abandoned colour …

a selection of sketches from a week in Cornwall in September, spent exploring the moors, coast, ancient Bronze Age remains and the other-worldliness of the abandoned tin and copper mines in the Penwith area.

Towards Rosewall Hill, Cornwall

Towards Rosewall Hill, Cornwall.

These sketches were made on the spot, (in varied weather) in my current favourite sketchbook – a Moleskine watercolour sketchbook. The paper weight is robust enough to stand up to the deluge of water I usually flood each page with and I prefer the landscape format over the A5/A6 sizes sketchpads and books tend to come in.

Apart from my usual use of wet-in-wet watercolours and pencil, I was trying out the Derwent Inktense blocks which I’ve recently discovered; I love their immediacy of colour, their smudgy intensity, especially in the darker colours, like the plummy colour shown in the sketch above.

Mine stack at Levant, Cornwall.

Mine stack at Levant, Cornwall.


Verdigris leaching from cliff, Levant Mine.

Verdigris leaching from cliff, Levant Mine.   

The colours of the earth around these mines where the ores carpet the surface, and the copper verdigris leaches from the sea cliffs below the mines, have to be seen to be believed! It looks just like a giant has flung pots of paint around with abandon.

Mine stack, Levant Mine.

Mine stack, Levant Mine.

 

Rubble & ore, Levant Mine.

Rubble & ore, Levant Mine.

There is enough visual inspiration in this industrial landscape to warrant returning and spending much longer gathering material for a whole series of work. I’d love to do just that.

Rock formation, Levant.

Rock formation, Levant.

 

Men an Tol, near Morvah

Men an Tol, near Morvah

  

Rainclouds over Porthmeor bay, St Ives, Cornwall.

Rainclouds over Porthmeor bay, St Ives, Cornwall.

 

Venice sketchbook …

20130523-222307.jpg
funny how a rough sketch or study can send you hurtling back to the precise moment of creation …

… sitting in the hot Venice sunshine on marble steps by a bridge, or a church, usually in the quieter, humbler ‘sestieres’ of Cannaregio or Castello.

20130523-222459.jpg

I remember this while sketching … an old woman shaking a rug out of her window on the third floor stopped to smile and wave to me. In a city inundated with tourists (267 to every Venetian), I appreciated that friendly gesture.

20130523-222334.jpg

I took ink-stained tissue paper and pva glue with me this time as part of my sketching kit. It seems to capture the intense colour and light of the city … a bit fiddly but lovely to sketch over, and in the heat it dried quickly.

20130523-222240.jpg

20130523-222414.jpg

OLYMPUS DIGITAL CAMERA

The long narrow sketch pad you can see in some of the photos is the ‘Extreme’ watercolour pad produced by RE+new Gallery in Woodbridge, Suffolk. It’s very useful for panoramas (or tall buildings) and great for pen or pencil and wash; but I tend to work in a fairly wet style and I find the paper a bit thin for that, unfortunately. The other sketchbook is a good old small, square Seawhite sketchbook, which seems to take well to wet-in-wet, collating etc.

Okay, end of technical details …

20130523-222323.jpg

OLYMPUS DIGITAL CAMERA

sun-spangled … wind blasted

Reeds & water, Holme, Norfolk

Reeds & water, Thornham, Norfolk

Wind like a knife against my face, arriving without pause direct from the Urals…

ranks of winter-bleached reeds bending in unison before its force.

Blinding white breakers tear across the bright horizon beyond the marsh and sandbanks…

while, overlooked by twitchers, an avocet on the ebbing sun-spangled creek.

Thornham creek (watercolour sketch) © Mari French 2013

Thornham creek (watercolour sketch) © Mari French 2013

Today was so bitterly cold I could only sketch from the car, through the open window, parked by Thornham Creek. Not the greatest sketch, but I wanted to capture the feel of the scene to store in my head to prompt a painting at a later date.

Muffled up to the eyes in five layers of warm clothes I later ventured out for a rapid one mile walk along the sea defences. Gloriously bright and sunny you’d never imagine the ferocity and iciness of the northeasterly from these photos. (I’ve never seen breakers on this part of the beach before). But it does leave you feeling wildly alive and exhilarated…

… and yes, I did see an avocet.

Thornham marsh & coast, copyright Mari French 2013

Thornham marsh & coast

Thornham creek & saltmarsh, Norfolk

Thornham creek & saltmarsh, Norfolk

Thornham, Norfolk

Thornham, Norfolk