Sea lavender & dark skies…

Sea lavender sketch, Thornham saltmarsh

Sea lavender sketch, Thornham saltmarsh. © Mari French 2018

Due to flagging and wilting in the extended heatwave of the past 7 weeks, I’m playing catch up with painting and social media etc. I’m really not good in the temperatures of 34C plus which we’ve had lately.

Anyway, enough grumbling! We had a fantastic lightning storm last night and torrential rain, so I’m feeling a bit more refreshed and don’t need to water the garden for a few days. This post is really to tell you about a sketching trip I had to Thornham salt marsh on the North Norfolk coast a week ago, when it was a bit overcast and threatening rain (though it didnt) and so much more comfortable for walking and sketching. (I did post some of these images on Facebook etc, so they may look a bit familiar to some of you).

Sea lavender and dark skies, Thornham, North Norfolk. © Mari French 2018

Sea lavender and dark skies, Thornham, North Norfolk. © Mari French 2018

I’d driven up to Thornham to catch the swathes of sea lavender that carpet much of the Norfolk marshes this time of year. But I was also astonished by the profusion of wildflowers (despite the drought, or maybe because of it) and butterflies along the paths on top of the sea defences – mallow, wild fennel, corn cockle, wild carrot and something with exquisite clover-like white and blue flowers which I haven’t yet identified (see lower left image). Feel free to enlighten me!

 

I started off with gouache, which I’m enjoying using more frequently recently, combined with other media like pencil and Posca paint pens. But I soon decided to switch to wet-in-wet watercolour as the gouache was drying too fast and causing the brush to drag. I thought wet-in-wet might allow me to evoke the looming skies and shadows on the marsh more effectively. I love the way the creeks reflect the light, especially as the skies darken.

 

Sea lavender, Ragged Marsh.

Sea lavender, Ragged Marsh. © Mari French 2018

I’ve since been getting back into the swing of painting in my studio (only in the mornings for now, too hot after lunch), and I’m having fun putting some of these influences to use on canvas, which I’ll show you in my next post.

 

sea of purple …

Sea lavender saltmarsh, sketchbook spread.

Sea lavender saltmarsh, sketchbook spread. © Mari French 2016

This week, I tried a new coastal sketching route (for me), along Green Lane at Thornham and out onto the Saltmarsh via a rough bridle way. I was stunned by the swathes of purple sea lavender stretching out to the dunes on the horizon. I’d seen this on Norfolk saltmarshes in other years, but never such an expanse.

These plants are completely covered by high tides, there was one the night before – evidence in the form of small dead crabs among the sea lavender – yet they thrive in this hostile environment.

Thornham marsh © Mari French 2016

Thornham marsh © Mari French 2016

I spent several hours over two days walking, sketching and taking photographs. Again, I was keen to interpret this in an abstract way with various media, concentrating on evoking the wind, bird calls, light aircraft overhead, the rustling of reeds etc.

Thornham marsh © Mari French 2016

Thornham marsh © Mari French 2016


Sea lavender, Thornham. Sketchbook © Mari French 2016

Sea lavender, Thornham. Sketchbook © Mari French 2016

 

Thornham Saltmarsh, sketchbook.

Thornham Saltmarsh, sketchbook. © Mari French 2016

 

Sea lavender, Thornham.

Sea lavender, Thornham. © Mari French 2016


Marsh pools, Thornham Saltmarsh.

Marsh pools, Thornham Saltmarsh. © Mari French 2016


Thornham Saltmarsh, sketchbook.

Thornham Saltmarsh, sketchbook. © Mari French 2016

 

Sun & storm clouds (ii)…

Stormy sky towards Thornham

Stormy sky towards Thornham. © Mari French 2016

On my second recent sketching trip to Thornham Saltmarsh, I wanted to try out my new Posca paint pens with gouache and ink, as a change from the watercolours I normally use outdoors. 

I encountered Posca pens for the first time back in January on the Emily Ball workshop I attended in Cambridge, but this was the first time I’ve used them out sketching. They come in a range of colours and types of nib/width etc and at first look like felt markers. However, what I particularly like about them is their ability to be used over other colours without losing their clarity (see the fine blue lines and the white thicker ones in the sketch above). They seem to combine well with gouache, but I’ve seen them used effectively on acrylics, collage and so on.

Although the yellow rape had gone over, you could still detect its balmy, honeyed, slightly medicinal aroma along the raised paths around the marsh. Many other wildflowers were out – purple mallow, yellow rattle, white clover, ox-eye daisies, cow parsley and the stunning blue chicory,  with sea lavender blushing the marsh with mauve.

Butterflies flickered along the margins of the paths (one landed on my sketch), and many plants were studded with tiny button-like snails. The wind rustling through the reedbeds and the grasses emphasised the peace and quiet.

Ragged Marsh. © Mari French 2016

Ragged Marsh. © Mari French 2016

 

Hot day, windy with skylarks and jets. © Mari French 2016

Hot day, windy with skylarks and jets. © Mari French 2016

I didn’t walk as far as the beach this time, but spent an hour observing and sketching the weather over the marsh. From distant Thornham village, acrid woodsmoke drifted in, giving rise to the brownish smudge on the abstract sketch above. A jet zipped through the sky ripping it open, but the skylarks continued spiralling upwards casting their songs into the air.

Chicory, Holme dunes. © Mari French 2016

Chicory, Holme dunes. © Mari French 2016

 

Bench & signpost. © Mari French 2016

Bench & signpost. © Mari French 2016


Sketchbook © Mari French 2016

Sketchbook © Mari French 2016


Sketch in gouache and Posca pen © Mari French 2016

Sketch in gouache and Posca pen © Mari French 2016

 

Sketch in gouache, ink and Posca pen. © Mari French 2016

Sketch in gouache, ink and Posca pen. © Mari French 2016