Unknown's avatar

About Mari French RI

Mari French is emerging as one of East Anglia's most respected abstract painters. She grew up in Manchester close to the Pennine Hills, originally working as a graphic designer. She then lived for several years on the Isle of Skye developing her abstract landscapes. Mari now lives in Norfolk, working as a full-time artist, from her studio on a former 1930s RAF airbase. The roots of her paintings lie in her deep-seated affinity with landscape and weather, capturing the elemental forces of wild and less-visited landscapes. She says about her creative process “I try to evoke the shift of weather and light on a place and this is reflected in the sense of movement and change in the work itself. I sketch on location but in the studio I work instinctively, using a variety of media to evoke my experience of a place rather than a representation”. Mari has exhibited widely; she regularly exhibits with the Royal Institute of Painters in Watercolours (RI) at the Mall Galleries, London; she has also exhibited with The Royal Watercolour Society (RWS) at Bankside Gallery, London; was a finalist in Artist & Illustrator Magazine's 'Artist of the Year' 2016; and a finalist in The Sunday Times Watercolour Competition 2014. In 2022 she was elected a full member of the Royal Institute of Painters in Water Colours (RI). Her work has been featured in both the ‘Artist’ and ‘Artist & Illustrator’ magazines as well as in several art books and is held in private collections around the world.

Reedbeds and reflections…

River Wensum at Sculthorpe Nature Reserve © Mari French 2017

River Wensum at Sculthorpe Moor Nature Reserve © Mari French 2017


Delighted to discover a new reedbeds landscape this week, this time at Sculthorpe Moor Nature Reserve, just outside Fakenham. It’s only 8 miles from my home but although I was aware of it, I haven’t visited before (a mistake), as I normally head for the north Norfolk coast and the saltmarshes and reedbeds there. 

Sunday was a blustery and changeable early spring day, with scudding clouds and more bright sunshine as the day unfolded. The reserve is larger than I thought with extensive winding boardwalks providing comfortable and easy exploration. Lots of benches too. I had my camera with me but no sketchbook, which I’m going to put right on my next visit (soon). 

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017

Birches embracing, Sculthorpe Moor © Mari French 2017

Birches embracing © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017


I loved the variety of habitat – white birch trunks standing out against the furze of woodland, the meandering river Wensum, its banks lined with pollarded willow, catkins already out, reedbeds and open meres (with great views from several hides). Lots of birdsong, which you’d expect in spring in a place popular with birdwatchers. Speaking of which, the peace and quiet was more noticeable and welcome given that any visitors encountered were talking fairly quietly being there mainly for the birds and wildlife.

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017


Movement of wind in the reeds and bulrushes, sparkling sun on the water, movement of branches, reflections, fenceposts punctuating the reedbeds … these obviously all fed into my subconscious because a few days later in the studio, after some experimental markmaking, I produced these mixed media on paper pieces, which I’m rather excited by! (And yes, I did see some interesting birds).

insight… in sight…

Thinking more about the subconscious process behind my art lately …

Work emerging from the studio the past two weeks appear again to be channelling my time spent studying and sketching reedbeds and pools/channels on the north Norfolk saltmarsh coast.

Initially these were experimental pieces with mixed-media (inks and acrylics etc) on watercolour board and paper. But having left them alone for a few days, then coming back and working into them with that lovely rust colour for instance, they definitely evoke reedbeds and water to me. The first one below from a close viewpoint, the second from further away.

IMG_1428

Untitled. Mixed media on paper © Mari French 2017

But I’ve also been considering this: they’re not just about distilling what I see or feel, my work seems increasingly to recall my physical experience; the journeying and exploration of my chosen terrain. So some motifs may appear more than once and at different scales, because I see the same place/object or experience the same feeling or sensation several times as I go, turning and watching, stopping and walking back to study some more.

Having been working towards abstraction in my interpretation of the landscape over the past decade, it’s intriguing (and a bit thrilling) to get this insight into the way my own process works.

IMG_1426

Untitled. © Mari French 2017

reed-fringed pools… spangled light…

Recent walk and sketching in early spring sunshine (and Baltic easterly!) at Burnham Overy Staithe, on the north Norfolk coast.

Reed-fringed pool, sketchbook spread. © Mari French 2017

Reed-fringed pool, sketchbook spread. © Mari French 2017


It was spring half-term so there were quite a few groups of people about and the usual dog walkers. Always happy when a dog bounces up to inspect what I’m doing 🙂 The sunlight through the reeds and spangled reflections in the pools was a joy to observe. Handily placed benches help too!

Reedbeds, Burnham Overy Staithe. © Mari French 2017

Reedbeds, Burnham Overy Staithe. © Mari French 2017

Burnham Overy Creek & breakwaters © Mari French 2017

Burnham Overy Creek & breakwaters © Mari French 2017

Abstracting the creek © Mari French 2017

Abstracting the creek © Mari French 2017

 
Tide retreating, Burnham Overy Staithe © Mari French 2017

Tide retreating, Burnham Overy Staithe © Mari French 2017

Returning to the car my attention was caught by large flocks of smaller birds lifting up into the air en-masse from the grazings, although the larger geese didn’t seem bothered. I stopped to use my monocular and spotted a Marsh Harrier swooping along the edge of the field and hedgerow, flushing the birds out. It swept swiftly up and along a few times then landed out of sight, possibly with a catch. I was hoping I might have caught it on my photos but it was too fast.

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017

Birds flushed by harrier, Burnham Overy grazings © Mari French 2017