‘Painters’ exhibition at the Black Barn …

'Illuminated coast i, ii and iii' by Mari French at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.
I’m currently showing three large canvases at ‘Painters’, an exhibition of work by 19 contemporary Norfolk artists, at the Black Barn, Cockley Cley, nr Swaffham in Norfolk. The exhibition is curated by Hugh Pilkington, for Sir Samuel and Lady Roberts. Artists include Tracey Ross, Elaine Banham, Kate Giles, Anne Allanson and Fred Ingrams.

Saturday (5th August) saw the private view of ‘Painters’ very well attended and enjoyable. Bright sunshine and flowing fizz with Hugh as genial host, made for a memorable evening. But most importantly, the works on display, all contemporary paintings, many of which were large canvases, formed an impressive, well-selected and thoughtfully hung show.

Work by Tracey Ross (left) and Anne Allanson at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.

Work by Tracey Ross (left) and Anne Allanson at ‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.


Hugh Pilkington curates quite a few exhibitions in Norfolk, including the Sainsbury Visual Arts Centre. He chatted with me about his interest in whether there is such a thing today as a Norfolk school of painting, as there was in the 19th century with the likes of John Sell Cotman. This exhibition ‘Painters’ is a result of Hugh’s desire to get together a group of contemporary Norfolk artists to illustrate the high quality of art currently being created in Norfolk. 

Hugh also curated Cley Contemporary 2016 (which I wrote about in a previous post, here). I’ll quote again, part of his text from Cley Contemporary 2016…

Who are the artists who could make up a new Norfolk or Norwich School? Who are the successors of Cotman and Crome; of Sell and Ackling; of Emerson and Payne Jennings? Who are the landscape painters? Who are the abstract painters? Who are the sculptors? Who works in other interesting and challenging formats?

Hugh Pilkington, Curator, Cley Contemporary 2016.

Work by Tracey Ross at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.

Work by Tracey Ross at ‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.

Work by Fred Ingrams at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.

Work by Fred Ingrams at ‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.

Work by Kate Giles at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.

Work by Kate Giles at ‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.


‘Painters’ is open each Saturday and Sunday in August, 11am-1pm (other times by appointment – Hugh Pilkington 01366 328354). If you’re planning to visit, follow signs for the (now closed) Iceni Village south of Swaffham, then follow the signs for the Black Barn.

'Painters' exhibition, Black Barn, Cockley Cley, 2017.

‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.

Mari French and Tracey Ross at 'Painters' exhibition, Black Barn, Cockley Cley, 2017.

Mari French and Tracey Ross at ‘Painters’ exhibition, Black Barn, Cockley Cley, 2017.

Reedbeds and reflections…

River Wensum at Sculthorpe Nature Reserve © Mari French 2017

River Wensum at Sculthorpe Moor Nature Reserve © Mari French 2017


Delighted to discover a new reedbeds landscape this week, this time at Sculthorpe Moor Nature Reserve, just outside Fakenham. It’s only 8 miles from my home but although I was aware of it, I haven’t visited before (a mistake), as I normally head for the north Norfolk coast and the saltmarshes and reedbeds there. 

Sunday was a blustery and changeable early spring day, with scudding clouds and more bright sunshine as the day unfolded. The reserve is larger than I thought with extensive winding boardwalks providing comfortable and easy exploration. Lots of benches too. I had my camera with me but no sketchbook, which I’m going to put right on my next visit (soon). 

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017

Birches embracing, Sculthorpe Moor © Mari French 2017

Birches embracing © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Mere and reedbeds, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017

Reflections and bridge, Sculthorpe Moor © Mari French 2017


I loved the variety of habitat – white birch trunks standing out against the furze of woodland, the meandering river Wensum, its banks lined with pollarded willow, catkins already out, reedbeds and open meres (with great views from several hides). Lots of birdsong, which you’d expect in spring in a place popular with birdwatchers. Speaking of which, the peace and quiet was more noticeable and welcome given that any visitors encountered were talking fairly quietly being there mainly for the birds and wildlife.

Untitled. Mixed-media on paper © Mari French 2017

Untitled. Mixed-media on paper © Mari French 2017


Movement of wind in the reeds and bulrushes, sparkling sun on the water, movement of branches, reflections, fenceposts punctuating the reedbeds … these obviously all fed into my subconscious because a few days later in the studio, after some experimental markmaking, I produced these mixed media on paper pieces, which I’m rather excited by! (And yes, I did see some interesting birds).

emergence …

Ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Since my last post, I’ve been continuing my experimental studies with acrylic ink and developing some of the earlier ones. The addition of more mark making with Inktense pencil, Posca paint pens and white acrylic paint has resulted in landforms emerging – reedbeds, flooded marshes, saltings, banks – reminiscent of the Norfolk saltmarsh coast, which continues to inform my work.

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017

Experimental study, ink/mixed-media on watercolour board. © Mari French 2017