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About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

Coastal marks …

Mixed media on watercolour board. Mari French 2014

Mixed media on watercolour board. Mari French 2014 


Abstract. Mixed media on watercolour board. Mari French 2014

Mixed media on watercolour board. Mari French 2014

 

I’ve been using the relatively quiet period since my King’s Lynn solo exhibition in September, to experiment with a few abstracts and also to develop my visual language, my mark making, in the process. 

The one above and one below left, are part of a series inspired by the north Norfolk salt marsh coast, two of which recently sold from Thompsons Gallery in Aldeburgh, Suffolk.

 

 

 

 

 

a safer distance …

I’ve been developing my sketch ‘a safer distance’ further (see previous post ‘passing time’). This artwork is acrylic ink and tissue on watercolour paper, approx 40 x 45 cms. 

The original inspiration was the crumbling interior of a 19th century dynamite store at Cape Cornwall, a place I’ve visited a few times this year (see my post on the art residency I took at Brisons Veor). The small austere structure, perched on the rocks above Priests Cove, was originally part of Cape Cornwall Mine. The bolts and bars in the fabric of the interior walls were bleeding rust in a very interesting way. I seem to be very attracted to industrial archaeology lately.

I like that I can see other imagery in this. It feels there may be potential for a series here.

A safer distance. Acrylic ink/tissue on paper. Mari French 2014.

A safer distance. Acrylic ink/tissue on paper. Mari French 2014.

 

Old dynamite store, Cape Cornwall. Mari French 2014

Old dynamite store, Cape Cornwall. Mari French 2014


passing time…

a few workbook pages filled while invigilating my recent solo exhibition in King’s Lynn.
The first three are inspired by exploration of the Penwith mining area in west Cornwall; the last two by recent walks along the north Norfolk saltmarsh.
Food for thought here I think …

workbook 2. Mari French 2014

workbook 2. Mari French 2014

 

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A safer distance. Mari French 2014


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