Mercurial light in winter …

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Abstract workbook collage inspired by saltmarshes and creeks, by Mari French Contemporary Artist, 2023.
Workbook collage with gelli plate printed papers. © Mari French 2023.

It’s been a year of ups and downs, stresses and a few successes, plus a lovely new studio which has been a lifeline for my work. So, apologies to my readers for such a gap in posts, but I’m back now and progressing a ‘new’ series of work (and a few exhibitions to work towards next year). I qualify ‘new’ because while this work is still related to my ongoing obsession with the saltmarsh coast, it feels different, deeper.

Saltmarsh and creek near Boston, Lincolnshire. Photo by Mari French 2023.

The emphasis in this current work is on tidal creeks, snaking through the marsh, mercurial light reflecting the huge overhead skies; the dark mudflats around them. I recently visited the saltmarshes near Leiston Shore on the East Lincolnshire coast, across the wide expanse of the Wash from North Norfolk. The visit gave me a different perspective, and I also learned a bit more about this unique landscape habitat through the work of photographer Steve Thornton. His project ‘Invisible Carbon’ has produced many sublime dramatic photographs of the Lincolnshire saltmarshes and the accompanying text reveals much about the worth of these unique landscapes as a hugely valuable ecosystem in the fight against global warming. You can read more on his work here.

Detail of monochrome abstract landscape in acrylic on cradled panel. Mari French Contemporary Artist 2023.
Detail from new series of work in progress on cradled panel.
© Mari French 2023.

In developing this series of work my palette has become more subdued: warm umbers, soft blue-greys, indigo, a touch of pinkish siennas. I love the subtlety and it works well with the subject matter. I’m enjoying working on smooth cradled wood panels, altering them with brushed gesso before painting on them. The resulting texture and subsequent application and removal of paint is producing interesting atmospheric effects.

Abstract acrylic painting on cradled panel, by artist Mari French 2023.
Detail from new series of work on cradled panel. © Mari French 2023.

It has been productive spending time exploring the subject of tidal creeks and saltmarsh in my studio workbook, by creating collage papers with a gelli plate and assembling them; allowing experimentation with combinations of pattern, line and space and possible ways of referencing my experience of the subject. A few are included in this post.

Workbook collage with gelli printed papers. © Mari French 2023.
Workbook collage with gelli printed papers. © Mari French 2023.
Abstract paintings on the wall of the studio of artist Mari French, inspired by saltmarsh and creeks. © Mari French 2023
Abstract work on the studio wall, prompted by creeks and saltmarsh.
© Mari French 2023.

I’m really enjoying pursuing this work and to seeing how it develops. I hope you’ve enjoyed the read and the images.

Saltmarsh and creek near Boston, Lincolnshire. Photo by Mari French 2023.

ice cream colours for Spring…

First day of Spring © Mari French 2018

First day of Spring © Mari French 2018

Since that sunny first day of Spring sketching in the reed beds at Burnham Overy Staithe, which I wrote about in my last post, I’ve had a wonderful time with a new palette of luscious colours, all inspired by that light-filled day at the coast.

Some of my social media followers have described these as ‘ice cream colours’, which I rather like. There’s a lot of happiness and pleasure in the works too. Sometimes we artists can struggle and fight with a painting to bring it to fruition, but the works here seemed to emerge while I was enjoying playing with the paint. And isn’t it great when that happens!

Burnished light © Mari French 2018

Burnished light © Mari French 2018

Some of these paintings are in my current solo exhibition ‘Fragile coast’ at Grapevine Gallery, Burnham Market, North Norfolk until June. You can read a bit more about the exhibition and my recent work here.

New spaces © Mari French 2018

New spaces © Mari French 2018

 

 

York: stone, wood, copper…

Autumn is a perfect season to visit the beautiful ancient city of York. A recent week’s break there had me exploring the medieval streets, riverside, and old hidden churches. I took a small sketchbook and brushpens with me, and of course a camera, not anticipating much sketching, but was compelled by the soft seasonal light on the old stone and statues.

For me one of the challenges of a popular tourist city like York is finding the hidden quieter spots to relax and sketch. So it was a pleasure to discover the (free) beautiful garden of the Treasurer’s House at the back of theMinster, where I spent a relaxed hour sketching the various statues and luminous white swathes of cosmos flowers on a convenient bench (the artist’s friend!).One day we stumbled on the old church of St Martin-cum-Gregory in the Micklegate area, which happened to be showing a completely stunning exhibition of the sculpture of Harold Gosney. Unfamiliar till now with his work, this was a beautifully curated retrospective (by the Stained Glass Centre) in a beautiful space. Gosney has worked in stone, riveted copper and wood for the past 60 years, mainly capturing the essence of horses, birds and the human figure. His work is also on display at Ripon Cathedral. More on Harold Gosney and his work here. Images below are © Harold Gosney and greatnorthartshow.co.uk (copper sculpture).

We also spent a few hours wandering through the peaceful space of York Cemetery just outside the city walls, on the recommendation of an artist friend. The cemetery is run on a nature conservancy principle with paths winding through the flowers and shrubbery and semi-hidden angel sculptures among the treees. I found (another) bench in the sunshine and sketched the light through the autumn foliage, trying to push the limits of effects and colour blending possible with my brushpens.

Another place we passed several times without realising it, was the entrance to Holy Trinity Church, off Goodramgate. This is a real gem of a medieval building, which still has the original box pews. Well worth finding but wrap up warm, it’s freezing even on a sunny day. I loved the fleeting play of sunlight on the pews and the colours of the worn old stone.

And, last but not least: a visit to my friend Lesley Birch, an excellent abstract landscape artist who I’d previously only ‘met’ on social media. Her art studio is in Pica Studios, part of the Quacks printers building on Grape Lane. The studios house several artists/makers and are open by appointment. Contact them on this link. Below you can see myself with Lesley in her busy studio.By the way, if anyone can tell me how on earth to add captions to photos on the recent WordPress versions I’d be very grateful. It used to be straightforward, but they seem to have changed it for some reason (on the app anyway!). Thanks.