getting the blues …

not really… I’m on a roll just now; having a slight change of palette has proved an exciting boost to my winter Saltmarsh paintings.

Tried out Sevres blue, which I bought ages ago but haven’t really used so far, with a dash of raw umber and white, (all acrylics) and my favourite inktense sticks over that. I’m excited by the results, it seems to give that amazing fresh clarity of light you often get at the coast.

I’m considering entering these for the Royal Institute of Painters in Watercolour competition

 

Untitled. Mari French 2015

Untitled. Mari French 2015

  
Untitled. Mari French 2015

Untitled. Mari French 2015

 

seed heads and mussel shells …

Beach at Holme Dunes, November. Mari French 2015

Beach at Holme Dunes, November.

After days of wet, miserable weather, one morning this week was unexpectedly bright and sunny, so shelving my plans for a day in the studio, I threw my sketching bag and warm coat etc in the car and once again drove up to my favourite escape place, to Thornham saltmarshes on the North Norfolk coast, 12 miles from my home.

It was windy and cold, but wrapped up warm I relished the brilliant blue sky and the tobacco and purple colours of the salt marsh. Apart from gathering inspiration I wanted a good walk, so decided I’d follow the sea defences a bit further previously, around Holme Dunes Nature Reserve to the west, through the pinewoods and out onto the beach.

Saltmarsh, Thornham, November. Mari French 2015

Saltmarsh, Thornham, November. Mari French 2015


Thornham creek and marsh, sketchbook. Mari French 2015

Thornham creek and marsh, sketchbook. Mari French 2015

 

Reedbeds, Holme Dunes. Mari French 2015

Reedbeds, Holme Dunes. Mari French 2015

The path along the top of the sea defences is great for walkers and bird watchers, offering a panoramic view of the marshes and creeks with their birdlife, out to the sea beyond. It passes large swathes of reedbeds on the way, which this time of year are silvery and blurred with seedheads catching the sunlight and the wind. The only sounds were of the wind in the reeds, curlews on the marsh and Brent geese with their guttural barking, grazing out on the fields.

Reedbeds, Thornham, November. Mari French 2015

Reedbeds, Thornham, November. Mari French 2015


Reedbeds at Thornham, sketchbook. Mari French 2015

Reedbeds at Thornham, sketchbook. Mari French 2015

 

Boardwalk, Holme Dunes. Mari French 2015

Boardwalk, Holme Dunes. Mari French 2015

The latter part of the walk is on boardwalks looping over the sand dunes and towards the pinewoods around the reserve (these boards sometimes appear as scraps of corrugated card embedded in my mixed-media landscapes). It was mid-afternoon by now and I followed the sandy path through the firs and out onto the vast stretch of beach.

Holme Beach, footprints. Mari French 2015

Holme Beach, footprints. Mari French 2015

 

Holme Beach, groynes.

Holme Beach, groynes. Mari French 2015

The sun was bright but low giving long shadows and the wet strand reflecting the sky with the colours of a mussel shell. Soon dark bruised clouds were piling up on the horizon and it wasn’t long before they began to cover the sun, bringing a sense of dusk early to the day. I walked out onto a sand bank (the tide was still retreating otherwise this would be a seriously stupid thing to do), to get a closer look at the remains of a line of groynes battered by the waves. I’m always attracted to any graphic elements that appear like this in an otherwise low flat landscape, they give many possibilities for mark-making in my abstracts. I grabbed a few shots, then as the sky darkened, headed smartish back across the sand bank and beach towards the woods and the path back to the car.

Near dusk, Holme Dunes, Norfolk. Mari French 2015

Near dusk, Holme Dunes, Norfolk. Mari French 2015

 

areas of light …

Progressing the experimental studies on the Norfolk salt marsh areas I’ve been concentrating on recently.  The intention is to create a body of work on this theme eventually. I feel I’m getting somewhere … I’m excited anyway, which is usually a good sign!

Areas of light. © Mari a French 2015

Areas of light. © Mari French 2015

Am still starting with the orange gold colour I’m so obsessed with at the moment, but now adding a few more subtle tones to that limited palette. The one above, Areas of light, is in acrylic, Inktense stick, gouache and newsprint on watercolour board. One for framing eventually I think. The abstract below has a different feel, more of a summer atmosphere perhaps.

Saltmarsh abstract © Mari French 2015

Saltmarsh abstract © Mari French 2015


Workbook spread © Mari French 2015

Workbook spread © Mari French 2015

 And above, another workbook spread on the same theme. I love the golden hues and contrasting dark ink in this.

One thing that bothers me is that each time I write a blog the images look squashed up and I cant figure out why. If they look odd to you, please do me a favour and leave a comment letting me know, thanks.