a bit of a do …

Incoming tide. Mari French 2014

Incoming tide. Mari French 2014

 

… it would be great to see you at my upcoming solo exhibition ‘Coastlines’, which will be showing at Greyfriars Art Space, King’s Lynn, Norfolk, from 27 September to 11 October 2014.

The theme is inspired by my residency at Brison’s Veor, Cape Cornwall earlier this year and contrasts that wild, rugged coast with the very different North Norfolk coastline close to where I live, and where, as regular followers of this blog will know, I often walk, sketch and paint along the saltmarshes and beaches.

On the opening Saturday (29thSeptember) I’ll be having a ‘bit of a do’ between 12 noon and 4pm to launch the exhibition, with wine and nibbles, you’d be very welcome!

abandoned colour …

a selection of sketches from a week in Cornwall in September, spent exploring the moors, coast, ancient Bronze Age remains and the other-worldliness of the abandoned tin and copper mines in the Penwith area.

Towards Rosewall Hill, Cornwall

Towards Rosewall Hill, Cornwall.

These sketches were made on the spot, (in varied weather) in my current favourite sketchbook – a Moleskine watercolour sketchbook. The paper weight is robust enough to stand up to the deluge of water I usually flood each page with and I prefer the landscape format over the A5/A6 sizes sketchpads and books tend to come in.

Apart from my usual use of wet-in-wet watercolours and pencil, I was trying out the Derwent Inktense blocks which I’ve recently discovered; I love their immediacy of colour, their smudgy intensity, especially in the darker colours, like the plummy colour shown in the sketch above.

Mine stack at Levant, Cornwall.

Mine stack at Levant, Cornwall.


Verdigris leaching from cliff, Levant Mine.

Verdigris leaching from cliff, Levant Mine.   

The colours of the earth around these mines where the ores carpet the surface, and the copper verdigris leaches from the sea cliffs below the mines, have to be seen to be believed! It looks just like a giant has flung pots of paint around with abandon.

Mine stack, Levant Mine.

Mine stack, Levant Mine.

 

Rubble & ore, Levant Mine.

Rubble & ore, Levant Mine.

There is enough visual inspiration in this industrial landscape to warrant returning and spending much longer gathering material for a whole series of work. I’d love to do just that.

Rock formation, Levant.

Rock formation, Levant.

 

Men an Tol, near Morvah

Men an Tol, near Morvah

  

Rainclouds over Porthmeor bay, St Ives, Cornwall.

Rainclouds over Porthmeor bay, St Ives, Cornwall.

 

sitting comfortably …

Just a few sketches from this week’s visit to my favourite stomping ground … Thornham salt marsh on the Norfolk coast. In celebration of the Queen’s jubilee a new bench has been conveniently sited facing out to sea along the creek. HM had her photo taken on her new bench recently with some of the villagers (Sandringham is nearby).

Thornham salt marsh. Mari French

Thornham salt marsh

It’s a popular spot for locals to rest, but despite the bright sunlight there was a cold northeasterly (there has been most of the year so far), and I had the bench to myself for an hour and could spread out. What a luxury not to be perched on a cold rock or on my waterproof mat on a tussock of grass trying not to lose my brushes or pencils in the grass. I’ll be getting soft 🙂

Emerging sun, Thornham Creek. Mari French

Emerging sun, Thornham Creek.

There was a very low tide… I’ve never seen the mud in the creeks so dry and pale. The blonde smudge of sand reflecting the sun across the near horizon seemed larger and closer than I’ve seen it before, with the channel marker posts standing out clearly. 

Changing light, Thornham. Mari French

Changing light, Thornham.