a wide open space …

 

Sketchbook. Burnham Overy salt marsh, December.

Sketchbook. Burnham Overy salt marsh, December. Mari French 2014 

Recently on an overcast winter day I visited the small Norfolk coastal village of Burnham Overy Staithe and for the first time explored the salt marshes there along the path to the beach. I went back soon after on a cold but bright December day to do some sketching and photography. 

Such an exhilarating place, with the calls of the migrating geese, waders on the mud flats and sun in the reeds. I liked the sinuous shapes the left-behind creek water made in the tidal mud, with the delicate running patterns of prints from small sea birds; the way the wet mud reflects the blue sky with the brown water trickling through it.

Burnham_Overy_Staithe_December.JPG

Burnham Overy marsh, low tide.

Burnham Overy marsh, low tide. Mari French 2014

My usual stomping and sketching ground is a few miles west at Thornham’s salt marsh area but the Burnham Overy marshes are different, with, depending on the tide, large areas of sand, tidal mud, saltwater lagoon, freshwater drainage channels fringed with silvery reed beds, grass pastureland grazed by flocks of overwintering pink foot and Brent geese. 

This wonderful variety can be easily enjoyed (and sketched, there are several nicely positioned benches too) from the 1 1/2 mile path along the sea defences to the sand dunes and beach. 

Sketchbook. Burnham Overy marsh, December.

Sketchbook. Burnham Overy marsh, December. Mari French 201 


Woven bank supports, Burnham Overy marsh.

Woven bank supports, Burnham Overy marsh. Mari French 2014 

Like much of the Norfolk Coast there is a wide open limitless feel to the landscape and sky here, which inspires me. The light on a clear day is amazing. 

Even in bad weather it’s endlessly interesting; I’ve always been intrigued by the decaying evidence of man’s work in the landscape and here the woven willow/hazel bank supports and stone breakwaters supply punctuation marks to the scene. This is clearly going to become an important area of source material for my work on salt marshes.

Woven bank supports, Burnham Overy marsh. Mari French 2014

Woven bank supports, Burnham Overy marsh. Mari French 2014

 

Reed_beds_Burnham_Overy_marsh.JPG

Reed beds, grazing geese, Burnham Overy marsh. Mari French 2014

 

Tidal mud, Burnham Overy marsh. Mari French 2014

Tidal mud, Burnham Overy marsh. Mari French 2014

Burnham Overy marsh, high tide.

Burnham Overy marsh, high tide. Mari French 2014

 

a winter eye…

a few recent textured, mixed-media works completed in the winter months of 2011…

after all the festivities and family commitments of Christmas I’ll be glad to get back to my easel again. A happy and peaceful 2012 to you all…

… may your winter eye be graced with stimulating images, wherever you encounter them.

winter sun © Mari French 2012

winter sun © Mari French 2012

hidden valley © Mari French 2012

hidden valley © Mari French 2012

limestone below © Mari French 2012

limestone below © Mari French 2012

blue field © Mari French 2012

blue field © Mari French 2012

sunflowers in winter…

detail from recent sketch of dead sunflowers, Harpley, Norfolk, Nov 2011© Mari French

detail from sketch of dead sunflowers © Mari French 2011

okay… I realise many images can be intriguing when cropped and magnified, but I love this detail from a late afternoon sketch I did in November, in a field of dead sunflowers (in Harpley, Norfolk). I like the dark beauty of the granulations of colour as they have bled and flowed together. This is why I enjoy playing with wet-in-wet watercolour often combined, as here, with watercolour pastels. (Just wish I could reproduce this effect on a large scale!)

Below is the original sketch, and a further detail. For me the dead plants are more satisfying to paint than the living summer ones, glorious though they are to look at.

Winter sunflowers (watercolour sketch) © Mari French Nov 2011

Winter sunflowers (watercolour sketch) © Mari French Nov 2011

dead sunflowers © Mari French 2011

dead sunflowers, detail from sketch © Mari French 2011