Tag Archives: landscape

visual language …

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as mentioned in my previous post Making a Mark, I’ve been concentrating on developing my own visual language with a series of small mixed media pieces on paper. I’m quite pleased with these three and I’m going to keep at it, because hopefully it will bring a new dimension to my paintings. 

abstract 1. Mari French 2014

abstract 1. Mari French 2014

 

I’ve been using a fairly limited acrylic paint palette of Burnt Umber, Titanium White and Prussian Blue, which I’m finding very fresh and satisfying just now. I haven’t used Burnt Umber much before, finding it a little red, usually preferring Raw Umber. The scribbled marks are mainly NeoColour watercolour pastels… I prefer their soft smudginess to oil pastels, and get around their solubility with a fixing spray of Matt acrylic medium. There’s also some lovely sludgy burgundy Inktense stick in there too and ink stained tissue.

abstract 2. Mari French 2014

abstract 2. Mari French 2014

 

Although intentionally abstract, I did have in mind the salt marshes, creeks and staithes of the north Norfolk coast, where I often walk and sketch.

abstract 3. Mari French 2014

abstract 3. Mari French 2014

 

Cornwall residency award …

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I’m so pleased, today I got the news that I have been awarded an artist’s residency at Brison’s Veor, Cape Cornwall, for 2014!

A wonderful location, the house is the furthest west in England and situated right on the cliffs looking out to sea and the rocks that give the house its name. It has been run solely for creative residencies since the 1970s.

It’s also very close to the tin mining area I’ve recently been painting, which will be the main focus of my work whilst I’m there.
I’ll have it to myself for two weeks… two weeks of concentrating on painting, sketching, exploring. It will be my first residency.
Brison’s Veor

(images below are copyright http://www.brisonsveor.org.uk)

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the earth bleeds …

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Regular followers of this blog may remember my previous posts describing visits to the tin mining area of Penwith, near Lands End in Cornwall and the almost alien industrial archaeology there. If not, you can check them out here, here and here.

Below are the two most recent mixed media artworks I’ve produced on this theme. Again I’m exploring my response to the red iron oxide covered ground, the bright turquoise verdigris leaching from the copper adits where they emerge from the sea cliffs below the mines, the stark finger-like stacks pointing skywards.

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Acrylic paint, tissue, acrylic ink and inktense blocks have all been used. The support was Daler watercolour board, which will take quite a lot of wet media if adequately taped down.

It’s an absolute joy to be an abstract artist and come across such rich source material…

I have to go back …

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