abandoned colour …

a selection of sketches from a week in Cornwall in September, spent exploring the moors, coast, ancient Bronze Age remains and the other-worldliness of the abandoned tin and copper mines in the Penwith area.

Towards Rosewall Hill, Cornwall

Towards Rosewall Hill, Cornwall.

These sketches were made on the spot, (in varied weather) in my current favourite sketchbook – a Moleskine watercolour sketchbook. The paper weight is robust enough to stand up to the deluge of water I usually flood each page with and I prefer the landscape format over the A5/A6 sizes sketchpads and books tend to come in.

Apart from my usual use of wet-in-wet watercolours and pencil, I was trying out the Derwent Inktense blocks which I’ve recently discovered; I love their immediacy of colour, their smudgy intensity, especially in the darker colours, like the plummy colour shown in the sketch above.

Mine stack at Levant, Cornwall.

Mine stack at Levant, Cornwall.


Verdigris leaching from cliff, Levant Mine.

Verdigris leaching from cliff, Levant Mine.   

The colours of the earth around these mines where the ores carpet the surface, and the copper verdigris leaches from the sea cliffs below the mines, have to be seen to be believed! It looks just like a giant has flung pots of paint around with abandon.

Mine stack, Levant Mine.

Mine stack, Levant Mine.

 

Rubble & ore, Levant Mine.

Rubble & ore, Levant Mine.

There is enough visual inspiration in this industrial landscape to warrant returning and spending much longer gathering material for a whole series of work. I’d love to do just that.

Rock formation, Levant.

Rock formation, Levant.

 

Men an Tol, near Morvah

Men an Tol, near Morvah

  

Rainclouds over Porthmeor bay, St Ives, Cornwall.

Rainclouds over Porthmeor bay, St Ives, Cornwall.

 

Beyond the Surface …

this is my next art exhibition… Beyond the Surface, which will be held at Greyfriars Art Space in King’s Lynn, Norfolk, UK, from 21 September to 5 October 2013.

It will include a range of recent abstracted mixed media paintings, influenced by landscape, coast and ancient buildings. A selection of collagraph prints and art cards will also be for sale.

The preview will be held on Friday 20 September, 6 to 8pm, you would be very welcome.

Beyond the Surface, art exhibition, King's Lynn.

Beyond the Surface, art exhibition, King’s Lynn.

chasing the light …

Two new artworks from my current series ‘Towards the Light’…

See previous posts Towards the Light and Shadow & Light which explain the inspiration for these.

I’m still thinking up a title for the first one below, which I only finished today. That glorious plum colour in the shadows is a glaze using an Inktense block I bought a few days ago, the first time I’ve used them (although I do use the Inktense pencils for sketching).

Untitled.JPG

Untitled, Mari French 2013

I’ve entered the first two of this series (Flight, shown below, and Towards the Light, shown on earlier post) into the National Open Art Competition, so fingers crossed! If they don’t get through I’ll be trying them in other open competitions – I think they’re some of my strongest works.

These are a bit of a departure from my usual landscape work, as regular visitors to my blog and followers of my work will realise. I’m enjoying working on them.

All Acrylic/ink/mixed media on watercolour board, approx 20 x 30 inches.

Flight, Mari French 2013