sea fever

Tidal flats

Tidal flats, acrylic on board. Mari French 2014.

 … the sea has been in my blood it seems this week. An exhilarating visit to Brancaster and Titchwell beaches on the North Norfolk coast last weekend, where I also explored a creek new to me, resulted in several busy painting sessions back in my studio.

Tidal flats 2

Tidal flats 2, acrylic on board. Mari French 2014

The recent tidal surges and storms were evident in the scattered remains of some of the dunes across the tidal flats, but on the whole the stunning beaches were back to normal. The looming cloud formations betrayed the approaching change in the weather but added to the dramatic scenery.

Brancaster beach, Mari French 2014.

Brancaster beach, Mari French 2014.


Brancaster beach, Mari French 2014.

Brancaster beach, Mari French 2014.


Creek, Titchwell. Mari French 2014.

Creek, Titchwell. Mari French 2014.

 

 

painting with pixels …

I’ve rarely painted domestic interior subjects, but i enjoyed this… the warm glow of the lamp, the loose treatment of the jug and flowers. I may try it with actual paints sometime… 

I created these using the iPad app ArtRage. I find ArtRage a really good painting/sketching programme (cheap for iPads but costing more for the comprehensive desktop version). It’s the best painting app I’ve come across so far, with lots of control and choice over materials, tools, colours etc., even the size and type of grain for the work surface. I sometimes use the Sensu brush I recently treated myself to, which adds a new dimension to the experience, but is not necessary, a good stylus will do. 

It took me some time to get used to this painting app – my early efforts were more like schoolkid graffiti until I had chance for some intensive practice back in September while passing time invigilating at my own exhibition in King’s Lynn. (An earlier post shows results from that practice if you’re interested).

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Reading lamp. iPad sketch. Mari French 2014

To get the effects here I was using a largish flat brush with the with the autoclean option on and instadry option off. I like to play around with various combinations of options and when I get one I like I save it as a preset, so I can use it again. I’m just amazed how pixels can be made to react like wet paint, blending, smudging – love it!

A consideration occurs to me, however, as to how the digital painting will effect my usual ‘physical’ painting/sketching practice. It may (hopefully) free up my brush technique and use of colour for instance… 

or… 

will I find myself reaching for the ‘undo’ option which is so useful on the digital app (as is the layers facility, where various layers can be added to the work in progress and turned on and off at will to view the results). I remember with some amusement, when I worked quite intensively on an Apple Mac as a graphic designer some years ago; I would often find myself, when at home, rearranging furniture or perhaps pictures on a wall and then be mentally grasping for an ‘undo’ for the easy way to set it back as it was!  

hydrangeas. iPad sketch. Mari French 2014.
hydrangeas. iPad sketch. Mari French 2014.

chasing the light …

Two new artworks from my current series ‘Towards the Light’…

See previous posts Towards the Light and Shadow & Light which explain the inspiration for these.

I’m still thinking up a title for the first one below, which I only finished today. That glorious plum colour in the shadows is a glaze using an Inktense block I bought a few days ago, the first time I’ve used them (although I do use the Inktense pencils for sketching).

Untitled.JPG

Untitled, Mari French 2013

I’ve entered the first two of this series (Flight, shown below, and Towards the Light, shown on earlier post) into the National Open Art Competition, so fingers crossed! If they don’t get through I’ll be trying them in other open competitions – I think they’re some of my strongest works.

These are a bit of a departure from my usual landscape work, as regular visitors to my blog and followers of my work will realise. I’m enjoying working on them.

All Acrylic/ink/mixed media on watercolour board, approx 20 x 30 inches.

Flight, Mari French 2013