a wide open space …

 

Sketchbook. Burnham Overy salt marsh, December.

Sketchbook. Burnham Overy salt marsh, December. Mari French 2014 

Recently on an overcast winter day I visited the small Norfolk coastal village of Burnham Overy Staithe and for the first time explored the salt marshes there along the path to the beach. I went back soon after on a cold but bright December day to do some sketching and photography. 

Such an exhilarating place, with the calls of the migrating geese, waders on the mud flats and sun in the reeds. I liked the sinuous shapes the left-behind creek water made in the tidal mud, with the delicate running patterns of prints from small sea birds; the way the wet mud reflects the blue sky with the brown water trickling through it.

Burnham_Overy_Staithe_December.JPG

Burnham Overy marsh, low tide.

Burnham Overy marsh, low tide. Mari French 2014

My usual stomping and sketching ground is a few miles west at Thornham’s salt marsh area but the Burnham Overy marshes are different, with, depending on the tide, large areas of sand, tidal mud, saltwater lagoon, freshwater drainage channels fringed with silvery reed beds, grass pastureland grazed by flocks of overwintering pink foot and Brent geese. 

This wonderful variety can be easily enjoyed (and sketched, there are several nicely positioned benches too) from the 1 1/2 mile path along the sea defences to the sand dunes and beach. 

Sketchbook. Burnham Overy marsh, December.

Sketchbook. Burnham Overy marsh, December. Mari French 201 


Woven bank supports, Burnham Overy marsh.

Woven bank supports, Burnham Overy marsh. Mari French 2014 

Like much of the Norfolk Coast there is a wide open limitless feel to the landscape and sky here, which inspires me. The light on a clear day is amazing. 

Even in bad weather it’s endlessly interesting; I’ve always been intrigued by the decaying evidence of man’s work in the landscape and here the woven willow/hazel bank supports and stone breakwaters supply punctuation marks to the scene. This is clearly going to become an important area of source material for my work on salt marshes.

Woven bank supports, Burnham Overy marsh. Mari French 2014

Woven bank supports, Burnham Overy marsh. Mari French 2014

 

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Reed beds, grazing geese, Burnham Overy marsh. Mari French 2014

 

Tidal mud, Burnham Overy marsh. Mari French 2014

Tidal mud, Burnham Overy marsh. Mari French 2014

Burnham Overy marsh, high tide.

Burnham Overy marsh, high tide. Mari French 2014

 

shades of gold …

Recent Plein air watercolour sketches of …

the reedbeds and whelk sheds at Brancaster Staithe

autumn field further inland

and the glorious beech woods near Massingham and West Acre

… all around North west Norfolk

Whelk sheds, Brancaster Staithe. Mari French

Whelk sheds, Brancaster Staithe. Mari French

Reed beds. Mari French

Reed beds and tidal mud. Mari French

Autumn field. Mari French.

Autumn field. Mari French.

Beech woods near West Acre. Mari French

Beech woods near West Acre. Mari French

Beech woods and stubble, Massingham Heath. Mari French

Beech woods and stubble, Massingham Heath. Mari French

sea fever

Tidal flats

Tidal flats, acrylic on board. Mari French 2014.

 … the sea has been in my blood it seems this week. An exhilarating visit to Brancaster and Titchwell beaches on the North Norfolk coast last weekend, where I also explored a creek new to me, resulted in several busy painting sessions back in my studio.

Tidal flats 2

Tidal flats 2, acrylic on board. Mari French 2014

The recent tidal surges and storms were evident in the scattered remains of some of the dunes across the tidal flats, but on the whole the stunning beaches were back to normal. The looming cloud formations betrayed the approaching change in the weather but added to the dramatic scenery.

Brancaster beach, Mari French 2014.

Brancaster beach, Mari French 2014.


Brancaster beach, Mari French 2014.

Brancaster beach, Mari French 2014.


Creek, Titchwell. Mari French 2014.

Creek, Titchwell. Mari French 2014.