it’s a cold wind …

Brilliant sunlight but Baltic winds almost turned me back from sketching at Thornham today. But, wrapped in about four layers of warm clothing, including Russian-type hat, I persevered and managed a couple of sketchbook spreads. 

 

Old landings stage and channel markers. Sketchbook, Mari French 2016

Old landing stage and channel markers. Sketchbook, Mari French 2016

 
Plenty of skeins of geese overhead and landing in nearby fields, especially the small dark Brent geese which have such an odd but appealing call, a kind of ‘ruff ruff ruff’, like dogs. One of them left its sky borne flock and circling round, landed close by, pottering in the marsh grass for a while, completely heedless of me sat there sketching.  

 

Brent geese, Norfolk coast

Brent geese, Norfolk coast. Mari French 2016

 
 
Cold wind and sunlight, Ragged Marsh, Thornham. Mari French 2016

Cold wind and sunlight, Ragged Marsh, Thornham. Mari French 2016

 

Just love the way the small creeks and pools reflect the clear blue sky amidst the golden tobacco colours of the winter marsh grass, with the upright but skewed channel marker posts scattered in the distance. Will I ever tire of this?

  

Brent goose, Thornham Marsh. Mari French 2016

Brent goose, Thornham Marsh. Mari French 2016

   

mud larks …

 Mudflats, low tide, Overy creek. Sketchbook, Mari French 2015

Mudflats, low tide, Overy creek. Sketchbook, Mari French 2015

I don’t actually walk across the marshes themselves; unless you’re extremely familiar with them that could be pretty risky. But the raised grassy banks of the sea defences that traverse the Norfolk saltmarsh coast, provide convenient access and elevated views across the marshes, reedbeds and creeks and out to the dunes and beaches. 

They also provide excellent walking opportunities; topped with good paths, they stretch for miles, crisscrossing the marshes between the string of coastal villages and, in places, linking up with official walking routes, such as the Peddars Way and the Norfolk Coastal Path. In summer the sea defences are bordered with a profusion of wildflowers, framing endless views. Even on the wildest winter days, there are usually a few hardy dog walkers or bird watchers about. Nevertheless it is still possible to get a sense of isolation and wilderness.

 

Burnham Overy creek. Mari French 2015

Burnham Overy creek. Mari French 2015

 
Thornham and Holkham are my usual sketching areas, but I sometimes go a few miles further east to Burnham Overy Staithe, which, with its moored sailboats, breakwaters, extensive sandy flats and grazings, offers an alternative sketching location.

Last Wednesday, although cold and windy, was bright and sunny and not wanting to waste the rare winter sun, I threw my sketching gear in the car with a simple packed lunch, and headed up through Burnham Market, through the lovely village of Burnham Overy and out to the Staithe and creek.

 

Breakwaters, Overy creek. Sketchbook, Mari French 2015

Breakwaters, Overy creek. Sketchbook, Mari French 2015

  
The tide was low and retreating, the wind strong and cold, and the clear sky reflected back off the wet mudflats where the creek had emptied, turning them into a blue expanse, scribbled with the tracks of birds and sinuous rivulets of water.  
Reedbeds with geese coming in. Mari French 2015

Reedbeds with geese coming in. Mari French 2015

  

Large flocks of small dark Brent geese, with their distinctive mutterings, clustered on the winter grazings. Curlews called and the wind brushed the burnished silver reeds into undulating waves. Out on the retreating creeks, redshank and cormorant. In the distance, murmurations of starlings like shadowy twisting veils.

   
 

areas of light …

Progressing the experimental studies on the Norfolk salt marsh areas I’ve been concentrating on recently.  The intention is to create a body of work on this theme eventually. I feel I’m getting somewhere … I’m excited anyway, which is usually a good sign!

Areas of light. © Mari a French 2015

Areas of light. © Mari French 2015

Am still starting with the orange gold colour I’m so obsessed with at the moment, but now adding a few more subtle tones to that limited palette. The one above, Areas of light, is in acrylic, Inktense stick, gouache and newsprint on watercolour board. One for framing eventually I think. The abstract below has a different feel, more of a summer atmosphere perhaps.

Saltmarsh abstract © Mari French 2015

Saltmarsh abstract © Mari French 2015


Workbook spread © Mari French 2015

Workbook spread © Mari French 2015

 And above, another workbook spread on the same theme. I love the golden hues and contrasting dark ink in this.

One thing that bothers me is that each time I write a blog the images look squashed up and I cant figure out why. If they look odd to you, please do me a favour and leave a comment letting me know, thanks.