Coastal erosion at the Mall Galleries!…

I’m so pleased to announce that four of my artworks have been selected for exhibition at the Royal Institute of Water Colour Painters (RI) at the Mall Galleries, London, 6 to 21 April 2018. This is always an impressive and varied show of contemporary work in water media and well worth visiting if you are able to.

'Equinox', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.'Emerging forms', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

'Byzantine waters', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

'Cryptic shore', mixed media on paper. Selected for the Royal Institute of Painters in Water Colours 2018. © Mari French 2018.

The selected paintings: ‘Equinox’, ‘Emerging forms’, ‘Byzantine waters’ and ‘Cryptic shore’ (all shown above) are part of an ongoing series created in response to coastal erosion, which I have been working on over the winter. It’s a subject that has been in my mind since visiting Happisburgh, North Norfolk.

Although I’m well aware of and sympathise with the devastation such destructive erosion causes to the inhabitants of affected villages, my interest here was in capturing the energy and dynamism of the forces involved; of crumbling cliffs and bent and broken structures; the sheer power of the waves and the resulting twisted rusting metal, wooden and concrete forms.

I’ll be exhibiting more paintings from this series at my solo show from 24 March at the Grapevine Gallery, Burnham Market, North Norfolk, which will also feature artworks from my reedbeds series. This exhibition will run for one month, more details to follow.

York: stone, wood, copper…

Autumn is a perfect season to visit the beautiful ancient city of York. A recent week’s break there had me exploring the medieval streets, riverside, and old hidden churches. I took a small sketchbook and brushpens with me, and of course a camera, not anticipating much sketching, but was compelled by the soft seasonal light on the old stone and statues.

For me one of the challenges of a popular tourist city like York is finding the hidden quieter spots to relax and sketch. So it was a pleasure to discover the (free) beautiful garden of the Treasurer’s House at the back of theMinster, where I spent a relaxed hour sketching the various statues and luminous white swathes of cosmos flowers on a convenient bench (the artist’s friend!).One day we stumbled on the old church of St Martin-cum-Gregory in the Micklegate area, which happened to be showing a completely stunning exhibition of the sculpture of Harold Gosney. Unfamiliar till now with his work, this was a beautifully curated retrospective (by the Stained Glass Centre) in a beautiful space. Gosney has worked in stone, riveted copper and wood for the past 60 years, mainly capturing the essence of horses, birds and the human figure. His work is also on display at Ripon Cathedral. More on Harold Gosney and his work here. Images below are © Harold Gosney and greatnorthartshow.co.uk (copper sculpture).

We also spent a few hours wandering through the peaceful space of York Cemetery just outside the city walls, on the recommendation of an artist friend. The cemetery is run on a nature conservancy principle with paths winding through the flowers and shrubbery and semi-hidden angel sculptures among the treees. I found (another) bench in the sunshine and sketched the light through the autumn foliage, trying to push the limits of effects and colour blending possible with my brushpens.

Another place we passed several times without realising it, was the entrance to Holy Trinity Church, off Goodramgate. This is a real gem of a medieval building, which still has the original box pews. Well worth finding but wrap up warm, it’s freezing even on a sunny day. I loved the fleeting play of sunlight on the pews and the colours of the worn old stone.

And, last but not least: a visit to my friend Lesley Birch, an excellent abstract landscape artist who I’d previously only ‘met’ on social media. Her art studio is in Pica Studios, part of the Quacks printers building on Grape Lane. The studios house several artists/makers and are open by appointment. Contact them on this link. Below you can see myself with Lesley in her busy studio.By the way, if anyone can tell me how on earth to add captions to photos on the recent WordPress versions I’d be very grateful. It used to be straightforward, but they seem to have changed it for some reason (on the app anyway!). Thanks.

Art in another barn!

Last Friday’s private view of ARTWORKS annual exhibition at Blackthorpe Barn near Bury St Edmunds was mobbed! The general consensus from visitors on the night (and in the visitor book since), was that this is the strongest ARTWORKS show yet.
ARTWORKS are a group of 30 East Anglian artists who exhibit here each year. I’m one of the new ‘guest’ artists and have eleven pieces of work on display and several unframed browser works, plus cards. The barn is a huge impressive space and there is a wealth of contemporary art and stunning sculpture on display. There’s also a great little cafe selling tea/coffee/cakes and a shop with art cards and small items of artworks, jewellery etc. for sale by the artists.
The exhibition is on every day (10am to 5pm) till 1 October, with demonstrations by artists most days and is well worth a visit. Blackthorpe Barn, Rougham, nr Bury St Edmonds (just off Jct 45 of the A14).