engine houses, chimneys and arsenic works.

Ruins, Levant mine, Cornwall © Mari French 2011

Ruins, Levant mine, Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

mine chimney, Cape Cornwall © Mari French 2011

The spectacular setting, on the coastal path high above the sea, added to the sense of drama… a gift to the artist and photographer, although I didn’t see much evidence of the industrial side of Cornwall in the galleries at St Ives.

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

ruined arsenic works, Levant mine, Cornwall © Mari French 2011

Levant mine originally worked copper till the 1850s, then tin. Arsenic produced as a by-product of the tin mining was, horrifyingly, scraped off the inside of the chimney by men and young boys, by hand, with little more than a cloth to protect their breathing. The arsenic was produced for dyes, pesticides and medicine!

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

Sketch of Levant Mine, Cape Cornwall © Mari French 2011

I was excited by the vivid red and ochres, both in the buildings and bleeding through the ground of this eerie landscape. Beautiful and potentially lethal…

…an interesting possibility for a body of work I thought, also appreciating the contrast of the industrial subject within the landscape.

Traces of jewel-like minerals can easily be found in the scattered rocks and the earth around the site.

Even the bracken and other vegetation on the moorland above the mine seemed to mirror the colours of the earth and ores.

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

interior of ruined mine - Levant mine, Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

rocks at Levant mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011

Levant Mine, Cape Cornwall © Mari French 2011