Surfacing…

Blakey Ridge, North York Moors, sketchbook, 2019. © Mari French

I recently spent a week in Rosedale, a beautiful valley in the North York Moors National Park. Although it was intended mainly as a relaxing break (and it was) I also wanted to revisit and spend time sketching the high moorland plateau that inspired me so much back in August last year (see my earlier post ).

 

On the last visit I’d been attracted to the dramatic ruins of the old ironstone mine workings above Rosedale, resulting in several abstract interpretations that were accepted for the Royal Institute of Painters in Water Colours 2019 at the Mall Galleries, London, four of which are now on show at Bils and Rye, a contemporary gallery in Kirkbymoorside, near Pickering, North Yorkshire.

Abstract landscape sketch of moorland under rain, in ink and charcoal.

Rain over Farndale Moor, North York Moors. Sketchbook © Mari French 2019

However, this time I was drawn to the variety of surface texture, linear marks, colour and play of light on the upland plateau itself. Whereas the flowering heather covered the moors in a glorious purple last august, this time the colours were quieter, with striking rectangular patches of burnt heather suggesting possibilities for abstraction. With the stone outcrops, yellow lichen, patches of sienna-coloured soil and the dry vegetation, lit by sun or deep in shadow, I was confronted with an extensive patchwork of textures. Now I need to think how I want to treat these surface impressions back in the studio and where I’m taking them.

Moorland surfaces, Castlerigg, North York Moors. Sketchbook © Mari French 2019

They’ve given me inspiration and a theme for a batch of new canvases that I need to produce for several exhibitions this year, in particular ‘Surface’ exhibition at Gallery East, Woodbridge, Suffolk, in September which will feature contemporary female artists from East Anglia and beyond.

on the high moors 2: emerging images…

White Cross (mixed media on board) © Mari French 2018White Cross (mixed media on board) © Mari French 2018

White Cross (mixed media on board) © Mari French 2018

Well, the recent trip to the high moors above Rosedale in the North York Moors I wrote about in my last post paid off inspiration-wise I’m pleased to report. If you haven’t seen that post you can read it here.

I’ve been on a bit of a roll since getting back in the studio – a new palette reflecting the stone, iron ore, soft purples and ochres of the late summer/early autumn moorland landscape of North Yorkshire. First came these small studies on paper, after checking through my photos and sketches:

Moors above Rosedale, North York Moors. (study) © Mari French 2018

Moors above Rosedale (study) © Mari French 2018

 

Then a few explorations in a more abstract graphic style of the distinctive medieval ‘wheelhead’ White Cross or ‘Fat Betty’ that sits up on the moorland at the crossroads of 3 parishes:

 

Eventually I allowed my subconscious to take over and without referring to any of these resources trusted to memory and instinct (the way I love to work!). I wanted a soft palette of green-greys, bruise-greys, and blue-greys with also a soft brick tone to reflect the outcrops of iron ore in the area. I often mixed these directly on the support itself. I tried 40x40cm canvas but found in this instance I was more happy working on watercolour board at a similar size.

Anyway, these works below (and top of this post) are what emerged. I’m very excited by them and enjoyed creating them so much. They’ve already aroused interest in two galleries. I’m pleased to report I’m taking these first three of this new series to a gallery in Sevenoaks, Kent at the end of September. Now looking forward to what else emerges in this series!

High moorland (mixed media on board) © Mari French 2018

High moorland (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018

Land of iron (mixed media on board) © Mari French 2018