a wide open space …

 

Sketchbook. Burnham Overy salt marsh, December.

Sketchbook. Burnham Overy salt marsh, December. Mari French 2014 

Recently on an overcast winter day I visited the small Norfolk coastal village of Burnham Overy Staithe and for the first time explored the salt marshes there along the path to the beach. I went back soon after on a cold but bright December day to do some sketching and photography. 

Such an exhilarating place, with the calls of the migrating geese, waders on the mud flats and sun in the reeds. I liked the sinuous shapes the left-behind creek water made in the tidal mud, with the delicate running patterns of prints from small sea birds; the way the wet mud reflects the blue sky with the brown water trickling through it.

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Burnham Overy marsh, low tide.

Burnham Overy marsh, low tide. Mari French 2014

My usual stomping and sketching ground is a few miles west at Thornham’s salt marsh area but the Burnham Overy marshes are different, with, depending on the tide, large areas of sand, tidal mud, saltwater lagoon, freshwater drainage channels fringed with silvery reed beds, grass pastureland grazed by flocks of overwintering pink foot and Brent geese. 

This wonderful variety can be easily enjoyed (and sketched, there are several nicely positioned benches too) from the 1 1/2 mile path along the sea defences to the sand dunes and beach. 

Sketchbook. Burnham Overy marsh, December.

Sketchbook. Burnham Overy marsh, December. Mari French 201 


Woven bank supports, Burnham Overy marsh.

Woven bank supports, Burnham Overy marsh. Mari French 2014 

Like much of the Norfolk Coast there is a wide open limitless feel to the landscape and sky here, which inspires me. The light on a clear day is amazing. 

Even in bad weather it’s endlessly interesting; I’ve always been intrigued by the decaying evidence of man’s work in the landscape and here the woven willow/hazel bank supports and stone breakwaters supply punctuation marks to the scene. This is clearly going to become an important area of source material for my work on salt marshes.

Woven bank supports, Burnham Overy marsh. Mari French 2014

Woven bank supports, Burnham Overy marsh. Mari French 2014

 

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Reed beds, grazing geese, Burnham Overy marsh. Mari French 2014

 

Tidal mud, Burnham Overy marsh. Mari French 2014

Tidal mud, Burnham Overy marsh. Mari French 2014

Burnham Overy marsh, high tide.

Burnham Overy marsh, high tide. Mari French 2014

 

rust and totems …

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I am finding industrial landscapes, objects and interiors as potentially a rich source of inspiration for my abstract artworks as rural landscapes. In fact I can see a kind of landscape in some of my photos here.

The rich patina of marks, scuffs, rust, paint and general usage all bear witness to an intriguing, sometimes forgotten, history, whilst their shapes, colours and textures will undoubtedly haunt my future work.

A quiet beauty… a totemic presence…

Some people are a little bemused by my new love, others see it as a natural progression of my artwork and love it enough to buy it, for which I am very grateful.

These are a just a few of my own photos of humble places and objects, which I find I keep coming back to, so I thought I’d share them.

grinding mill 1. digital photo. Mari French 2014

grinding mill 1. digital photo. Mari French 2014

 

grinding mill 3. digital photo. Mari French 2014

grinding mill 3. digital photo. Mari French 2014

 

grinding mill 2. digital photo. Mari French 2014

grinding mill 2. digital photo. Mari French 2014


grinding mill 4. digital photo. Mari French 2014

grinding mill 4. digital photo. Mari French 2014

 

Rusting ladder, Newlyn. digital photo. Mari French 2014

Rusting ladder, Newlyn. digital photo. Mari French 2014


 
 

Whelk shed. digital photo. Mari French 2014

Whelk shed. digital photo. Mari French 2014

 

Chain & rope. digital photo. Mari French 2014

Chain & rope. digital photo. Mari French 2014


Hayloft nail. digital photo. Mari French 2014

Hayloft nail. digital photo. Mari French 2014

memory of sunlight…

Memory of sunlight 1. Digital photo, Mari French 2014

Memory of sunlight 1. Digital photo, Mari French 2014

I love the ethereal effects resulting from natural light pouring through windows onto walls, especially in older buildings.

I photographed these images in my home earlier in April, as the afternoon spring sunlight flickered and filtered through to produce this chiaroscuro play of light and shadow on the wall. 

Memory of sunlight 2. Digital photo, Mari French 2014

Memory of sunlight 2. Digital photo, Mari French 2014

Straight from my digital camera, they’re not altered or enhanced in any way, apart from a slight cropping on one. If I could produce this kind of image in my painted artworks I’d be one happy bunny.

I’m a bit obsessed with photographing light in this way (you can see more of my images in the photography gallery in the menu above).

Memory of sunlight 3. Digital photo, Mari French 2014

Memory of sunlight 3. Digital photo, Mari French 2014